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Against the digital revolution? Institutional maintenance and artefacts within the French recorded music industry

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  • Blanc, Antoine
  • Huault, Isabelle

Abstract

Institutional maintenance is particularly intriguing when it occurs in the case of technological shifts, with both changes in technologies but persistence in fundamental ways of thinking. In such a case, artefacts may play a significant role, since they are impacted by new technologies but may remain associated with old values. This raises a core question: What work is carried out on the cognitive dimension of artefacts by actors engaged in institutional maintenance? We answer this question through a study of players' endeavors to maintain the institution of intellectual property rights in the French music industry from 2004 to 2008. We interviewed 26 actors and compiled a base of secondary data over an extended period of time. Our results underline that some artefacts convey institutional maintenance, even in the case of technological shifts. More specifically, we show that actors engaged in institutional maintenance target their efforts towards the manipulation of values infused into artefacts. We also shed light on their efforts to design global devices, akin to the idea of “dispositif”. Embedded in these global devices, some artefacts become nodal points forcing actors in the field to comply with the institution that is defended.

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  • Blanc, Antoine & Huault, Isabelle, 2014. "Against the digital revolution? Institutional maintenance and artefacts within the French recorded music industry," Technological Forecasting and Social Change, Elsevier, vol. 83(C), pages 10-23.
    • Handle: RePEc:eee:tefoso:v:83:y:2014:i:c:p:10-23
    DOI: 10.1016/j.techfore.2013.03.009
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    3. Razmdoost, Kamran & Alinaghian, Leila & Chandler, Jennifer D. & Mele, Cristina, 2023. "Service ecosystem boundary and boundary work," Journal of Business Research, Elsevier, vol. 156(C).
    4. Alexis Pokrovsky, 2017. "Un camion peut-il devenir un véhicule institutionnel ? La matérialité des food trucks, entre conflit de légitimité et création d’identité," Post-Print hal-02549883, HAL.
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    6. Pierre-Jean Benghozi & Elisa Salvador & Jean-Paul Simon, 2018. "The race for innovation in the media and content industries: legacy players and newcomers. Lessons from the music and newspaper industries," Post-Print hal-02091962, HAL.
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    8. Shen, Xiaobai & Williams, Robin & Zheng, Shufeng & Liu, Yinliang & Li, Yixiao & Gerst, Martina, 2019. "Digital online music in China – A “laboratory” for business experiment," Technological Forecasting and Social Change, Elsevier, vol. 139(C), pages 235-249.
    9. Pierre-Jean Benghozi & Elisa Salvador, 2015. "Technological innovation and R&D. The disregarded dimension of the creative industries: the case of book publishing," Economia della Cultura, Società editrice il Mulino, issue 2, pages 255-268.
    10. Anne Vancaelemont, 2015. "The power of objects ? Materiality and institutional work in the French recorded music industry (1994-2014)," Post-Print hal-01267723, HAL.
    11. Elisa Salvador & Jean-Paul Simon & Pierre-Jean Benghozi, 2019. "Facing disruption: the cinema value chain in the digital age," Post-Print hal-02300929, HAL.
    12. Mair, Johanna & Reischauer, Georg, 2017. "Capturing the dynamics of the sharing economy: Institutional research on the plural forms and practices of sharing economy organizations," Technological Forecasting and Social Change, Elsevier, vol. 125(C), pages 11-20.
    13. Sylvain Colombero, 2016. "The Interpretative Frame: the link between the Institution and its Artifact Carrier," Post-Print hal-01302428, HAL.

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