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Art and culture in the COVID-19 era: for a consumer-oriented approach

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  • Anne-Sophie V. Radermecker

    (Duke University
    Université Libre de Bruxelles)

Abstract

Since the outbreak of the Coronavirus pandemic, the arts and culture sector has been experiencing a paradoxical situation. While the demand for cultural and creative content has intensified throughout the lockdown period––and digital access has become more critical than ever before––economic indicators predict that the cultural sector will be one of the most affected, and probably one of the slowest to recover. Beyond short-term initiatives such as surveys or data collection aiming to provide artists and intermediaries with financial and logistical supports, both academics and practitioners must engage in joined-up thinking on the future of art consumption, especially from a consumer’s perspective. This commentary paper addresses the main challenges faced by the economy of arts and culture in times of global health crisis by pinpointing the specificities of cultural goods and services. More specifically, the paper shows the extent to which traditional patterns of consumption have been affected, and what research is needed to develop sustainable solutions. We argue that consumers will be critical players in the recovery process, and four research directions are suggested accordingly: (1) data collection on consumers’ cultural practices; (2) consumers and the digital cultural experience; (3) consumers’ engagement and loyalty in the arts and culture; and (4) consumers’ well-being.

Suggested Citation

  • Anne-Sophie V. Radermecker, 2021. "Art and culture in the COVID-19 era: for a consumer-oriented approach," SN Business & Economics, Springer, vol. 1(1), pages 1-14, January.
  • Handle: RePEc:spr:snbeco:v:1:y:2021:i:1:d:10.1007_s43546-020-00003-y
    DOI: 10.1007/s43546-020-00003-y
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    Cited by:

    1. Elena Bonel & Mauro Capestro & Eleonora Di Maria, 2023. "How COVID-19 impacted cultural consumption: an explorative analysis of Gen Z’s digital museum experiences," Italian Journal of Marketing, Springer, vol. 2023(2), pages 135-160, June.
    2. Kichan Nam & Christopher S. Dutt & Jeff Baker, 2023. "Authenticity in Objects and Activities: Determinants of Satisfaction with Virtual Reality Experiences of Heritage and Non-Heritage Tourism Sites," Information Systems Frontiers, Springer, vol. 25(3), pages 1219-1237, June.
    3. Andrea Baldin & Trine Bille, 2023. "The lost value for users of cultural institutions during the COVID-19 pandemic: a life satisfaction approach," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 70(2), pages 257-281, June.
    4. Elena Borin & Fabio Donato, 2023. "Financial Sustainability of Digitizing Cultural Heritage: The International Platform Europeana," JRFM, MDPI, vol. 16(10), pages 1-17, September.
    5. Iuliana COMAN, 2022. "Solutions for Relaunching Art Consumption After COVID-19 - From the Perspective of Consumers with Higher Education," Database Systems Journal, Academy of Economic Studies - Bucharest, Romania, vol. 13(1), pages 35-46.
    6. Luisa Iachan & François Moreau & Paul Heritage & Leandro Valiati & Eliana Sousa Silva, 2023. "How does urban violence impact choices of cultural participation? The case of the Maré favela complex in Rio de Janeiro," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 609-641, December.
    7. George P. Kraemer, 2022. "Cultural Sustainability of US Cities: The Scaling of Non-Profit Arts Footprint with Population," Sustainability, MDPI, vol. 14(7), pages 1-13, April.

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