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Content
2024, Issue 1
- 3-8 Nota introduttiva
by Antonio Lampis - 9-14 Introductory note
by Economia della Cultura - 15-26 Skills, training (and other) for a new generation of cultural managers
by Marcello Minuti & Valeria Volpe - 27-34 Local autonomies and cultural institutions: good practices for transparency
by Vincenzo Santoro - 35-48 Towards the public good
by Ugo Morelli - 49-58 Do, do well and let it be known. Cultural communication for more sustainable governance
by Fabio Severino - 59-68 The governance of digital innovation in cultural organizations. Three possible patterns for digital performances improvements
by Michela Arnaboldi & Eleonora Carloni - 69-88 Archives: The cultural heritage Cinderella. Value, performance, management
by Antonio Leo Tarasco - 89-102 The National Recovery and Resilience Plan four macro-objectives in cultural sectors
by Giovanni Iaccarino - 103-114 Exploring entertainment Observatories within the State-Regions discourse: insights after the Constitutional Court decision n. 193, October 27, 2023
by Daniele Donati & Benedetta Celati - 115-136 The decade that shook the Library World: Assessing library expenditure and regional disparities in Europe
by Giuseppe Vitiello - 137-150 Using TripAdvisor reviews to assess the impact of the European Capital of Culture on tourism
by Leonardo Bacchini - 151-156 Where are we? The researches on the culture and health experiences in North-Western Italy updated. Edition 2024
by Luca Dal Pozzolo - 157-164 The reform of the Ministry of Culture. Strengths and Weaknesses
by Giuseppe Cosenza - 165-172 A special public-private partnership for a new governance model of cultural Heritage
by Marco D'Isanto & Fabio Pagano - 173-184 The accounting of the expenses in the PNRR Culture interventions
by Giovanni Iaccarino - 185-206 Culture: private engagements / public responsibilities
by Paolo Baratta - 207-208 Maria Laura Frigotto, Luigi Maria Sicca, Nulla impresa per huom si tenta invano
by Luca Orlando - 209-210 Emma De Zardo, Monumenti e Spirito del Tempo. Segni del potere e gerarchie dei valori
by Greco Nicole - 211-212 Giulia Alonzo e Oliviero Ponte di Pino, In giro per festival. Guida nomade agli eventi culturali, Prefazione di Paolo Fresu
by Antonio Taormina - 212-213 Andrea Minetto e Silvia Tarassi, I festival diffusi. Un nuovo formato organizzativo per le politiche culturali
by Antonio Taormina
2023, Issue Speciale
- 5-8 Nota introduttiva
by Annalisa Cicerchia & Catterina Seia - 9-12 Introductory note
by Annalisa Cicerchia & Catterina Seia - 13-18 Culture and Health: A Four-Step Journey
by Pierluigi Sacco - 19-26 CultureForHealth and Well-being. On culture’s potential contribution to the economy of well-being
by Mafalda Damaso & Rarita Zbranca - 27-36 Arts and Health: exploring the developments, focus, and strengthening of the field since 2019
by Calum Smith - 37-46 Art, culture, and the mental health of young people
by Martina Caroleo & Annalisa Cicerchia - 47-52 Cultural participation facing new paradigms
by Alessandra Gariboldi - 53-60 Second welfare and culture: innovation and community to generate well-being
by Franca Maino - 61-70 Health inequalities and the Community Houses. New challenges for the dual concept of Culture and Health
by Giuseppe Costa - 71-80 Italy towards social prescribing
by Annalisa Cicerchia & Catterina Seia & Vittoria Azzarita - 81-86 Museums and cultural heritage for well-being and care: the contribution of ICOM Italy
by Silvia Mascheroni - 87-92 Accessibility at the root of cultural welfare: the case of MUSE
by Patrizia Famà & Katia Franzoso & Michele Lanzinger & Romana Scandolari - 93-96 The Galleria Nazionale in Rome and its publics experience
by Isabella De Stefano - 97-104 Individual and collective well-being. The role of libraries
by Chiara Faggiolani - 105-116 Theatre and health: origins, scopes, perspectives
by Alessandra Rossi Ghiglione - 117-124 The ineffable care of dance
by Luisella Carnelli & Roberto Casarotto - 125-140 Music, well-being creation and alliance in care, from perinatal to end of life
by Enzo Grossi - 141-146 Narrative as a resource in care: Scenarios and developments in the digital age
by Cristina Cenci - 147-154 Culture for active ageing
by Vittoria Azzarita - 155-160 Culture and inclusion: new developments from the experience of the Tuscan Museums for Alzheimer’s
by Chiara Lachi - 161-174 Art in healthcare settings: what strategies?
by Sendy Ghirardi - 175-180 Co-planning and multi-Agency: an Art Care Model for the wellbeing of different organizational cultures
by Elisa Fulco - 181-188 «Fixed place»: a project for new methodological perspectives in the relationship between arts and fragility
by Giovanna Brambilla - 189-204 Dance as a tool for embodied learning, supporting well-being, active aging, and social cohesion
by Sara Uboldi & Alessandra Marasco & Pier Luigi Sacco - 205-210 Territories in motion. Genesis of ongoing processes: the Marche case
by Francesca Velani - 211-216 Cultural welfare, a pillar of territorial policy. The experience of Reggio Emilia
by Davide Zanichelli - 217-226 Well Impact. A contribution from the Third Sector to cultural and health policies
by Sandra Aloia & Matteo Bagnasco & Simone Martino & Luca Mo Costabella - 227-234 The Medical Humanities scene in Italy
by Mariateresa Dacquino - 235-240 Visual Thinking Strategies: Art for Education and Care
by Vincenza Ferrara - 241-241 Professions and skills for cultural welfare: the experience of the CCW School
by Giulia Mezzalama
2023, Issue 3-4
- 315-324 Note d'introduction
by Philippe Chantepie & Pietro A. Valentino - 325-334 Nota introduttiva
by Economia della Cultura - 335-344 Introductory note
by Economia della Cultura - 345-354 Livestream between uncertainty and promises
by Maya Bacache-Beauvallet & Françoise Benhamou - 355-376 Business models, product designs and pre-shakeout. Towards a VR-based creative industry?
by Fabrice Rochelandet & Inna Lyubareva - 377-390 Between arts and digital technologies: territories role in technocreatives innovations development
by Etienne Capron & Dominique Sagot-Duvauroux - 391-418 Videogame, gamification and museums in Italy. A quantitative and a qualitative in-depth analysis
by Ludovico Solima & Maria Emanuela Oddo & VIncenzo Colaprice & Andrea Campodonico - 419-438 The videogames cultural industry
by Fabio Viola & Eleonora Caparesi - 439-448 The heritage assets in the state balance sheet
by Fabio Cosimo Calò - 449-472 The availability of performing arts places in the Italian major metropolitan cities. Rome, Milan and Naples in the years 2019 and 2021
by Massimo Armenise & Alessandro Caramis & Rossella Molinaro - 473-488 The Culture in the Italian Recovery and Resilience Facility program. Results applying a text mining approach
by Fabio Bacchini & Roberto Iannaccone & Pietro Antonio Valentino - 489-504 Digital innovation trends in the Italian museums and their audiences relations. A 2019-2023 first assessment
by Deborah Agostino & Francesca Cruciani & Eleonora Lorenzini - 505-514 Digital innovation in Italian opera houses: the legacy of pandemic
by Nicola Bellini & Maria Raglianti & Giovanni Siracusa - 515-524 Protection and technologies. The Parco archeologico del Colosseo monitoring and maintenance system
by Irma Della Giovampaola - 525-534 The Prato Phygital Project and the Cinema Digital Cinema Manifactures in Prato
by Elisabetta Cianfanelli & Luigi Formicola & Leonardo Giliberti & Francesco Palumbo - 535-542 Animation in cultural segments and industries: languages and production chains between animated cartoons and videogame
by Alfio Bastiancich - 543-548 Video game industry as the new frontier of digital Made in Italy?
by Davide Mancini - 549-554 A marking model for immersive exhibitions
by Vincent Poussou - 555-558 Uses of VR, XVR… technologies in the world of heritage
by Chloé Jarry - 559-560 Erwin Dekker and Valeria Morea, Realizing the Values of Art. Making Space for Cultural Civil Society
by Michele Trimarchi - 560-562 Antonio Lampis e Lidia Tecchiati (a cura di), Vite per la cultura italiana. Testimonianze di amministratori, artisti e professionisti
by Celestino Spada
2023, Issue 2
- 161-164 Nota introduttiva
by Alessandro F. Leon & Arianna Spigolon - 165-168 Introductory note
by Alessandro F. Leon & Arianna Spigolon - 169-180 European funding programmes and cultural labor
by Cristina Oteri & Daniela Pieri - 181-200 Mapping of professions and skills in the cultural labor market and their training pathways
by Annalisa Cicerchia & Cristina Oteri - 201-214 The social reasons for supporting cultural professions: the commitment of the Compagnia San Paolo Foundation
by Sandra Aloia & Laura Fornara & Francesca Gambetta & Enrico Melis & Arianna Spigolon - 215-232 Characteristics and conditions of cultural jobs: the survey on workers promoted by the Compagnia di San Paolo Foundation
by Elena Alessandrini & Alessandro F. Leon - 233-242 Mapping emerging cultural professions and their training paths: scenarios for the future of cultural professions
by Alessandro F. Leon & Ottone Ovidi & Carmen Zingales - 243-262 Demand and supply of Maritime Museums in Europe. Preliminary reflections on the development of a maritime museum in the Venice Arsenal
by Luca Zan & Jessica Tanghetti - 263-278 Associazione per l'Economia della Cultura, Mapping emerging cultural professions and their training paths. Scenarios for the future of cultural professions
by CLES Associazione per l'Economia della Cultura - 279-294 Council resolution on the EU work plan for culture 2023-2026
by Official Journal of the European Union - 295-298 Elena Dellapiana, Il design e l’invenzione del Made in Italy; Severino Salvemini, Il quid imprenditoriale. Oltre la retorica del Made in Italy
by Celestino Spada - 299-301 AA.VV., Le immagini del patrimonio culturale, a cura di Daniele Manacorda e Mirco Modolo
by Madel Crasta
2023, Issue 1
- 3-7 Nota introduttiva
by Mariagrazia Bellisario & Annalisa Cicerchia & Antonio Taormina - 7-10 Introductory note
by Economia della Cultura - 11-18 The Cultural Observatories in Europe and the Compendium of Cultural Policies and Trends
by Annalisa Cicerchia - 19-28 Lightning, fragments, blindness: Observing intermittency
by Luca Dal Pozzolo - 29-40 Cultural observatories and Italian Regions
by Antonio Taormina - 41-54 To observe for sharing. UNESCO, landscapes, networks: thoughts and remarks on the Observatories experiences
by Mariagrazia Bellisario - 55-68 Observing culture at EU level. EUROSTAT culture statistics
by Andrea Gallelli - 69-74 Capitals and Cities of Culture: notes towards the construction of a research agenda
by Franco Bianchini & Alexandra Oanca - 75-84 Using TripAdvisor for monitoring and improving the management of the Heritage sites
by Fabio Bacchini & Fabrizio Di Mari & Roberto Iannacone - 85-94 Gender observatories in creative and cultural sectors
by Flavia Barca - 95-106 The educational project «In20amo il paesaggio» and the Landscape Observatory of the Veneto Region
by Benedetta Castiglioni - 107-114 The Regional Observatory of performing arts in Veneto Region. A proposal based on the research
by Maria Lusiani & Fabrizio Panozzo & Andrea Santini - 115-118 The article reports on the analysis of the performing art ecosystem in Veneto and on the proposal for a set of methodological recommendations as well as a dataset and data-visualization tool intended to contribute to the development of the regional observatory as defined by Regional Law 17 in 2019, but not yet fully developed
by Basque Observatory of Culture - 119-128 The Italian approach to widespread cultural heritage valorization demands a significant and deep change
by Irene Bongiovanni - 129-134 The Associazione Civita and Study Center «Gianfranco Imperatori» activity
by Giovanna Castelli - 135-140 The experience gained in the field by Federculture
by Umberto Croppi - 141-146 Symbola’s Notebooks. Recognising and promoting the value of culture and creativity in the Italian economy
by Domenico Sturabotti & Camilla Lo Schiavo - 147-150 The performing arts in the Italian non-profit sector at the Trial of the Third Sector Code
by Carlo Testini
2022, Issue 4
- 379-382 Nota introduttiva
by Annalisa Cicerchia & Else Christensen- Redzepovic - 383-386 Introductory note
by Economia della Cultura - 387-418 The role of culture in promoting inclusion in the context of migration. Brainstorming Report, September 2016
by Economia della Cultura - 419-424 Future-proof cultural policies outside urban areas. What can the EU do to promote culture in the peri-urban spaces (outside of urban centres), the suburbs and the periphery?
by Sylvia Amann - 425-432 Culture and the sustainable development goals: challenges and opportunities
by Gijs De Vries - 433-438 Status and working conditions of artists and cultural creative professionals
by Joost Heinsius - 439-446 (Re)-engaging digital audiences in the cultural sectors. Improving audience data
by Anne-Sophie Radermecker - 447-458 The role of cultural and creative sectors in improving mental health of the youth
by Annalisa Cicerchia - 459-474 The sleep of reason: a country facing its earthquakes
by Roberto De Marco - 475-476 AEC at the 63rd annual Conference of the SIE
by Antonio Taormina - 477-482 For a new mindset: being hybrid
by Francesco De Biase - 483-492 Reshaping Europe through the lens of cultural participation
by Valentina Battista & Francesco Manfredi - 493-494 Francesco De Biase, Una città laboratorio culturale. Torino: storie, esperienze strategie
by Antonio Lampis - 493-495 Marco Cucco, Economia del film. Industria, politiche, mercati
by Celestino Spada
2022, Issue 2-3
- 59-267 Reading differently: The new forms of reading online. Hybrid codes, participatory social practices, transmedia and a new relation between authors and the public
by Roberta Franceschetti & Elisa Salamini - 153-157 Nota introduttiva
by Madel Crasta & Gianni Peresson - 157-160 Introductory note
by Economia della Cultura - 161-170 Reading: An attempt to analyse in the long run and with an overall view
by Giovanni Solimine - 171-185 Reading as demand and as a market
by Giovanni Peresson - 187-187 Two terms of Parliamentary commitment in advancing the reading in Italy
by Flavia Piccoli Nardelli - 199-215 Propensity to the reading, human capital and inactivity rates in Italian regions, 1995-2020
by Patrizia Battilani & Luca Bonacini & Giuseppe Pignataro & Antonello E. Scorcu - 217-234 Cultural deserts. The book infrastructures in Italy
by Alessandro Caramis & Alessandra Federici & Silvia Talice - 235-245 The future of the reading: interaction between professional knowledges, social actors and the context
by Madel Crasta - 247-258 Digital transformation, acquisitions and disintermediation. Digital reading in the library and its cognitive biases
by Giulio Blasi - 269-280 Strategies on the road. Considerations on the Italian national action plan for the promotion of reading
by Stefano Parise - 281-288 Municipalities, libraries, reading
by Vincenzo Santoro - 289-304 Crowdfunding for museums in Italy: Analysis and future perspectives
by Valeria Di Giuseppe Di Paolo & Martina Lodi & Daniele Previati - 305-319 Making a synthesis of the many ways of measuring the reading in Europe. A project
by Bruno Giancarli - 321-332 Book Fairs and Festivals as reading machines (and not just)
by Paola Seghi - 333-340 Accessibility of the culture or culture of accessibility?
by Cristina Mussinelli - 341-346 The small publishing houses in Italy. Year 2022
by Lorenzo Armando - 347-356 The role of associations in promoting reading: Lìberos’s experience in Sardinia
by Francesca Casula - 357-368 Reading for designing
by Paolo Castelnovi - 369-371 AA.VV. (a cura di A. Taormina), Lavoro culturale e occupazione
by Celestino Spada
2022, Issue 1
- 3-6 Nota introduttiva
by Giuseppe Roma - 7-10 Introductory note
by Giuseppe Roma - 11-21 The widespread cultural heritage in search of understanding, care and engagement
by Giuseppe Roma - 23-29 The post-metropolitan borghi between the pandemic and the digital
by Marco Cremaschi - 31-39 From PNRR to «National Plan of the Borghi»: projects and resources at hand
by Ottavia Ricci - 41-47 Small towns, small territories. The agricultural and food biodiversity’ secret
by Massimo Montanari - 49-53 Placing the «borghi» in their territory
by Piero Bevilacqua - 55-72 Admission fees and attendance in Italian national autonomous museums
by Andrea Baldini & Marco Causi - 73-82 Cultural tourism: crisis or new opportunities of development?
by Andrea Salustri & Valeria Cocco - 83-103 Policies supporting audiovisual production. The risks of possible unexpected effects
by Marco Gambaro - 105-115 Policies supporting audiovisual production. Some first evidences on the possible effects in Italy
by Marco Gambaro - 117-121 Villages have discovered the Cammini/Paths
by Paolo Piacentini - 123-128 The Diffused Museum of the Five Senses of Sciacca in Sicily. Aware, competent and connected communities as accelerators of wellbeing, development and democracy
by Emilio Casalini - 129-137 The National Chart of the Borghi
by Comitato di Coordinamento per i Borghi turistici italiani - 139-142 The vitality of small and medium-sized centers in promoting cultural events
by Associazione per le Città Italiane RUR - 143-144 Ercolano 2022 nelle parole del suo Sindaco
by Ciro Bonajuto - 145-146 Le Biblioteche nel sistema del benessere (M. Crasta)
by Chiara Faggiolani
2021, Issue Speciale
- 1-4 Foreword
by Michela Marchiori - 5-13 The impact assessment of CH interventions: main challenges and GAPs
by Olga Ioannou - 15-20 SoPHIA model: the conceptual approach
by Mauro Baioni & Annalisa Cicerchia & Paola Demartini & Lucia Marchegiani & Michela Marchiori & Flavia Marucci - 21-69 Towards the SoPHIA model: results from the case studies' analysis
by Rida Arif & Aron Weigl & Angela Wieser & Elia Vlachou & Henrik Zipsane & Paraic Mc Quaid & Christine Horn & Aleksandra Uzelac & Sanja Tišma & Suncana Franic & Nicholas Anastasopoulos & Hariklia Hari & Riva Lava & Mauro Baioni - 71-90 The SoPHIA model and its implementation
by Rida Arif & Aron Weigl & Angela Wieser & Mauro Baioni & Paola Demartini & Michela Marchiori - 91-96 SoPHIA social platform: a new community of practice
by Mercedes Giovinazzo & Antonio Gucciardo & Alberto Cerezo & Claudia Rosignoli & Elia Vlachou & Henrik Zipsane - 97-104 Conclusions
by Annalisa Cicerchia & Ana Zuvela & Paola Demartini & Lucia Marchegiani & Michela Marchiori - 105-108 References
by SoPHIA Consortium - 109-110 List of researches
by SoPHIA Consortium
2021, Issue 4
- 485-492 Nota introduttiva
by Celestino Spada & Pietro Antonio Valentino - 493-500 Introductory note
by Celestino Spada & Pietro Antonio Valentino - 501-506 Plus ça change. Another decade in cultural economics
by David Throsby - 507-516 30 years later. A renewal of cultural economics?
by Pierre-Jean Benghozi & Françoise Benhamou - 517-532 Cultural Heritage: dynamics and institutional knots
by Marco Cammelli - 533-540 The Political Economy of the Media. A review and assessment
by Giuseppe Richeri - 541-550 Cultural economics thirty years later
by Marco Causi - 551-558 The evolution of the discipline in the articles of Economia della Cultura
by Fabio Bacchini & Roberto Iannaccone - 559-564 The cultural enterprises in the last ten years
by Innocenzo Cipolletta - 565-574 «In from the margins». The long way of culture economics in Italy
by Annalisa Cicerchia - 575-588 After COVID-19, are livestream and metaverse the performing arts future?
by Jean Philippe Thiellay - 589-602 For a theory of music economics
by Luigi Maria Sicca & Domenico Napolitano - 603-608 UNESCO designations and local development: a cultural district perspective
by Enrico Bertacchini & Giovanna Segre - 609-614 The role of banking foundations in funding culture and creativity
by Angelo Miglietta - 615-631 Becoming and being Piero Angela
by Economia della Cultura
2021, Issue 3
- 321-325 Nota introduttiva
by Annalisa Cicerchia & Antonio Taormina - 327-330 Introductory note
by Annalisa Cicerchia & Antonio Taormina - 331-343 Entertainment in the Storm. The impact in figures
by Annalisa Cicerchia & Sabrina Iommi - 345-350 Up the courtain! The performig arts in the Covid-19 post-pandemic
by Carlo Fontana - 351-361 Welfare reform and entertainment reorganization of laws
by Alessandra Carbonaro - 363-371 Municipalities and live entertainment facing the Covid-19 and beyond
by Vincenzo Santoro - 373-384 Digital platforms and the entertainment. A marriage to do
by Bruno Zambardino - 385-393 Cultural Economics and 50 years of DAMS, Bologna
by Antonio Taormina - 395-419 Revenues, costs and strategies of autonomous State museums
by Elena Alessandrini & Marco Causi - 421-425 Notes for the Hearing of 8th Commission - Public Works, Communication - of the Senate of the Republic
by Giulio Enea Vigevani - 427-433 «Dear Spectator, how do you feel?» A research on audiences and performing arts organisations through and after the lockdown
by Stefania Dal Cucco & Michela Rossato & Beatrice Sarosiek & Silvia Sette - 435-440 Theatre as a live show and its changes during the pandemic. The case of Staged, a BBC product
by Jessica Camargo Molano - 441-449 The performing arts sector in the European funds
by Andrea Pignatti - 451-457 The Cultural Welfare from the idea to active policies focused on theatre. The ATER Foundation project Theater Syrup
by Patrizia Orsola Ghedini & Cira Santoro - 459-467 Working on the border. Performing arts and social innovation in Italy and in the world. The Teatro dell’Argine experience
by Micaela Casalboni - 469-475 The Paradox of Europe: Artistic Freedom, Democracy and Tolerance
by Ines Bettencourt da Camara & Natalie Giorgadze & Tere Badia - 477-478 Ludovico Solima, Le parole del museo - Management, tecnologie digitali, sostenibilità
by Antonio Lampis
2021, Issue 2
- 151-156 Introductory note
by Stefano Balassone & Celestino Spada - 157-162 Introductory note
by Stefano Balassone & Celestino Spada - 163-188 Challenged by technology: the audiovisual landscape and the evolving regulatory framework in Europe
by Jean Paul Simon & Pierre-Jean Benghozi - 189-199 Between local and global. Television and audiovisuals production factors and audiences
by Stefano Balassone - 201-208 Digital platforms business model: role, value and data management
by Giuseppe Richeri