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As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950

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  • Victor Fernandez-Blanco
  • Victor Ginsburgh
  • Juan Prieto-Rodríguez
  • Sheila Weyers

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  • Victor Fernandez-Blanco & Victor Ginsburgh & Juan Prieto-Rodríguez & Sheila Weyers, 2012. "As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950," Working Papers ECARES ECARES 2012-010, ULB -- Universite Libre de Bruxelles.
    • Handle: RePEc:eca:wpaper:2013/113533
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    References listed on IDEAS

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    1. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    2. De Vany, Arthur & Walls, W David, 1996. "Bose-Einstein Dynamics and Adaptive Contracting in the Motion Picture Industry," Economic Journal, Royal Economic Society, vol. 106(439), pages 1493-1514, November.
    3. V.A. Ginsburgh & D. Throsby (ed.), 2006. "Handbook of the Economics of Art and Culture," Handbook of the Economics of Art and Culture, Elsevier, edition 1, volume 1, number 1, December.
    4. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
    5. Silver, Jon & McDonnell, John, 2007. "Are movie theaters doomed? Do exhibitors see the big picture as theaters lose their competitive advantage?," Business Horizons, Elsevier, vol. 50(6), pages 491-501.
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    Cited by:

    1. G. Meloni & D. Paolini & M. Pulina, 2015. "The Great Beauty: Public Subsidies in the Italian Movie Industry," Italian Economic Journal: A Continuation of Rivista Italiana degli Economisti and Giornale degli Economisti, Springer;Società Italiana degli Economisti (Italian Economic Association), vol. 1(3), pages 445-455, November.

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