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The authenticity of the museum experience in the digital age: the case of the Louvre

Author

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  • Yves Evrard

    (HEC Paris)

  • Anne Krebs

    (Dominique-Vivant Denon Research Centre)

Abstract

The technological shift of museums is extensively documented, even if research on the impact of technologies on cultural practices and social patterns at large is still lacking. As part of a research programme conducted by the Louvre and HEC Paris, the article proposes a conceptual analysis of ‘real’ (visiting the museum) and ‘virtual’ (visiting its website) experiences of museums. It contributes to the understanding of whether the two experiences are substitutes or complements using a newly created measurement scale. In addition, the article also aims at enriching the contemporary discussion on the artworks’ aura and the authenticity of the cultural experience in the digital age.

Suggested Citation

  • Yves Evrard & Anne Krebs, 2018. "The authenticity of the museum experience in the digital age: the case of the Louvre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(3), pages 353-363, August.
  • Handle: RePEc:kap:jculte:v:42:y:2018:i:3:d:10.1007_s10824-017-9309-x
    DOI: 10.1007/s10824-017-9309-x
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    References listed on IDEAS

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    1. Menzie D. Chinn & Robert W. Fairlie, 2007. "The determinants of the global digital divide: a cross-country analysis of computer and internet penetration," Oxford Economic Papers, Oxford University Press, vol. 59(1), pages 16-44, January.
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    3. Oecd, 2012. "The Impact of Internet in OECD Countries," OECD Digital Economy Papers 200, OECD Publishing.
    4. Xavier Greffe & Krebs Anne & Sylvie Pflieger, 2017. "The Future of the Museum in the twenty-first century: recent clues from France," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-01516506, HAL.
    5. Bertacchini Enrico & Morando Federico, 2011. "The Future of Museums in the Digital Age: New Models of Access and Use of Digital Collections," EBLA Working Papers 201105, University of Turin.
    6. Xavier Greffe & Krebs Anne & Sylvie Pflieger, 2017. "The Future of the Museum in the twenty-first century: recent clues from France," Post-Print halshs-01516506, HAL.
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    Cited by:

    1. Lanxin Zhu & Feroz De Costa & Megat Al-Imran Bin Yasin, 2024. "Visitor Experience in Digital Museums: Dimensions, Scale Development, and Validation," Studies in Media and Communication, Redfame publishing, vol. 12(3), pages 427-444, September.
    2. Calogero Guccio & Marco Ferdinando Martorana & Isidoro Mazza & Giacomo Pignataro & Ilde Rizzo, 2022. "Is innovation in ICT valuable for the efficiency of Italian museums?," European Planning Studies, Taylor & Francis Journals, vol. 30(9), pages 1695-1716, September.
    3. Victoria Ateca-Amestoy & Concetta Castiglione, 2023. "Live and digital engagement with the visual arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 643-692, December.
    4. Fenghua Zhang & Pascal Courty, 2022. "The China museum visit boom: Government or demand driven?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 135-163, March.
    5. Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez, 2020. "Playing a play: online and live performing arts consumers profiles and the role of supply constraints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 425-450, September.

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