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Cultural economics, books and reading

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  • Samuel Cameron

Abstract

The field of cultural economics is surprisingly short on research on the book market and on the activity of reading compared with other more recently invented media such as films and musical recordings. There are a number of traditional economic propositions relevant to books and reading which could be further researched. In addition, books and reading are strongly impacted by the disruptive innovations of digital technology and the use of online distribution platforms that fuel much of the research on the more recently invented cultural media. This paper gives an overview of some key new papers collected in this special issue and identifies additional lacunae in this general field of research.

Suggested Citation

  • Samuel Cameron, 2019. "Cultural economics, books and reading," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 517-526, December.
    • Handle: RePEc:kap:jculte:v:43:y:2019:i:4:d:10.1007_s10824-019-09365-0
    DOI: 10.1007/s10824-019-09365-0
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    References listed on IDEAS

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    1. Vidar Ringstad & Knut Løyland, 2006. "The Demand for Books Estimated by Means of Consumer Survey Data," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(2), pages 141-155, September.
    2. John Wyburn & Paul Roach, 2012. "An hedonic analysis of American collectable comic-book prices," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 36(4), pages 309-326, November.
    3. Karol Jan Borowiecki & Trilce Navarrete, 2018. "Fiscal and economic aspects of book consumption in the European Union," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 309-339, May.
    4. Canoy, Marcel & van Ours, Jan C. & van der Ploeg, Frederick, 2006. "The Economics of Books," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 21, pages 721-761, Elsevier.
    5. Sumiko Asai, 2016. "Determinants of demand and price for best-selling novels in paperback in Japan," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 40(4), pages 375-392, November.
    6. Dwight R. Lee & Cecil Bohanon, 2019. "Economics and novels: good, evil and becoming better people," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 527-544, December.
    7. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    8. Paul Crosby, 2019. "Don’t judge a book by its cover: examining digital disruption in the book industry using a stated preference approach," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 607-637, December.
    9. Luis F. Aguado & Elisabetta Lazzaro & Luis A. Palma Martos & Ana M. Osorio Mejia, 2018. "Newspaper Reading as a Form of Cultural Participation: The Case of Colombia," Review of Economics & Finance, Better Advances Press, Canada, vol. 11, pages 40-54, February.
    10. Samuel Cameron, 2002. "The Economics of Sin," Books, Edward Elgar Publishing, number 2582.
    11. Daniel Fujiwara & Ricky N. Lawton & Susana Mourato, 2019. "More than a good book: contingent valuation of public library services in England," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(4), pages 639-666, December.
    12. Nataliya Kochkina & Evgeniya Popova, 2017. "Are Books Luxury Goods in Russia or not?," ACEI Working Paper Series AWP-06-2017, Association for Cultural Economics International, revised Jul 2017.
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