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Nonprofit Organizations and the Intersectoral Division of Labor in the Arts

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Listed:
  • Paul DiMaggio

    (Princeton University)

Abstract

This paper takes stock of what we know about the role of nonprofit enterprise in the production and distribution of the arts (broadly defined), primarily in the United States. After briefly discussing measurement, I present data on the extent of nonprofit activity in a range of cultural subfields. I then review theoretical explanations of the prevalence of nonprofits in cultural industries and discuss some puzzles that existing theories do not adequately solve. After reviewing research and theory about behavioral differences between nonprofit and for-profit arts firms, I explore how the art-and-culture sector is evolving in the face of demographic change, the weakening of the cultural hierarchy, and the emergence of new production and distribution technologies. I conclude with a research agenda.

Suggested Citation

  • Paul DiMaggio, 2003. "Nonprofit Organizations and the Intersectoral Division of Labor in the Arts," Working Papers 37, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    • Handle: RePEc:pri:cpanda:30
    as

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    File URL: https://culturalpolicy.princeton.edu/sites/culturalpolicy/files/wp30_dimaggio.pdf
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    References listed on IDEAS

    as
    1. Henry Hansmann, 1981. "Nonprofit Enterprise in the Performing Arts," Bell Journal of Economics, The RAND Corporation, vol. 12(2), pages 341-361, Autumn.
    2. Brooks, Arthur C., 2006. "Nonprofit Firms in the Performing Arts," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 15, pages 473-506, Elsevier.
    3. Kuan, Jennifer, 2001. "The Phantom Profits of the Opera: Nonprofit Ownership in the Arts as a Make-Buy Decision," The Journal of Law, Economics, and Organization, Oxford University Press, vol. 17(2), pages 507-520, October.
    4. Glenn B. Voss & Daniel M. Cable & Zannie Giraud Voss, 2000. "Linking Organizational Values to Relationships with External Constituents: A Study of Nonprofit Professional Theatres," Organization Science, INFORMS, vol. 11(3), pages 330-347, June.
    5. James Heilbrun, 2001. "Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 63-72, February.
    6. Storper, Michael, 1989. "The Transition to Flexible Specialisation in the U.S. Film Industry: External Economies, the Division of Labour, and the Crossing of Industrial Divides," Cambridge Journal of Economics, Cambridge Political Economy Society, vol. 13(2), pages 273-305, June.
    7. Frey, Bruno S., 1996. "Has Baumol's Cost Disease disappeared in the performing arts?," Ricerche Economiche, Elsevier, vol. 50(2), pages 173-182, June.
    8. Becky Pettit & Paul DiMaggio, 1997. "Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys," Working Papers 56, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    9. Heilbrun,James & Gray,Charles M., 2001. "The Economics of Art and Culture," Cambridge Books, Cambridge University Press, number 9780521637121.
    10. Albert Greco, 2000. "Market Concentration Levels in the U.S. Consumer Book Industry: 1995–1996," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 321-336, November.
    11. repec:pri:cpanda:wp01%20-%20kaple,%20morris,%20sigmund-fish,%20dimaggio is not listed on IDEAS
    12. repec:pri:cpanda:wp05%20-%20petit%20and%20dimaggio is not listed on IDEAS
    13. Deborah A. Kaple & Lori Morris & Ziggy Rivkin-Fish & Paul DiMaggio, 1996. "Data on Arts Organizations: A Review and Needs Assessment, with Design Implications," Working Papers 161, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    14. Burton A. Weisbrod, 1997. "The future of the nonprofit sector: Its entwining with private enterprise and government," Journal of Policy Analysis and Management, John Wiley & Sons, Ltd., vol. 16(4), pages 541-555.
    15. Allen Scott, 2002. "A new map of Hollywood: the production and distribution of American motion pictures," Regional Studies, Taylor & Francis Journals, vol. 36(9), pages 957-975.
    16. Becky Pettit & Paul DiMaggio, 1997. "Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys," Working Papers 56, Princeton University, Woodrow Wilson School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
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    More about this item

    JEL classification:

    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • J08 - Labor and Demographic Economics - - General - - - Labor Economics Policies

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