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Content
May 2001, Volume 25, Issue 2
- 131-148 Valuing the Benefits of Cleaning Lincoln Cathedral
by Marilena Pollicino & David Maddison - 149-150 A Correction to Hilda and William Baumol's paper The Future of the Theatre and the Cost Disease of the Arts
by James Heilbrun - 151-154 Tyler Cowen, What Price Fame?
by Sherwin Rosen - 154-155 Neil de Marchi and Crauford D.W. Goodwin (eds.), Economic Engagements with Art
by Mark Blaug
February 2001, Volume 25, Issue 1
- 1-20 Private or Public?
by Merijn Rengers & Erik Plug - 21-45 Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property
by Timothy King - 47-62 The Court's System of Incentives and the Socio-Economic Status of Court Musicians in the Late 16th Century
by Peter Tschmuck - 63-72 Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98
by James Heilbrun - 73-75 Frances Stonor Saunders (ed.): The Cultural Cold War: The CIA and the World of Arts and Letters
by William Baumol & Hilda Baumol
November 2000, Volume 24, Issue 4
- 267-282 Public Funding of Controversial Art
by Michael Rushton - 283-300 The ``Death-Effect'' in Art Prices: A Demand-Side Exploration
by R. Ekelund & Rand Ressler & John Watson - 301-319 The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period
by Françoise Benhamou - 321-336 Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996
by Albert Greco - 337-340 Colin George Hoskins, Stuart McFadyen, and Adam Finn: 1998, Global Television and Film: An Introduction to the Economics of the Business
by Keith Acheson - 340-342 Keith Acheson and Christopher Maule: 1999, Much Ado About Culture: North American Trade Disputes
by Steven Globerman - 342-343 James T. Hamilton: 1998, Channeling Violence: The Economic Market for Violent Television Programming
by Stuart McFadyen
August 2000, Volume 24, Issue 3
- 181-204 Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti''
by Walter Santagata & Giovanni Signorello - 205-224 Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification
by John O'Hagan & Denice Harvey - 225-241 Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving?
by Mark LeClair & Kelly Gordon - 243-255 Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits
by Dick Stanley & Judy Rogers & Sandra Smeltzer & Luc Perron - 257-260 Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage
by Rosemary Clarke - 260-262 J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation
by Peter Johnson - 262-265 Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America
by Sheila Petty
May 2000, Volume 24, Issue 2
- 87-112 The Careers of Modern Artists
by David Galenson - 113-134 The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry
by Eric Strobl & Clive Tucker - 135-146 Rational Philanthropy and Cultural Capital
by Carlos Ulibarri - 147-164 Are Popular and Classical Music Listeners the Same People?
by Juan Prieto-Rodríguez & Víctor Fernández-Blanco - 165-167 John W. O'Hagan, The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States
by Michael Rushton - 167-170 Andrew L. Pincus, Tanglewood: The Clash Between Tradition and Change
by Arthur Brooks
February 2000, Volume 24, Issue 1
- 1-26 The Economics of Monomedia and Cross-Media Expansion: A Study of the Case Favouring Deregulation of TV and Newspaper Ownership in the U.K
by Gillian Doyle - 27-43 A Model of the Danish Book Market
by Chr. Hjorth-Andersen - 45-63 Programmatic Risk-Taking by American Opera Companies
by J. Pierce - 65-77 The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance
by Roland Kushner & Arthur Brooks - 79-82 John Pick and Malcolm Anderton, Building Jerusalem. Art, Industry and the British Millennium
by Sara Selwood - 82-84 Peter Goodwin, Television under the Tories. Broadcasting Policy 1979–1997
by Sir Peacock
November 1999, Volume 23, Issue 4
- 237-256 The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy
by M. Bagella & L. Becchetti - 257-267 Segmentation of Cinema Audiences: An Exploratory Study Applied to Young Consumers
by Manuel Cuadrado & Marta Frasquet - 269-283 On the Perceived Quality of Movies
by Victor Ginsburgh & Sheila Weyers - 285-318 Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?
by Arthur De Vany & W. Walls - 319-323 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by John Sedgwick & Michael Pokorny - 325-329 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by Steven Albert - 331-332 Tyler Cowen, In Praise of Commercial Culture
by Dick Netzer - 333-334 Paul Kearns, The Legal Concept of Art
by Michael Rushton
August 1999, Volume 23, Issue 3
- 137-146 Methodological Individualism and Cultural Economics
by Michael Rushton - 147-164 Willingness to Pay for Domestic Television Programming
by Franco Papandrea - 165-179 Network Externalities and Government Restrictions on Satellite Broadcasting of Key Sporting Events
by Anthony Boardman & Shaun Hargreaves-Heap - 181-190 The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996
by James Pesando & Pauline Shum - 191-208 Long- and Short-Term Portfolio Choices of Paintings
by Renato Flôres & Victor Ginsburgh & Philippe Jeanfils - 209-219 Investment in Paintings: A Short-Run Price Index
by Marilena Locatelli Biey & Roberto Zanola - 221-232 The Adoption of the Compact Disk Player: An Event History Analysis for the Netherlands
by Harrie Hansman & Clara Mulder & René Verhoeff
March 1999, Volume 23, Issue 1
- 1-2 Introduction
by J. Schuster - 3-12 Cultural Capital
by David Throsby - 13-30 Culture and Commerce
by Martin Shubik - 31-32 A Tribute to Dick Netzer and The Subsidized Muse
by Mark Blaug - 33-49 The Subsidized Muse: Government and the Arts in Western Europe and the United States
by Annette Zimmer & Stefan Toepler - 51-70 The Other Side of the Subsidized Muse: Indirect Aid Revisited
by J. Schuster - 71-85 State Support and Creativity in the Arts: Some New Considerations
by Bruno Frey - 87-93 Should Cultural Goods Be Treated Differently?
by Andreu Mas-Colell - 95-107 Implications of the Agreement on Trade Related Aspects of Intellectual Property Rights for Cultural Dimensions of National Copyright Laws
by Pamela Samuelson - 109-136 International Trade in Art
by Günther Schulze
December 1998, Volume 22, Issue 4
- 209-226 An Economic Analysis of the Droit de Suite
by John Solow - 227-247 Public Orchestra Funding in Germany – An Empirical Investigation
by Günther Schulze & Anselm Rose - 249-270 Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry
by Steven Albert - 271-283 Marketing and the Fine Arts – Inventory of a Controversial Relationship
by Jörn-Axel Meyer & Ralf Even - 285-287 V. A. Ginsburgh and P.-M. Menger (eds.), Economics of the Arts: Selected Essays
by Alex Tabarrok - 287-289 Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich
by Bryan Caplan - 289-292 Grantland Rice, The Transformation of Authorship in America
by Andrew Levy - 292-293 Ruth Towse (ed.), Baumol's Cost Disease: The Arts and Other Victims
by Alan Peacock
June 1998, Volume 22, Issue 2
- 73-73 Acknowledgements
by Peter Johnson & Barry Thomas - 75-85 The Economics of Museums: A Research Perspective
by Peter Johnson & Barry Thomas - 87-98 Hope for the Future? Early Exposure to the Arts and Adult Visits to Art Museums
by Charles Gray - 99-112 Communication Productivity: A Major Cause for the Changing Output of Art Museums
by Michael Hutter - 113-125 Superstar Museums: An Economic Analysis
by Bruno Frey - 127-150 Neither Public Nor Private: The Hybridization of Museums
by J. Schuster - 151-165 Museums in the U.K.: Some Evidence on Scale and Activities
by Stephen Creigh-Tyte & Sara Selwood - 167-177 Charging for Admission to Museums and Galleries: A Framework for Analysing the Impact on Access
by Stephen Bailey & Peter Falconer - 179-187 Is Charging Economic?
by R.G.W. Anderson - 189-196 Some Simple Analytics of Access and Revenue Targets
by Adrian Darnell - 197-207 Art Museums: Collections, Deaccessioning and Donations
by John O'hagan
March 1998, Volume 22, Issue 1
- 1-13 Entrance Fees as a Subjective Barrier to Visiting Museums
by Volker Kirchberg - 15-32 The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?
by Michael Rushton - 33-42 Estimates, Bias and “No Sales” in Latin-American Art Auctions, 1977–1996
by Robert Ekelund & Rand Ressler & John Watson - 43-47 Roger Fry: Art and Commerce
by Craufurd Goodwin - 49-59 Art and Commerce
by Roger Fry - 61-62 Marian Fitzgibbon, Anne Kelly (eds.), From Maestro to Manager: Critical Issues in Arts & Culture Management
by Alice Goldfarb Marquis - 63-65 Arjo Klamer (ed.), The Value of Culture: On the Relationship between Economics and Arts
by David Levy - 65-67 Mark S. Rosentraub, Major League Losers: The Real Cost of Sports and Who's Paying for It
by Daniel Sutter - 67-69 Ruth Towse, Cultural Economics: The Arts, the Heritage and the Media Industries
by Tyler Cowen - 70-71 Joyce Piell Wexler, Who Paid for Modernism?: Art, Money, and the Fiction of Conrad, Joyce, and Lawrence
by Marvin Becker
December 1997, Volume 21, Issue 4
- 275-289 Collecting as a Paradigm of Consumption
by Marina Bianchi - 291-305 Cultural Convergence in Historical Cultural Space-Time
by Gordon Burt - 307-333 Optimal Pricing of Museum Admission
by Faye Steiner - 335-353 Generalised Cost Functions for Producers of Performing Arts – Allocative Inefficiencies and Scale Economies in Theatres
by Mervi Taalas - 355-360 Bernard Casey, Rachael Dunlop and Sara Selwood. Culture as Commodity? The Economics of the Arts and Built Heritage in the U.K
by Ruth Towse
September 1997, Volume 21, Issue 3
- 165-173 Art Markets and Economics: Introduction
by Bruno Frey - 175-196 A Price Index for Art Market Auctions
by G. Candela & A. Scorcu - 197-218 Are Multiple Art Markets Rational?
by Leslie Singer & Gary Lynch - 219-228 Land Artists and Art Markets
by V. Ginsburgh & A.-F. Penders - 229-247 Picasso Paintings at Auction, 1963–1994
by Corinna Czujack - 249-271 The Impact of Museum Purchase on the Auction Prices of Paintings
by Werner Pommerehne & Lars Feld
June 1997, Volume 21, Issue 2
- 103-118 Credibility and Economic Value in the Visual Arts
by Holger Bonus & Dieter Ronte - 119-127 Demand for Ballet: A Non-Parametric Analysis of the 1995 Royal Ballet Summer Season
by Jörg Schimmelpfennig - 129-138 Evidence on the Performance of Canada/Europe Co-productions in Television and Film
by Colin Hoskins & Stuart McFadyen & Adam Finn & Anne Jackel - 139-146 Pricing as the Key to Attracting Students to the Performing Arts
by Bonita Kolb - 147-151 The Monopolies and Mergers Commission's Investigation of the U.K. Music Market
by R. Towse - 153-156 Rosanne Martorella (ed.), Art and Business: An International Perspective on Sponsorship
by J. Schuster - 156-158 Stuart Plattner, High Art Down Home: An Economic Ethnography of a Local Art Market
by Martin Shubik - 158-159 Simon Frith, Performing Rites: On the Value of Popular Music
by Michael Rushton - 159-161 Carla Bodo and Rod Fisher (in co-operation with Sabina Addamiano), Harmony or Confusion for Culture in Europe? The Impact of the Single Market and of the Maastricht Treaty
by Michele Trimarchi - 161-163 Bernard Rouget and Dominique Sagot-Duvaroux, Economie des Arts Plastiques - Une Analise de la Méditation Culturelle
by Walter Santagata
March 1997, Volume 21, Issue 1
- 1-28 The Willingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good
by Trine Hansen - 29-40 The Competition between High Culture and Popular Culture as Seen in the New York Times
by James Heilbrun - 41-55 Beyond Rock and Roll: The Economic Impact of the Grateful Dead on a Local Economy
by Ricardo Gazel & R. Schwer - 57-75 Cinema Demand in Spain: A Cointegration Analysis
by VÍctor Blanco & JosÉ BaÑos Pino - 77-86 Cost Structure and Product Mix of Local Public Theatres
by Roberto Fazioli & Massimo Filippini
December 1996, Volume 20, Issue 4
- 263-268 The impact of cultural economics on economic theory
by Michael Hutter - 269-282 Access to and participation in the arts: The case of those with low incomes/educational attainment
by John O’Hagan - 283-296 Growth, accessibility and the distribution of arts activity in the United States: 1980 to 1990
by James Heilbrun - 297-320 Cultural determinants of economic growth: Theory and evidence
by Oliver Dieckmann - 321-339 Cultural entrepreneurship and the Banff Television Festival
by Keith Acheson & Christopher Maule & Elizabet Filleul - 341-358 Does public support make a difference, and for whom?
by Merja Heikkinen & Paula Karhunen - 359-383 Financial returns, price determinants, and genre effects in American art investment
by Richard Agnello & Renée Pierce
September 1996, Volume 20, Issue 3
- 181-181 Introduction to the plenary session on the 30th anniversary of The performing arts: An economic dilemma by Baumol and Bowen — Ninth International Conference on Cultural Economics Boston 8–11 May 1996
by Mark Blaug - 183-206 Children of performing arts, the economic dilemma: The climbing costs of health care and education
by William Baumol - 207-214 Why I do not believe in the cost-disease
by Tyler Cowen - 215-224 The “Manifest Destiny” of the Performing Arts
by Alan Peacock - 225-240 Economic circumstances of the performing artist: Baumol and Bowen thirty years on
by David Throsby - 241-244 The “manifest destiny” of the performing arts by A. Peacock
by Stefan Késenne - 245-247 Comments on David Throsby’s paper
by Ruth Towse - 249-250 Final comments on the plenary session on Baumol and Bowen
by Mark Blaug
June 1996, Volume 20, Issue 2
- 93-113 Why women succeed, and fail, in the arts
by Tyler Cowen - 115-131 Is increased public spending for the preservation of historic monuments inevitable? The French case
by Francoise Benhamou - 133-144 Nonprofit pricing of services under cost uncertainty
by Amresh Hanchate - 145-164 The dynamics of product differentiation in the British record industry
by Andrew Burke - 165-175 The interaction between artists’ professional training and employment in the field of Finnish theatre
by Paula Karhunen - 177-179 Book review
by Keith Acheson
March 1996, Volume 20, Issue 1
- 1-24 The relevance of hedonic price indices
by Olivier Chanel & Louis-André Gérard-Varet & Victor Ginsburgh - 25-50 A microeconometric study of theatre demand
by Louis Lévy-Garboua & Claude Montmarquette - 51-66 How effective are international copyright conventions in the music industry?
by Andrew Burke - 67-83 Sources of “value for money” for museum visitors: Some survey evidence
by John Ashworth & Peter Johnson - 85-86 Book review
by Frank Puffelen