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As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950

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  • Victor Fernandez-Blanco
  • Victor Ginsburgh
  • Juan Prieto-Rodríguez
  • Sheila Weyers

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  • Victor Fernandez-Blanco & Victor Ginsburgh & Juan Prieto-Rodríguez & Sheila Weyers, 2012. "As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950," Working Papers ECARES ECARES 2012-010, ULB -- Universite Libre de Bruxelles.
    • Handle: RePEc:eca:wpaper:2013/113533
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    References listed on IDEAS

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    1. De Vany, Arthur & Walls, W David, 1996. "Bose-Einstein Dynamics and Adaptive Contracting in the Motion Picture Industry," Economic Journal, Royal Economic Society, vol. 106(439), pages 1493-1514, November.
    2. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    3. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
    4. V.A. Ginsburgh & D. Throsby (ed.), 2006. "Handbook of the Economics of Art and Culture," Handbook of the Economics of Art and Culture, Elsevier, edition 1, volume 1, number 1.
    5. Silver, Jon & McDonnell, John, 2007. "Are movie theaters doomed? Do exhibitors see the big picture as theaters lose their competitive advantage?," Business Horizons, Elsevier, vol. 50(6), pages 491-501.
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    Cited by:

    1. G. Meloni & D. Paolini & M. Pulina, 2015. "The Great Beauty: Public Subsidies in the Italian Movie Industry," Italian Economic Journal: A Continuation of Rivista Italiana degli Economisti and Giornale degli Economisti, Springer;Società Italiana degli Economisti (Italian Economic Association), vol. 1(3), pages 445-455, November.

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