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Joke economics: the low profile of comedy in the economics of arts and culture

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  • Alan Collins

    (Nottingham Trent University)

Abstract

Despite being a globally significant form of art and culture, the performance of comedy has seemingly maintained a very low profile in cultural economics. The case for greater research scrutiny of this art form is advanced alongside some possible reasons for the relatively low academic attention devoted to comedy. The scope for considering comedy in economic terms is also considered, and a range of research questions are raised to stimulate debate and further enquiry on the topic.

Suggested Citation

  • Alan Collins, 2024. "Joke economics: the low profile of comedy in the economics of arts and culture," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(3), pages 339-346, September.
    • Handle: RePEc:kap:jculte:v:48:y:2024:i:3:d:10.1007_s10824-024-09504-2
    DOI: 10.1007/s10824-024-09504-2
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    References listed on IDEAS

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    1. J. Snowball & M. Jamal & K. Willis, 2010. "Cultural Consumption Patterns in South Africa: An Investigation of the Theory of Cultural Omnivores," Social Indicators Research: An International and Interdisciplinary Journal for Quality-of-Life Measurement, Springer, vol. 97(3), pages 467-483, July.
    2. van der Wal, C. Natalie & Kok, Robin N., 2019. "Laughter-inducing therapies: Systematic review and meta-analysis," Social Science & Medicine, Elsevier, vol. 232(C), pages 473-488.
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    Cited by:

    1. Douglas S. Noonan & Federico Etro, 2024. "The “Bloomington Issue”," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(3), pages 335-337, September.

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