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Content
December 2024, Volume 48, Issue 4
- 497-498 Spatial dimensions of cultural economics
by Silvia Cerisola & Christiane Hellmanzik - 499-525 The spatial dimensions of cultural consumption: how distance influences consumption levels in a spatial setting
by Lorenzo Biferale & Maria Giovanna Brandano & Alessandro Crociata & Hygor P. M. Melo - 527-574 The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance
by Richard Briesch & Ernan Haruvy & Glenn B. Voss & Zannie Giraud Voss - 575-614 The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students
by Olivier Mouate & Muriel Travers - 615-644 Assessing complementarity and substitution effects of cultural events in rural communities: insights from a Mediterranean island
by Marta Meleddu & Manuela Pulina - 645-684 Cashing in on culture: local employment effects from art and cultural district designation
by Gary A. Wagner & Javier E. Portillo - 685-687 “Innovators” by David W. Galenson
by Riccardo Puglisi - 689-690 Correction: Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance
by Chiara Dalle Nogare & Monika Murzyn-Kupisz
September 2024, Volume 48, Issue 3
- 335-337 The “Bloomington Issue”
by Douglas S. Noonan & Federico Etro - 339-346 Joke economics: the low profile of comedy in the economics of arts and culture
by Alan Collins - 347-365 The values of cultural goods and cultural capital externalities: state of the art and future research prospects
by Trine Bille - 367-385 Health insurance access and the career choices of college graduates with majors in the arts: evidence from the affordable care act’s dependent coverage expansion
by Richard J. Paulsen & Rajendra Dulal - 387-404 Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters
by Fernanda Gutierrez-Navratil & Maria J. Perez-Villadoniga & Juan Prieto-Rodriguez - 405-437 Core functions, visitor friendliness and digitalisation: a comparative analysis of corporate museums’ performance
by Chiara Dalle Nogare & Monika Murzyn-Kupisz - 439-462 Rethinking royalties: alternative payment systems on music streaming platforms
by Frederik Juul Jensen - 463-491 Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment
by Dylan Thompson - 493-495 The moral foundations of public funding for the arts. Michael Rushton. Palgrave MacMillan
by Samuel Cameron
June 2024, Volume 48, Issue 2
- 171-198 Why the Impressionists did not create Impressionism
by Liesbeth Strooper & Erwin Dekker - 199-220 The impact of social media activities on theater demand
by Andrea Baldin & Trine Bille & Raghava Rao Mukkamala & Ravi Vatrapu - 221-258 Originality, influence, and success: a model of creative style
by Karol Jan Borowiecki & Caterina Adelaide Mauri - 259-283 The global impact of public and private funding on cultural and economic movie success: evidence from German film funding
by Nicolas R. Weber & André Marchand & Reinhard E. Kunz - 285-310 Preference formation in demand for live theatre
by David Throsby & John R. Severn & Katya Petetskaya - 311-329 The rule of tome? Longer novels are more likely to win literary awards
by Féidhlim P. McGowan - 331-334 Erwin Dekker and Valeria Morea: Realizing the values of art: making space for cultural civil society
by Jason Potts
March 2024, Volume 48, Issue 1
- 1-42 Intermediary liability and trade in follow-on innovation
by Alexander Cuntz & Matthias Sahli - 43-94 Displacement and complementarity in the recorded music industry: evidence from France
by Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang - 95-115 Student loan debt and the career choices of college graduates with majors in the arts
by Richard J. Paulsen - 117-143 Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic
by Byunghwan Son - 145-166 For those about to rock… is stability a determinant of rock bands success?
by Etienne Farvaque - 167-170 Arturo Cifuentes and Ventura Carlin: the worth of art. Financial tools for the art market. New York, Columbia University Press, 2023
by Kim Oosterlinck
December 2023, Volume 47, Issue 4
- 555-587 The “Great Lockdown” and cultural consumption in the UK
by Hasan Bakhshi & Salvatore Novo & Giorgio Fazio - 589-607 Reluctantly independent: motivations for self-employed artistic work
by Tal Feder & Joanna Woronkowicz - 609-641 How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de Janeiro
by Luisa Iachan & François Moreau & Paul Heritage & Leandro Valiati & Eliana Sousa Silva - 643-692 Live and digital engagement with the visual arts
by Victoria Ateca-Amestoy & Concetta Castiglione - 693-718 Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, Brazil
by Jonas Silva Henrique & Ana Flávia Machado & Mariangela Furlan Antigo - 719-722 Hans Abbing: The economies of serious and popular art: how they diverged and reunited
by Bronwyn Coate & Ellen Loots - 723-726 Jimmyn Parc and Patrick A. Messerlin: The untold story of the Korean film industry: a global business and economic perspective
by Roya Hayatina Latua-Silawane & Emy Rosiana
September 2023, Volume 47, Issue 3
- 355-358 The economics of art history
by Federico G. Etro & David W. Galenson - 359-406 Valuing European tapestry: from riches to rags
by Anne-Sophie V. Radermecker & Koenraad Brosens - 407-436 Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880
by Claire Dupin Beyssat & Diana Seave Greenwald & Kim Oosterlinck - 437-460 How Monet became a millionaire: the importance of the artist’s account books
by Simon Kelly - 461-488 The rise and fall and rise again of the contemporary art market
by Robert Jensen - 489-511 Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat
by David W. Galenson & Simone Lenzu - 513-545 Residual variance and asset pricing in the art market
by Jianping Mei & Michael Moses & Yi Zhou - 547-554 Risky business? A review of Jonathan Nelson & Richard Zeckhauser’s Risk in Renaissance Art: Production, Purchase and Reception
by Ennio E. Piano
June 2023, Volume 47, Issue 2
- 181-204 Music preferences as an instrument of emotional self-regulation along the business cycle
by Juan Lucio & Marco Palomeque - 205-245 An empirical approach to measure unobserved cultural relations using music trade data
by Yuki Takara & Shingo Takagi - 247-277 The Eurovision Song Contest: voting rules, biases and rationality
by Victor Ginsburgh & Juan D. Moreno-Ternero - 279-301 Empirical evidence of anchoring and loss aversion from art auctions
by Kathryn Graddy & Lara Loewenstein & Jianping Mei & Mike Moses & Rachel A. J. Pownall - 303-349 Knocking on Hell’s door: dismantling hate with cultural consumption
by Daria Denti & Alessandro Crociata & Alessandra Faggian - 351-353 Amy Whitaker: Economics of visual art: market practice and market resistance
by Joanna Woronkowicz
March 2023, Volume 47, Issue 1
- 1-30 Workers’ access to Swedish opera houses and concert halls, 1898–2019
by Staffan Albinsson - 31-69 Globalization and the rise of action movies in hollywood
by Tin Cheuk Leung & Shi Qi - 71-96 More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants
by Martina Dattilo & Fabio Padovano & Yvon Rocaboy - 97-131 Eppur si muove: an evaluation of museum policy reform in Italy
by Maria Rosaria Alfano & Anna Laura Baraldi & Claudia Cantabene - 133-175 Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies
by Antonella Francesca Cicchiello & Serena Gallo & Stefano Monferrà - 177-179 Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action
by Hans Abbing
December 2022, Volume 46, Issue 4
- 571-596 Cultural expenditure of those who enter (or exit) unemployment
by Javier Gardeazabal & Eduardo Polo-Muro - 597-634 Some economics of movie exhibition: increasing returns and Imax revenue premium
by Dapeng Liu & Pascal Courty - 635-658 Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes
by Richard J. Paulsen - 659-697 Specialization and the firm in Renaissance Italian art
by Ennio E. Piano - 699-722 Socio-economic and spatial determinants of municipal cultural spending
by Michael Getzner - 723-746 From Bilbao to Bodø: how cultural flagships are transforming local cultural life
by Hanna Nyborg Storm - 747-750 David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 2021
by Kim Oosterlinck
September 2022, Volume 46, Issue 3
- 391-437 First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning
by Jasmin Droege - 439-481 Women artists: gender, ethnicity, origin and contemporary prices
by Abigail LeBlanc & Stephen Sheppard - 483-517 Preferences for perceived attractiveness in modern dance
by Rachel Lau & Brooke Krause - 519-540 Career challenges facing musicians in the United States
by Ying Zhen - 541-541 Correction to: Career challenges facing musicians in the United States
by Ying Zhen - 543-565 An empirical analysis of price differences for male and female artists in the global art market
by Fabian Y. R. P. Bocart & Marina Gertsberg & Rachel A. J. Pownall - 567-569 Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco
by María J. Pérez-Villadóniga
June 2022, Volume 46, Issue 2
- 205-230 New forms of finance and funding in the cultural and creative industries. Introduction to the special issue
by Ellen Loots & Diana Betzler & Trine Bille & Karol Jan Borowiecki & Boram Lee - 231-248 Beyond the realm of cash: street performers and payments in the online world
by Meg Elkins & Tim R. L. Fry - 249-284 The art of crowdfunding arts and innovation: the cultural economic perspective
by Christian Handke & Carolina Dalla Chiesa - 285-285 Correction to: The art of crowdfunding arts and innovation: the cultural economic perspective
by Christian Handke & Carolina Dalla Chiesa - 287-315 From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties
by Lauren Haaften-Schick & Amy Whitaker - 317-344 Uncovering potential barriers of using initial coin offerings to finance artistic projects
by Manuel Knott & Franz Strich & Kim Strunk & Anne-Sophie Mayer - 345-386 Starving the golden goose? Access to finance for innovators in the creative industries
by Salvatore Di Novo & Giorgio Fazio & Jonathan Sapsed & Josh Siepel - 387-389 Peter Tschmuck: The economics of music, 2nd edition
by Patrik Wikstrom
March 2022, Volume 46, Issue 1
- 1-2 For a new cultural economics
by Federico Etro & Douglas Noonan - 3-26 The behavioural economics of culture
by Bronwyn Coate & Robert Hoffmann - 27-55 Brace yourselves, pirates are coming! the effects of Game of Thrones leak on TV viewership
by Wojciech Hardy - 57-100 Drivers of cultural participation of immigrants: evidence from an Italian survey
by E. Bertacchini & A. Venturini & R. Zotti - 101-133 Donating money and time to cultural heritage: evidence from the European Union
by Victoria Ateca-Amestoy & Arantza Gorostiaga - 135-163 The China museum visit boom: Government or demand driven?
by Fenghua Zhang & Pascal Courty - 165-197 The value of digital archive film history: willingness to pay for film online heritage archival access
by Ricky N. Lawton & Daniel Fujiwara & Ulrike Hotopp - 199-203 Elisabetta Lazzaro, Nathalie Moureau, Adriana Turpin (Eds): Researching art markets. Past, present and tools for the future Routledge (Routledge Research in the Creative and Cultural Industries), Oxon, 2021
by Anne-Sophie V. Radermecker
December 2021, Volume 45, Issue 4
- 519-526 Arts, Entrepreneurship, and Innovation
by Joanna Woronkowicz - 527-556 Who is an artist? Heterogeneity and professionalism among visual artists
by Andrea Baldin & Trine Bille - 557-576 What Makes an Artrepreneur?
by Robert Hoffmann & Bronwyn Coate & Swee-Hoon Chuah & Pia Arenius - 577-611 Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?
by Douglas S. Noonan & Shiri M. Breznitz & Sana Maqbool - 613-631 Economies of scope in artists’ incubator projects
by Amy Whitaker - 633-670 Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions
by Stephan Klingner & Mihail Miller & Michael Becker & Frank Schumacher - 671-704 Do museums foster innovation through engagement with the cultural and creative industries?
by Chiara Dalle Nogare & Monika Murzyn-Kupisz - 705-733 Innovation and diversity in the digital cultural and creative industries
by Jen Snowball & Delon Tarentaal & Jonathan Sapsed - 735-738 Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021
by Laura Pagani
September 2021, Volume 45, Issue 3
- 333-358 Public preferences for heritage conservation strategies: a choice modelling approach
by David Throsby & Anita Zednik & Jorge E. Araña - 359-383 Battle of the ballet household decisions on arts consumption
by Caterina Adelaide Mauri & Alexander Friedrich Wolf - 385-408 It takes two, baby! Feature artist collaborations and streaming demand for music
by Jordi McKenzie & Paul Crosby & Liam J. A. Lenten - 409-433 Cultural Heritage and natural disasters: the insurance choice of the Italian Cathedrals
by Francesco Masi & Donatella Porrini - 435-457 Oscar awards and foreign language film production: evidence for a panel of countries
by Henry Aray - 459-490 Similar but special: an econometric analysis of live performing arts attendance in mainland China
by Geng Chen & Pei Tang - 491-511 The market for meaning: A new entrepreneurial approach to creative industries dynamics
by Yu-Yu Chang & Jason Potts & Hui-Yu Shih - 513-514 Pommerehne Prize, President’s Prize and Young Researchers Workshop Best Paper Award
by Federico Etro & Douglas Noonan - 515-517 Christiane Hellmanzik: Cultural Economics. Agenda Publishing, 2020
by Isidoro Mazza
June 2021, Volume 45, Issue 2
- 157-170 The Economics of Filmed Entertainment in the Digital Era
by Thorsten Hennig-Thurau & S. Abraham Ravid & Olav Sorenson - 171-211 Leveraging analytics to produce compelling and profitable film content
by Ronny Behrens & Natasha Zhang Foutz & Michael Franklin & Jannis Funk & Fernanda Gutierrez-Navratil & Julian Hofmann & Ulrike Leibfried - 213-238 Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics
by Allègre L. Hadida & Joseph Lampel & W. David Walls & Amit Joshi - 239-262 Technological change and managerial challenges in the movie theater industry
by Charles B. Weinberg & Cord Otten & Barak Orbach & Jordi McKenzie & Ricard Gil & Darlene C. Chisholm & Suman Basuroy - 263-293 What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry
by Ricarda Schauerte & Stéphanie Feiereisen & Alan J. Malter - 295-326 Content valuation strategies for digital subscription platforms
by Raoul Kübler & Rouven Seifert & Michael Kandziora - 327-327 Correction to: Content valuation strategies for digital subscription platforms
by Raoul Kübler & Rouven Seifert & Michael Kandziora - 329-332 Trine Bille, Anna Mignosa, Ruth Towse: Teaching cultural economics. Edward Elgar, 2020
by Jen Snowball
March 2021, Volume 45, Issue 1
- 1-12 Gender differences in hammer prices for Australian Indigenous art
by Lisa Farrell & Jane M. Fry & Tim R. L. Fry - 13-43 Back to the Future: Does the use of information and communication technology enhance the performance of public historical archives?
by Calogero Guccio & Marco Martorana & Isidoro Mazza & Ilde Rizzo - 45-62 How people vote in contests: new findings from Immortal Songs 2
by Beomsoo Kim & Sangsoo Park & Yang Zhao - 63-104 Does music soothe the soul? Evaluating the impact of a music education programme in Medellin, Colombia
by Jonathan Daniel Gómez-Zapata & Luis César Herrero-Prieto & Beatriz Rodríguez-Prado - 105-131 Digital piracy and the perception of price fairness: evidence from a field experiment
by Anna Kukla-Gryz & Joanna Tyrowicz & Michał Krawczyk - 133-142 Crowdfunding a monthly income: an analysis of the membership platform Patreon
by Tobias Regner - 143-152 To fake or not to fake: An empirical investigation on the fine art market
by Antonello E. Scorcu & Laura Vici & Roberto Zanola - 153-156 Hans Abbing: the changing social economy of art, are the arts becoming less exclusive? Palgrave Macmillan, 2019
by Justin O’Connor
December 2020, Volume 44, Issue 4
- 535-562 Spatial dependence in museum services: an analysis of the Italian case
by Roberto Cellini & Tiziana Cuccia & Domenico Lisi - 563-587 An economic valuation of access to cultural institutions: museums, theatres, and cinemas
by Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski - 589-604 Voluntary taxation and the arts
by R. Andrew Luccasen & M. Kathleen Thomas - 605-624 Cultural employment growth in Brazilian municipalities
by Luiz Carlos Santana Ribeiro & Thiago Henrique Carneiro Rios Lopes & Amir Borges Ferreira Neto & Fernanda Rodrigues Santos - 625-660 How does UNESCO’s Convention on Cultural Diversity affect trade in cultural goods?
by Naoto Jinji & Ayumu Tanaka - 661-664 Book Review: Jason Potts Innovation Commons: The Origin of Economic Growth, Oxford, UK: Oxford University Press. ISBN: 9780190937508
by Erwin Dekker
September 2020, Volume 44, Issue 3
- 351-395 Has financial development benefited the performance of publicly traded cultural and creative firms? Evidence from China
by Yan Li & Md. Main Uddin & Ye An - 397-423 Motivations and barriers to heritage engagement in Latin America: tangible and intangible dimensions
by Victoria Ateca-Amestoy & Arantza Gorostiaga & Máximo Rossi - 425-450 Playing a play: online and live performing arts consumers profiles and the role of supply constraints
by Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez - 451-480 Expenditure on cultural events: preferences or opportunities? An analysis of Brazilian consumer data
by Carla Cristina Rosa de Almeida & João Policarpo Rodrigues Lima & Maria Fernanda Freire Gatto - 481-529 Art investment: hedging or safe haven through financial crises
by Belma Öztürkkal & Aslı Togan-Eğrican - 531-533 Silvia Cerisola: Cultural heritage, creativity and economic development
by Anna Mignosa
June 2020, Volume 44, Issue 2
- 189-212 The changing role of education as we move from popular to highbrow culture
by Sara Suarez-Fernandez & Juan Prieto-Rodriguez & Maria Jose Perez-Villadoniga - 213-253 On the response of household expenditure on cinema and performing arts to changes in indirect taxation: a natural experiment in Spain
by Victoria Ateca-Amestoy & Javier Gardeazabal & Arantza Ugidos - 255-280 Why would artists favor free streaming?
by Ramadan Aly-Tovar & Maya Bacache-Beauvallet & Marc Bourreau & Francois Moreau - 281-308 The determinants of creative goods exports: evidence from Vietnam
by Chung Van Dong & Hoan Quang Truong - 309-338 Dining out as cultural trade
by Joel Waldfogel - 339-346 Return on violin and macroeconomic fluctuation
by M. W. Luke Chan & Dan Sabrina Gong & Terry A. Yip - 347-350 Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy
by Ruth Towse
March 2020, Volume 44, Issue 1
- 1-34 Accumulation of cultural capital at the intersection of socio-demographic features and productive specializations
by Marco Bellandi & Daniela Campus & Alessandro Carraro & Erica Santini - 35-56 The influence of user-generated content on video game demand
by Christopher S. Brunt & Amanda S. King & John T. King - 57-96 Is everybody an expert? An investigation into the impact of professional versus user reviews on movie revenues
by Suman Basuroy & S. Abraham Ravid & Richard T. Gretz & B. J. Allen - 97-116 The Indian film industry in a changing international market
by Sayantan Ghosh Dastidar & Caroline Elliott - 117-154 How have recent health insurance expansions affected coverage among artist occupations in the USA?
by Joanna Woronkowicz & Aparna Soni & Seth Freedman & Kosali Simon - 155-171 ART as meta-credence: authentication and the role of experts
by Robert B. Ekelund & Richard Higgins & John D. Jackson - 173-183 ‘There are more things in heaven and earth…’ A ‘narrative turn’ in economics?
by Pier Luigi Sacco - 185-187 S. Cameron (ed.): A research agenda for cultural economics
by Andy C. Pratt
December 2019, Volume 43, Issue 4
- 517-526 Cultural economics, books and reading
by Samuel Cameron - 527-544 Economics and novels: good, evil and becoming better people
by Dwight R. Lee & Cecil Bohanon - 545-578 The economics of the modern American comic book market
by Jerry Hionis & YoungHa Ki - 579-605 Unraveling the effect of extrinsic reading on reading with intrinsic motivation
by Sara Suárez-Fernández & David Boto-García - 607-637 Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach
by Paul Crosby - 639-666 More than a good book: contingent valuation of public library services in England
by Daniel Fujiwara & Ricky N. Lawton & Susana Mourato
September 2019, Volume 43, Issue 3
- 345-363 Ticket resale, bots, and the fair price ticketing curse
by Pascal Courty - 365-395 Creativity and the city: testing the attenuation of agglomeration economies in Barcelona
by Eva Coll-Martínez - 397-419 Estimating preferences for the performing arts from referendum votes
by Katharina E. Hofer - 421-442 Measuring changes in subjective well-being from engagement in the arts, culture and sport
by Daniel Wheatley & Craig Bickerton - 443-483 Artworks without names: an insight into the market for anonymous paintings
by Anne-Sophie V. E. Radermecker - 485-512 Modelling museum efficiency in producing inter-reliant outputs
by María José Barrio-Tellado & Luis César Herrero-Prieto - 513-515 The value of taste: auction prices and the evolution of taste in Dutch and Flemish golden age painting 1642–2011 by Peter Carpreau
by Kim Oosterlinck
June 2019, Volume 43, Issue 2
- 173-188 Cultural and economic value: a critical review
by Francesco Angelini & Massimiliano Castellani - 189-210 The next wave of digital technological change and the cultural industries
by Christian Peukert - 211-245 Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras
by Mafalda Gómez-Vega & Luis César Herrero-Prieto - 247-278 Star power and box office revenues: evidence from China
by Fei Peng & Lili Kang & Sajid Anwar & Xue Li - 279-307 Art and gender: market bias or selection bias?
by Laurie Cameron & William N. Goetzmann & Milad Nozari - 309-337 Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data
by Douglas J. Hodgson & Christiane Hellmanzik - 339-343 Book review for JCEC
by Trine Bille
March 2019, Volume 43, Issue 1
- 1-20 Television singing competitions create stars? Empirical evidence from the digital music chart in South Korea
by Daegon Cho & Seok Ho Lee & Yeawon Yoo & Hyo-Youn Chu - 21-56 A new perspective on the cultural heritage–development nexus: the role of creativity
by Silvia Cerisola - 57-95 “The Master of …”: creating names for art history and the art market
by Kim Oosterlinck & Anne-Sophie Radermecker - 97-119 Measuring technical efficiency and marginal costs in the performing arts: the case of the municipal theatres of Warsaw
by Víctor Fernández-Blanco & Ana Rodríguez-Álvarez & Aleksandra Wiśniewska - 121-143 On the allocation of talents in the contemporary art market
by Luigi Di Gaetano & Isidoro Mazza & Anna Mignosa - 145-171 Do consumer and expert reviews affect the length of time a film is kept on screens in the USA?
by Thaís L. D. Souza & Marislei Nishijima & Ana C. P. Fava
November 2018, Volume 42, Issue 4
- 525-542 Charity and public libraries: Does government funding crowd out donations?
by Amir Borges Ferreira Neto - 543-592 Cultural participation in major Chinese cities
by Pascal Courty & Fenghua Zhang - 593-618 The geography of music preferences
by Charlotta Mellander & Richard Florida & Peter J. Rentfrow & Jeff Potter - 619-643 Ownership, organization structure and public service provision: the case of museums
by Enrico E. Bertacchini & Chiara Dalle Nogare & Raffaele Scuderi - 645-676 Cross-border circulation of films and cultural diversity in the EU
by Georgios Alaveras & Estrella Gomez-Herrera & Bertin Martens - 677-700 Revenue and attendance simultaneous optimization in performing arts organizations
by Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto - 701-716 American beauty: trade flows and export costs of US movies
by Gianpiero Meloni & Dimitri Paolini & J. D. Tena - 717-719 Bruno Frey and Jana Gallus: Honours versus money. The economics of awards
by Elisabetta Lazzaro
August 2018, Volume 42, Issue 3
- 353-363 The authenticity of the museum experience in the digital age: the case of the Louvre
by Yves Evrard & Anne Krebs - 365-391 Music in the air: estimating the social return to cultural amenities
by Oliver Falck & Michael Fritsch & Stephan Heblich & Anne Otto - 393-417 Do cultural differences affect the trade of cultural goods? A study in trade of music
by Yuki Takara - 419-445 Netflix: global hegemon or facilitator of frictionless digital trade?
by Luis Aguiar & Joel Waldfogel - 447-467 The performance of global film franchises: installment effects and extension decisions
by Darren Filson & James H. Havlicek - 469-506 Demand for culture in Spain and the 2012 VAT rise
by Javier García-Enríquez & Cruz A. Echevarría - 507-520 Determinants of sales and price at auction for three Australian Indigenous artists: to pool or not to pool?
by Lisa Farrell & Jane M. Fry & Tim R. L. Fry - 521-523 M. Bianchi’s and R. Patalano’s: Storytelling and Choice
by Erwin Dekker
May 2018, Volume 42, Issue 2
- 163-199 European cultural statistics in a comparative perspective: index of economic and social condition of culture for the EU countries
by Andrej Srakar & Vesna Čopič & Miroslav Verbič - 201-211 The drowned and the saved: the determinants of success in the Italian temporary art and cultural exhibitions market
by A. E. Scorcu & R. Zanola - 213-241 Rain and museum attendance: Are daily data fine enough?
by Harold E. Cuffe - 243-269 Multiple creative talents and their determinants at the local level
by Silvia Cerisola - 271-286 Do the arts make you happy? A quantile regression approach
by Chris Hand - 287-307 “Let’s make lots of money”: the determinants of performance in the recorded music sector
by Juan D. Montoro-Pons & Manuel Cuadrado-García - 309-339 Fiscal and economic aspects of book consumption in the European Union
by Karol Jan Borowiecki & Trilce Navarrete - 341-352 Blockbusters and market expansion: evidence from the motion picture industry
by Jordi McKenzie & Vladimir Smirnov
February 2018, Volume 42, Issue 1
- 1-22 Strategic timing of entry: evidence from video games
by Benjamin Engelstätter & Michael R. Ward