IDEAS home Printed from https://ideas.repec.org/p/pad/wpaper/0028.html
   My bibliography  Save this paper

The Management of Events in the Veneto Performing Music Cluster: Bridging Latent and Permanent Organisations

Author

Listed:
  • Fiorenza Belussi

    (University of Padova)

  • Silvia Rita Sedita

    (University of L'Aquila)

Abstract

The paper aims to provide some empirical evidence to strengthen the debate around the project-based organisation, which tends to qualifies the latter as the dominant organising form among the creative industries. Our focus is the performing music industry. We recur to an unique database we have built on the basis of data provided by ENPALS (Ente Nazionale di Previdenza e di Assistenza per i Lavoratori dello Spettacolo) in Rome (Italy), which collects the pension contributions for the workers of performing arts among all Italian public and private organisations. The output of our descriptive analysis confirms that the project based organisations, that in our case of the performing music regard primarily the event management, are the most diffuse form in this field. Moreover, our research gives some interesting hints on the characteristics of the performing music labour force, asserting the project based workers as the category that includes the majority of workers in the industry.

Suggested Citation

  • Fiorenza Belussi & Silvia Rita Sedita, 2006. "The Management of Events in the Veneto Performing Music Cluster: Bridging Latent and Permanent Organisations," "Marco Fanno" Working Papers 0028, Dipartimento di Scienze Economiche "Marco Fanno".
    • Handle: RePEc:pad:wpaper:0028
    as

    Download full text from publisher

    File URL: https://economia.unipd.it/sites/economia.unipd.it/files/20060028.pdf
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Henry Hansmann, 1981. "Nonprofit Enterprise in the Performing Arts," Bell Journal of Economics, The RAND Corporation, vol. 12(2), pages 341-361, Autumn.
    2. Ken Starkey & Christopher Barnatt & Sue Tempest, 2000. "Beyond Networks and Hierarchies: Latent Organizations in the U.K. Television Industry," Organization Science, INFORMS, vol. 11(3), pages 299-305, June.
    3. repec:pri:cpanda:wp21%20-%20tepper is not listed on IDEAS
    4. Storper, Michael, 1989. "The Transition to Flexible Specialisation in the U.S. Film Industry: External Economies, the Division of Labour, and the Crossing of Industrial Divides," Cambridge Journal of Economics, Cambridge Political Economy Society, vol. 13(2), pages 273-305, June.
    5. Steven J? Tepper, 2002. "Creative Assets and the Changing Economy," Working Papers 43, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    6. Allen Scott, 2002. "A new map of Hollywood: the production and distribution of American motion pictures," Regional Studies, Taylor & Francis Journals, vol. 36(9), pages 957-975.
    7. Steven J? Tepper, 2002. "Creative Assets and the Changing Economy," Working Papers 43, Princeton University, Woodrow Wilson School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Manning, Stephan, 2017. "The rise of project network organizations: Building core teams and flexible partner pools for interorganizational projects," Research Policy, Elsevier, vol. 46(8), pages 1399-1415.
    2. Homero Rodríguez-Insuasti & Néstor Montalván-Burbano & Otto Suárez-Rodríguez & Marcela Yonfá-Medranda & Katherine Parrales-Guerrero, 2022. "Creative Economy: A Worldwide Research in Business, Management and Accounting," Sustainability, MDPI, vol. 14(23), pages 1-27, November.
    3. Paul DiMaggio, 2003. "Nonprofit Organizations and the Intersectoral Division of Labor in the Arts," Working Papers 37, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    4. Lars Frederiksen & Silvia Rita Sedita, 2005. "Embodied Knowledge Transfer Comparing inter-firm labor mobility in the music industry and manufacturing industries," DRUID Working Papers 05-14, DRUID, Copenhagen Business School, Department of Industrial Economics and Strategy/Aalborg University, Department of Business Studies.
    5. repec:pri:cpanda:wp30-dimaggio is not listed on IDEAS
    6. Ann Markusen & Gregory H. Wassall & Douglas DeNatale & Randy Cohen, 2008. "Defining the Creative Economy: Industry and Occupational Approaches," Economic Development Quarterly, , vol. 22(1), pages 24-45, February.
    7. Chee Yew Wong & Ruihong Gao, 2008. "Creative Industry in UK, Japan and China: A supply chain management perspective," Discussion Papers 2008-01, Kobe University, Graduate School of Business Administration.
    8. Rosenfeld, Martin T. W. & Hornych, Christoph, 2008. "Is There a Way for Old Industrial Districts to Become Attractive for Cultural Industry? The Case of Media Businesses in Halle (Saale), Germany," IWH Discussion Papers 15/2008, Halle Institute for Economic Research (IWH).
    9. Steven J. Tepper & Stephanie Hinton, 2003. "The Measure of Meetings: Forums, Deliberation, and Cultural Policy," Working Papers 39, Princeton University, School of Public and International Affairs, Center for Arts and Cultural Policy Studies..
    10. Budiono Gatut & Vincent Aryanto, 2010. "Batik Industry Of Indonesia: The Rise, Fall And Prospects," Studies in Business and Economics, Lucian Blaga University of Sibiu, Faculty of Economic Sciences, vol. 5(3), pages 156-170, December.
    11. Weiping Wu, 2005. "Dynamic cities and creative clusters," Policy Research Working Paper Series 3509, The World Bank.
    12. Jennifer Johns, 2010. "Manchester’s Film and Television Industry: Project Ecologies and Network Hierarchies," Urban Studies, Urban Studies Journal Limited, vol. 47(5), pages 1059-1077, May.
    13. repec:pri:cpanda:wp28%20-%20tepper is not listed on IDEAS
    14. Weiping Wu, 2007. "State Policies, Enterprise Dynamism, and Innovation System in Shanghai, China," Growth and Change, Wiley Blackwell, vol. 38(4), pages 544-566, December.
    15. Elisabetta Lazzaro, 2021. "Linking the Creative Economy with Universities’ Entrepreneurship: A Spillover Approach," Sustainability, MDPI, vol. 13(3), pages 1-12, January.
    16. Amihai Glazer, 2014. "The Profit-maximizing Non-profit," Working Papers 131404, University of California-Irvine, Department of Economics.
    17. Aspers, Patrik & Kohl, Sebastian & Power, Dominic, 2008. "Economic sociology discovering economic geography," economic sociology. perspectives and conversations, Max Planck Institute for the Study of Societies, vol. 9(3), pages 3-16.
    18. Poledrini Simone & Searing Elizabeth A. M. & Montrone Alessandro, 2022. "A Model for Directing and Modulating Public Interventions in Social Enterprises," Nonprofit Policy Forum, De Gruyter, vol. 13(4), pages 307-332, October.
    19. Katia Melnik & Jean-Benoît Zimmermann, 2008. "An Economic Approach To Voluntary Association," Working Papers halshs-00347448, HAL.
    20. Bruno Frey, 1999. "State Support and Creativity in the Arts: Some New Considerations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 23(1), pages 71-85, March.
    21. Cudny Waldemar & Ogórek Patrycja, 2014. "Segmentation and motivations of the attendees’ of the Mediaschool Festival in Łódź, Poland," Bulletin of Geography. Socio-economic Series, Sciendo, vol. 24(24), pages 1-16, June.
    22. repec:bfv:journl:005 is not listed on IDEAS
    23. Charles Sabel & Gabriel Sánchez & Inés Butler & Ricardo Rozemberg & Hernán Ruffo & María Angélica Arbeláez & Marcela Meléndez Arjona & Nicolás León & Angela da Rocha & Beatriz Kury & Joana Monteiro & , 2012. "Export Pioneers in Latin America," IDB Publications (Books), Inter-American Development Bank, number 66138 edited by Charles Sabel & Eduardo Fernández-Arias & Ricardo Hausmann & Andrés Rodríguez-Clare & Ernesto H. Ste, February.

    More about this item

    Keywords

    Project based organisation; performing music; permanent organisation; latent organisation;
    All these keywords.

    JEL classification:

    • L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media

    NEP fields

    This paper has been announced in the following NEP Reports:

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:pad:wpaper:0028. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Raffaele Dei Campielisi (email available below). General contact details of provider: https://edirc.repec.org/data/dspadit.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.