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Entrance Fees as a Subjective Barrier to Visiting Museums

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  • Volker Kirchberg

Abstract

In a 1995 representative survey, 1,080 Germans were asked by standardized questionnaire to assess the subjective significance of 23 motives and barriers to visiting art museums, history museums and technology museums on a scale from 1 (very unimportant motive/barrier) to 5 (very important motive/barrier). An analysis of the results of the survey revealed entrance fees to be the only significant subjective barrier. In contrast to recent price elasticity studies of cultural demand, this study uses a micro-level approach – comparing individual socioeconomic and geographic characteristics with individual and subjective assessments of museum entrance fees as a barrier. The results of an ordered-probit analysis suggest income to be the only significant individual characteristic which can explain this subjective assessment. However, using correspondence analysis, several other individual characteristics such as education and professional status also appear to have a relative impact on the subjective assessment of entrance fees. Copyright Kluwer Academic Publishers 1998

Suggested Citation

  • Volker Kirchberg, 1998. "Entrance Fees as a Subjective Barrier to Visiting Museums," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(1), pages 1-13, March.
    • Handle: RePEc:kap:jculte:v:22:y:1998:i:1:p:1-13
    DOI: 10.1023/A:1007452808105
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    References listed on IDEAS

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    1. John W. O'Hagan, 1995. "National Museums: To Charge or not to charge?," Economics Policy Papers 952, Trinity College Dublin, Department of Economics.
    2. John O’Hagan, 1996. "Access to and participation in the arts: The case of those with low incomes/educational attainment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(4), pages 269-282, December.
    3. Michael Greenacre, 2008. "Correspondence analysis of raw data," Economics Working Papers 1112, Department of Economics and Business, Universitat Pompeu Fabra, revised Jul 2009.
    4. William Luksetich & Mark Partridge, 1997. "Demand functions for museum services," Applied Economics, Taylor & Francis Journals, vol. 29(12), pages 1553-1559.
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    Citations

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    Cited by:

    1. Alessio Emanuele Biondo & Roberto Cellini & Tiziana Cuccia, 2020. "Choices on museum attendance: An agent‐based approach," Metroeconomica, Wiley Blackwell, vol. 71(4), pages 882-897, November.
    2. Karol Jan Borowiecki & Trilce Navarrete, 2018. "Fiscal and economic aspects of book consumption in the European Union," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 309-339, May.
    3. Bruno S. Frey & Lasse Steiner, 2010. "Pay as you Go: A New Proposal for Museum Pricing," CESifo Working Paper Series 3045, CESifo.
    4. Fenghua Zhang & Pascal Courty, 2022. "The China museum visit boom: Government or demand driven?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 135-163, March.
    5. Gitto, Lara, 2021. "L’offerta di beni culturali in Sicilia: analisi econometrica dei flussi turistici negli anni 1999 e 2000 [Cultural heritage in Sicily: econometric analysis of tourist flows in the years 1999 and 20," MPRA Paper 105309, University Library of Munich, Germany.
    6. Sulser, Pascal A., 2021. "Pay-per-minute pricing: A field experiment comparing traditional and participative pricing mechanisms," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 92(C).
    7. Jörg Rössel & Sebastian Weingartner, 2016. "Opportunities for cultural consumption: How is cultural participation in Switzerland shaped by regional cultural infrastructure?," Rationality and Society, , vol. 28(4), pages 363-385, November.
    8. Victor Martínez-de-Albéniz & Ana Valdivia, 2019. "Measuring and Exploiting the Impact of Exhibition Scheduling on Museum Attendance," Manufacturing & Service Operations Management, INFORMS, vol. 21(4), pages 761-779, October.
    9. Roberto Cellini & Tiziana Cuccia, 2018. "How free admittance affects charged visits to museums: an analysis of the Italian case," Oxford Economic Papers, Oxford University Press, vol. 70(3), pages 680-698.
    10. Vincent G. Munley, 2018. "A Contingent Valuation Analysis of the Galway City Museum: Welfare Estimates for Attendance in the Absence of an Admission Fee," The Economic and Social Review, Economic and Social Studies, vol. 49(4), pages 489-514.
    11. García Gracia, Mª Isabel. & Zofío Prieto, José Luis & Herrarte Sánchez, Ainhoa & Moral Carcedo, Julian, 2009. "La aportación económica de la industria de la cultura y el ocio en España/," Estudios de Economia Aplicada, Estudios de Economia Aplicada, vol. 27, pages 63-88, Abril.
    12. Mazzanti, Massimiliano, 2003. "Valuing cultural heritage in a multi-attribute framework microeconomic perspectives and policy implications," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 32(5), pages 549-569, November.

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