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The cultural entrepreneur and the creative industries: beginning in Vienna

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  • Richard Swedberg

Abstract

In this paper on the creative industries and cultural entrepreneurship I take my point of departure in Richard Caves’ Creative Industries [Caves, R. (2000). Creative industries: Contacts between art and commerce. Cambridge, MA: Harvard University Press.]. While Caves draws heavily on economic analysis and contemporary sociology in his excellent analysis of these two topics, he does not use the sociological classics at all. The main purpose of the paper is an attempt to remedy this, by drawing attention to the possible contribution that the works of Max Weber, Emile Durkheim, and Georg Simmel can make to our understanding of the creative industries and cultural entrepreneurship. Since this paper was prepared as a keynote address for the 2006 conference of the Association for Cultural Economics International in Vienna, I also discuss Schumpeter’s ideas on art and entrepreneurship, ideas which grew out of Viennese culture. Copyright Springer Science+Business Media, LLC 2006

Suggested Citation

  • Richard Swedberg, 2006. "The cultural entrepreneur and the creative industries: beginning in Vienna," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(4), pages 243-261, December.
  • Handle: RePEc:kap:jculte:v:30:y:2006:i:4:p:243-261
    DOI: 10.1007/s10824-006-9016-5
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    Citations

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    Cited by:

    1. Mark Blaug & Ruth Towse, 2011. "Cultural Entrepreneurship," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 22, Edward Elgar Publishing.
    2. Stephanie Lu Wang & Qian Gu & Mary Ann Glinow & Paul Hirsch, 2020. "Cultural industries in international business research: Progress and prospect," Journal of International Business Studies, Palgrave Macmillan;Academy of International Business, vol. 51(4), pages 665-692, June.
    3. Alfonso Unceta & Xabier Barandiaran & Asier Lakidain, 2021. "Digitalisation of Creative Industries Fostered by Collaborative Governance: Public Innovation Labs in Gipuzkoa," Sustainability, MDPI, vol. 13(5), pages 1-20, February.
    4. Chen Ming-Huei & Chang Yu-Yu & Wang Hong-Yan & Chen Ming-Han, 2017. "Understanding Creative Entrepreneurs’ Intention to Quit: The Role of Entrepreneurial Motivation, Creativity, and Opportunity," Entrepreneurship Research Journal, De Gruyter, vol. 7(3), pages 1-15, July.
    5. PURCAREA, Irina, 2015. "Cultural entrepreneurship. The importance of developing cultural competences within the framework of resource mobilization," Holistic Marketing Management Journal, Holistic Marketing Management, vol. 5(4), pages 15-21, December.
    6. Paul Muller & Bérangère L. Szostak & Thierry Burger-Helmchen, 2020. "The role of middleground's entrepreneurial activities for the circulation of creative ideas. The case of Krautrock Music [Le rôle d’intermédiation des activités entrepreneuriales du middleground da," Post-Print hal-03539612, HAL.
    7. Chandna, Vallari & Salimath, Manjula S., 2020. "When technology shapes community in the Cultural and Craft Industries: Understanding virtual entrepreneurship in online ecosystems," Technovation, Elsevier, vol. 92.
    8. Marjolein C. J. Caniëls & Anna Motylska-Kuźma, 2023. "Entrepreneurial intention and creative performance – the role of distress tolerance," International Entrepreneurship and Management Journal, Springer, vol. 19(3), pages 1131-1152, September.
    9. Thilde Langevang, 2017. "Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry," The European Journal of Development Research, Palgrave Macmillan;European Association of Development Research and Training Institutes (EADI), vol. 29(4), pages 893-910, August.
    10. Aurore Haas & Alexis Pokrovsky, 2018. "Créer un espace d'entrepreneuriat culturel et créatif : le cas du Centquatre," Post-Print hal-02313756, HAL.
    11. Jason Potts & Stuart Cunningham & John Hartley & Paul Ormerod, 2008. "Social network markets: a new definition of the creative industries," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(3), pages 167-185, September.
    12. Murzyn-Kupisz Monika & Działek Jarosław, 2019. "Economic and spatial strategies of artists as cultural entrepreneurs," Quaestiones Geographicae, Sciendo, vol. 38(4), pages 29-47, December.
    13. Muhammad Nawaz Tunio & Iffat Sabir Chaudhry & Sadia Shaikh & Mushtaque Ali Jariko & Mohsen Brahmi, 2021. "Determinants of the Sustainable Entrepreneurial Engagement of Youth in Developing Country—An Empirical Evidence from Pakistan," Sustainability, MDPI, vol. 13(14), pages 1-17, July.
    14. Alina Daniela MIHALCEA & Andreea MITAN & Alexandra VI?ELAR, 2012. "Generation Y: Views on Entrepreneurship," Economia. Seria Management, Faculty of Management, Academy of Economic Studies, Bucharest, Romania, vol. 15(2), pages 277-287, December.
    15. Kohn, Karsten & Wewel, Solvejg A., 2018. "Skills, Scope, and Success: An Empirical Look at the Start-up Process in Creative Industries in Germany," IZA Discussion Papers 11650, Institute of Labor Economics (IZA).
    16. Lisa Balzarin & Chiara Monica Calcagno, 2016. "Traces of entrepreneurship in the artistic context," Working Papers 1, Venice School of Management - Department of Management, Università Ca' Foscari Venezia.
    17. Chang, Yu-Yu & Chen, Ming-Huei, 2020. "Creative entrepreneurs’ creativity, opportunity recognition, and career success: Is resource availability a double-edged sword?," European Management Journal, Elsevier, vol. 38(5), pages 750-762.
    18. Elmar D. Konrad, 2015. "Cultural Entrepreneurship and Money: Start-Up Financing Structures in the Creative Industries (Przedsiebiorczosc w sektorze kultury a srodki finansowe – struktury finansowania nowych przedsiebiorstw w," Problemy Zarzadzania, University of Warsaw, Faculty of Management, vol. 13(56), pages 159-176.

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