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Evolutionary perspectives

In: Handbook on the Digital Creative Economy

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  • Jason Potts

Abstract

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.

Suggested Citation

  • Jason Potts, 2013. "Evolutionary perspectives," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 3, pages 26-36, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:14906_3
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    References listed on IDEAS

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    1. G. M.P. Swann, 2009. "The Economics of Innovation," Books, Edward Elgar Publishing, number 13211.
    2. Stuart Cunningham, 2011. "Paul Stoneman: Soft innovation: economics, product aesthetics and creative industries," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(3), pages 241-245, August.
    3. Quiggin, John, 2005. "Blogs, wikis and creative innovation," Risk and Sustainable Management Group Working Papers 151511, University of Queensland, School of Economics.
    4. Peter E. Earl & Jason Potts, 2004. "The market for preferences," Cambridge Journal of Economics, Cambridge Political Economy Society, vol. 28(4), pages 619-633, July.
    5. Jason Potts & John Hartley & John Banks & Jean Burgess & Rachel Cobcroft & Stuart Cunningham & Lucy Montgomery, 2008. "Consumer Co-creation and Situated Creativity," Industry and Innovation, Taylor & Francis Journals, vol. 15(5), pages 459-474.
    6. Allen Scott, 2006. "Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited," Small Business Economics, Springer, vol. 26(1), pages 1-24, February.
    7. Trüby, Johannes & Rammer, Christian & Müller, Kathrin, 2008. "The Role of Creative Industries in Industrial Innovation," ZEW Discussion Papers 08-109, ZEW - Leibniz Centre for European Economic Research.
    8. Åke E. Andersson & David E. Andersson, 2006. "The Economics of Experiences, the Arts and Entertainment," Books, Edward Elgar Publishing, number 3865.
    9. Lanham, Richard A., 2006. "The Economics of Attention," University of Chicago Press Economics Books, University of Chicago Press, edition 1, number 9780226468822, April.
    10. Stoneman, Paul, 2011. "Soft Innovation: Economics, Product Aesthetics, and the Creative Industries," OUP Catalogue, Oxford University Press, number 9780199697021.
    11. Jason Potts, 2009. "Why creative industries matter to economic evolution," Economics of Innovation and New Technology, Taylor & Francis Journals, vol. 18(7), pages 663-673.
    12. anonymous, 2001. "Creating critical mass," Banking and Community Perspectives, Federal Reserve Bank of Dallas, issue 1, pages 2-3,8.
    13. Jason Potts, 2011. "Creative Industries and Economic Evolution," Books, Edward Elgar Publishing, number 12977.
    Full references (including those not matched with items on IDEAS)

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