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Public Funding of Controversial Art

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  • Michael Rushton

Abstract

In 1990, the Act governing theUnited States' National Endowment for the Arts wasamended requiring the Chairperson to ensure thatjudges of grant applications should take intoconsideration ``general standards of decency andrespect for the diverse beliefs and values of theAmerican public''. This provision has been widelydebated, and was challenged on the basis of whether itviolated the right of freedom of expression. But arecent decision by the U.S. Supreme Court found theprovision to be constitutional. This paper examinesrationales that have been put forward by philosophicalliberals, economists, and communitarians in support ofpublic funding of the arts. It finds that for each ofthese rationales the decency-and-respect provision onfunding is justifiable. The paper concludes with aspeculative discussion of the economics of the``artworld''. Copyright Kluwer Academic Publishers 2000

Suggested Citation

  • Michael Rushton, 2000. "Public Funding of Controversial Art," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 267-282, November.
    • Handle: RePEc:kap:jculte:v:24:y:2000:i:4:p:267-282
    DOI: 10.1023/A:1007682121108
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    References listed on IDEAS

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    1. Ronald H. Coase, 2022. "The Market for Goods and the Market for Ideas," Econ Journal Watch, Econ Journal Watch, vol. 19(1), pages 166–175-1, March.
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    Cited by:

    1. Joseph J. Cordes & Robert S. Goldfarb, 2007. "Decreasing the "Bad" for Mixed Public Goods and Bads: The Case of Public Sculpture," Eastern Economic Journal, Eastern Economic Association, vol. 33(2), pages 159-176, Spring.
    2. Rushton, Michael, 2022. "The Economic Approach to Public Funding for the Arts," MPRA Paper 113405, University Library of Munich, Germany.
    3. Michael Rushton, 2011. "Artists’ Rights," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 8, Edward Elgar Publishing.
    4. Michael Rushton, 2011. "Artistic Freedom," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 6, Edward Elgar Publishing.
    5. Bartosz Jusypenko & Aleksandra Wiśniewska, 2020. ""I go, I pay". The role of experience in recognizing the need for public financing of cultural goods," Working Papers 2020-04, Faculty of Economic Sciences, University of Warsaw.

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