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Copying and Copyright
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Cited by:
- Eric Darmon & Alexandra Rufini & Dominique Torre, 2009.
"Back to software "profitable piracy": the role of information diffusion,"
Economics Bulletin, AccessEcon, vol. 29(2), pages 543-553.
- Eric Darmon & Alexandra Rufini & Dominique Torre, 2009. "Back to software "profitable piracy": the role of information diffusion," Post-Print hal-00599958, HAL.
- Bourreau, Marc & Doğan, Pınar & Hong, Sounman, 2015.
"Making money by giving it for free: Radiohead’s pre-release strategy for In Rainbows,"
Information Economics and Policy, Elsevier, vol. 32(C), pages 77-93.
- M. Bourreau & P. Dogan & Hong, S, "undated". "Making money by giving it for free: Radiohead's pre-release strategy for In Rainbows," Working Paper 85936, Harvard University OpenScholar.
- Bourreau, Marc & Dogan, Pinar & Hong, Sounman, 2014. "Making Money by Giving It for Free: Radiohead's Pre-release Strategy for In Rainbows," Working Paper Series rwp14-032, Harvard University, John F. Kennedy School of Government.
- Marc Bourreau & Pinar Doğan & Sounman Hong, 2015. "Making money by giving it for free: Radiohead’s pre-release strategy for In Rainbows," Post-Print hal-02085284, HAL.
- Sacha Wunsch-Vincent, 2013. "The economics of copyright and the internet: Moving to an empirical assessment relevant in the digital era," WIPO Economic Research Working Papers 09, World Intellectual Property Organization - Economics and Statistics Division.
- Xing Li & Megan MacGarvie & Petra Moser, 2014.
"Dead Poets’ Property - How Does Copyright Influence Price,"
Discussion Papers
14-001, Stanford Institute for Economic Policy Research.
- Xing Li & Megan MacGarvie & Petra Moser, 2015. "Dead Poet's Property - How Does Copyright Influence Price?," NBER Working Papers 21522, National Bureau of Economic Research, Inc.
- Alcala, Francisco & Gonzalez-Maestre, Miguel, 2005.
"Artistic creation and intellectual property,"
MPRA Paper
1287, University Library of Munich, Germany, revised 17 Dec 2006.
- Alcalá, Francisco & Gonzalez-Maestre, Miguel, 2009. "Artistic Creation and Intellectual Property," UMUFAE Economics Working Papers 4614, DIGITUM. Universidad de Murcia.
- Francisco Alcalá & Miguel González-Maestre, 2006. "Artistic Creation and Intellectual Property," Working Papers 0606, International Economics Institute, University of Valencia.
- Tobias Regner & Maija Halonen-Akatwijuka, 2004.
"Digital Technology And The Allocation Of Ownership In The Music Industry,"
Royal Economic Society Annual Conference 2004
54, Royal Economic Society.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," Jena Economics Research Papers 2009-096, Friedrich-Schiller-University Jena.
- Maija Halonen-Akatwijuka & Toby Regner, 2004. "Digital Technology and the Allocation of Ownership in the Music Industry," The Centre for Market and Public Organisation 04/096, The Centre for Market and Public Organisation, University of Bristol, UK.
- Maija Halonen-Akatwijuka & Tobias Regner, 2009. "Digital Technology and the Allocation of Ownership in the Music Industry," The Centre for Market and Public Organisation 09/228, The Centre for Market and Public Organisation, University of Bristol, UK.
- Sacha Wunsch-Vincent, 2016. "The Economics of Copyright and the Internet: Moving to an Empirical Assessment Relevant in the Digital Age," Working Papers id:10905, eSocialSciences.
- Miguel Godinho de Matos & Pedro Ferreira & Michael D. Smith, 2018. "The Effect of Subscription Video-on-Demand on Piracy: Evidence from a Household-Level Randomized Experiment," Management Science, INFORMS, vol. 64(12), pages 5610-5630, December.
- Barbara Biasi & Petra Moser, 2018. "Effects of Copyrights on Science - Evidence from the US Book Republication Program," Working Papers 18-06, New York University, Leonard N. Stern School of Business, Department of Economics.
- Gil Ricard, 2006.
"The Economics of IPR Protection Policies,"
Review of Network Economics, De Gruyter, vol. 5(3), pages 1-21, September.
- Gil, Ricard, 2006. "The economics of IPR protection policies," IESE Research Papers D/622, IESE Business School.
- Žigić, Krešimir & Střelický, Jiří & Kúnin, Michael, 2023. "Copyright and firms’ own IPR protection in a software market: Monopoly versus duopoly," Economic Modelling, Elsevier, vol. 123(C).
- Nobuyuki Hanaki & Yutaka Kayaba & Jun Maekawa & Hitoshi Matsushima, 2021. "Trading information goods on a network: An experiment," ISER Discussion Paper 1151, Institute of Social and Economic Research, Osaka University.
- Xiaolin Li & Chenxi Liao & Ying Xie, 2021. "Digital Piracy, Creative Productivity, and Customer Care Effort: Evidence from the Digital Publishing Industry," Marketing Science, INFORMS, vol. 40(4), pages 685-707, July.
- Adermon, Adrian & Liang, Che-Yuan, 2014. "Piracy and music sales: The effects of an anti-piracy law," Journal of Economic Behavior & Organization, Elsevier, vol. 105(C), pages 90-106.
- Regner, Tobias & Riener, Gerhard, 2012.
"Voluntary payments, privacy and social pressure on the internet: A natural field experiment,"
DICE Discussion Papers
82, Heinrich Heine University Düsseldorf, Düsseldorf Institute for Competition Economics (DICE).
- Tobias Regner & Gerhard Riener, 2013. "Voluntary Payments, Privacy and Social Pressure on the Internet: A Natural Field Experiment," Jena Economics Research Papers 2013-032, Friedrich-Schiller-University Jena.
- Tylor Orme, 2014. "The short- and long-term effectiveness of anti-piracy laws and enforcement actions," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(4), pages 351-368, November.
- Rockett, Katharine, 2010.
"Property Rights and Invention,"
Handbook of the Economics of Innovation, in: Bronwyn H. Hall & Nathan Rosenberg (ed.), Handbook of the Economics of Innovation, edition 1, volume 1, chapter 0, pages 315-380,
Elsevier.
- Rockett, K, 2008. "Property Rights and Invention," Economics Discussion Papers 2857, University of Essex, Department of Economics.
- Martin Obradovits, 2013. "Excessive supplier pricing and high-quality foreclosure," Vienna Economics Papers vie1303, University of Vienna, Department of Economics.
- Martin Obradovits, 2013. "Excessive supplier pricing and high-quality foreclosure," Vienna Economics Papers 1303, University of Vienna, Department of Economics.
- V. G. Khalin & G. V. Chernova, 2018. "Digitalization and Its Impact on the Russian Economy and Society: Advantages, Challenges, Threats and Risks," Administrative Consulting, Russian Presidential Academy of National Economy and Public Administration. North-West Institute of Management., issue 10.
- Christian Peukert & Margaritha Windisch, 2023. "The Economics of Copyright in the Digital Age," CESifo Working Paper Series 10687, CESifo.
- Zablocka, Adrianna, 2008. "Antitrust and Copyright Collectives – an Economic Analysis," MPRA Paper 23987, University Library of Munich, Germany.
- repec:clr:wugarc:y:2013:v:39i:3p:405 is not listed on IDEAS
- Francisco Alcalá & Miguel González‐Maestre, 2012.
"Artistic Creation and Intellectual Property: A Professional Career Approach,"
Journal of Economics & Management Strategy, Wiley Blackwell, vol. 21(3), pages 633-672, September.
- Alcalá Francisco & González Maestre Miguel, 2010. "Artistic Creation and Intellectual Property: A Professional Career Approach," Working Papers 2010103, Fundacion BBVA / BBVA Foundation.
- Francisco Alcalá & Miguel González-Maestre, 2011. "Artistic Creation and Intellectual Property: A Professional Career Approach," Levine's Working Paper Archive 786969000000000090, David K. Levine.
- Paul Stepan, 2013. "Urheberrecht und Digitalisierung - Eine Zwischenbilanz," Wirtschaft und Gesellschaft - WuG, Kammer für Arbeiter und Angestellte für Wien, Abteilung Wirtschaftswissenschaft und Statistik, vol. 39(3), pages 405-420.
- Krzysztof Bartczak, 2021. "The Impact of Digital Technology Platforms on Business Models in the Context of Consumer-Driven Processes," European Research Studies Journal, European Research Studies Journal, vol. 0(2B), pages 743-761.
- Hanaki, Nobuyuki & Kayaba, Yutaka & Maekawa, Jun & Matsushima, Hitoshi, 2024.
"Two experiments on trading information goods in a network,"
Games and Economic Behavior, Elsevier, vol. 145(C), pages 1-18.
- Nobuyuki Hanaki & Yutaka Kayaba & Jun Maekawa & Hitoshi Matsushima, 2021. "Two Experiments on Trading Information Goods in a Network," ISER Discussion Paper 1151r, Institute of Social and Economic Research, Osaka University, revised Oct 2023.
- Kresimir Zigic & Jiri Strelicky & Michael Kunin, 2014. "How Does Public IPR Protection Affect its Private Counterpart? Copyright and the Firms' Own IPR Protection in a Software Duopoly," CERGE-EI Working Papers wp518, The Center for Economic Research and Graduate Education - Economics Institute, Prague.
- Noemí Pulido Pavón & Luis Palma Martos, 2014. "Effectiveness of Intellectual Property Regimes: 2006-2011," GEMF Working Papers 2014-12, GEMF, Faculty of Economics, University of Coimbra.
- Antonello E. Scorcu & Laura Vici, 2013. "Economic and cultural factors and illegal copying in the university textbook market," ACEI Working Paper Series AWP-01-2013, Association for Cultural Economics International, revised Feb 2013.
- Joost Poort, 2013. "Copyright levies," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 21, pages 235-246, Edward Elgar Publishing.
- Rosalie Liccardo Pacula & Srikanth Kadiyala & Priscillia Hunt & Alessandro Malchiodi, 2012. "An Alternative Framework for Empirically Measuring the Size of Counterfeit Markets," NBER Working Papers 18171, National Bureau of Economic Research, Inc.
- Peter Lewin, 2007. "Creativity or Coercion: Alternative Perspectives on Rights to Intellectual Property," Journal of Business Ethics, Springer, vol. 71(4), pages 441-455, April.
- Alcalá, Francisco & González-Maestre, Miguel, 2010.
"Copying, superstars, and artistic creation,"
Information Economics and Policy, Elsevier, vol. 22(4), pages 365-378, December.
- Francisco Alcalá & Miguel González-Maestre, 2009. "Copying, Superstars, and Artistic Creation," Working Papers 0902, International Economics Institute, University of Valencia.
- Alcalá, Francisco & Gonzalez-Maestre, Miguel, 2009. "Copying, superstars and artistic creation," UMUFAE Economics Working Papers 5606, DIGITUM. Universidad de Murcia.
- Olivier Bomsel & Heritiana Ranaivoson, 2009. "Decreasing Copyright Enforcement Costs: The Scope of a Gradual Response," Post-Print hal-00446189, HAL.
- Noemí Pulido Pavón & Luis Palma Martos & Luis F. Aguado, 2016. "Derechos de autor. Enfoque económico, evolución y perspectivas," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 18(35), pages 151-169, July-Dece.
- Sanjay Jain, 2008. "Digital Piracy: A Competitive Analysis," Marketing Science, INFORMS, vol. 27(4), pages 610-626, 07-08.
- Ghafele, Roya & Gibert, Benjamin, 2012. "The economic value of fair use in copyright law: counterfactual impact analysis of fair use policy on private copying technology and copyright markets in Singapore," MPRA Paper 41664, University Library of Munich, Germany.
- Christian Handke & Carolina Dalla Chiesa, 2022. "The art of crowdfunding arts and innovation: the cultural economic perspective," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 249-284, June.
- Chiang, Eric P. & Assane, Djeto, 2008. "Music piracy among students on the university campus: Do males and females react differently?," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 37(4), pages 1371-1380, August.
- Frank Mueller-Langer, 2014. "Copyright and parallel trade," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 16, pages 287-310, Edward Elgar Publishing.
- Carol A. Robbins, 2009. "Measuring Payments for the Supply and Use of Intellectual Property," NBER Chapters, in: International Trade in Services and Intangibles in the Era of Globalization, pages 139-171, National Bureau of Economic Research, Inc.
- Paul Stepan, 2013. "Film," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 35, pages 399-408, Edward Elgar Publishing.
- Stan J. Liebowitz & Richard Watt, 2006. "How To Best Ensure Remuneration For Creators In The Market For Music? Copyright And Its Alternatives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 513-545, September.
- Ruth Towse, 2008. "Why has cultural economics ignored copyright?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 243-259, December.
- Handke, Christian, 2012. "Digital copying and the supply of sound recordings," Information Economics and Policy, Elsevier, vol. 24(1), pages 15-29.
- Nakanishi, Yasuo, 2011. "Copyright and market structure under vertical relations," MPRA Paper 34206, University Library of Munich, Germany.
- Barros, Henrique M., 2021. "Neither at the cutting edge nor in a patent-friendly environment: Appropriating the returns from innovation in a less developed economy," Research Policy, Elsevier, vol. 50(1).
- Handke, Christian & Girard, Yann & Mattes, Anselm, 2015. "Fördert das Urheberrecht Innovation? Eine empirische Untersuchung," Studien zum deutschen Innovationssystem 16-2015, Expertenkommission Forschung und Innovation (EFI) - Commission of Experts for Research and Innovation, Berlin.
- Roya Ghafele & Benjamin Gibert, 2014. "A Counterfactual Impact Analysis of Fair Use Policy on Copyright Related Industries in Singapore," Laws, MDPI, vol. 3(2), pages 1-26, June.
- Kresimir Zigic & Jiri Strelicky & Michal Kunin, 2020. "Private and Public IPR Protection in a Vertically Differentiated Software Duopoly," CERGE-EI Working Papers wp671, The Center for Economic Research and Graduate Education - Economics Institute, Prague.
- Vöpel, Henning, 2021. "Die digitale Revolution: Der große Übergang in die Datenökonomie," Edition HWWI: Chapters, in: Straubhaar, Thomas (ed.), Neuvermessung der Datenökonomie, volume 6, pages 29-39, Hamburg Institute of International Economics (HWWI).
- Rick Harbaugh & Rahul Khemka, 2010. "Does Copyright Enforcement Encourage Piracy?," Journal of Industrial Economics, Wiley Blackwell, vol. 58(2), pages 306-323, June.
- Christian Handke, 2013. "Empirical evidence on copyright," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 22, pages 249-261, Edward Elgar Publishing.
- Sanz, Esteve, 2015. "Copyright indicators and the costs of symbolic production: The cultural dimension of telecommunications policy," Telecommunications Policy, Elsevier, vol. 39(3), pages 208-217.
- Stan J. Liebowitz, 2013. "Internet piracy: the estimated impact on sales," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 23, pages 262-273, Edward Elgar Publishing.
- Kristelia García & James Hicks & Justin McCrary, 2020. "Copyright and Economic Viability: Evidence from the Music Industry," Journal of Empirical Legal Studies, John Wiley & Sons, vol. 17(4), pages 696-721, December.
- Moser, Petra & Biasi, Barbara, 2018. "Effects of Copyrights on Science - Evidence from the US Book Republication Program," CEPR Discussion Papers 12651, C.E.P.R. Discussion Papers.
- Eric P. Chiang & Djeto Assane, 2009. "Estimating The Willingness To Pay For Digital Music," Contemporary Economic Policy, Western Economic Association International, vol. 27(4), pages 512-522, October.
- Boudreau, Kevin J. & Jeppesen, Lars Bo & Miric, Milan, 2022. "Profiting from digital innovation: Patents, copyright and performance," Research Policy, Elsevier, vol. 51(5).
- Nodir Adilov & Michael Waldman, 2013.
"Optimal Copyright Length And Ex Post Investment: A Mickey Mouse Approach,"
Economic Inquiry, Western Economic Association International, vol. 51(2), pages 1101-1122, April.
- Adilov, Nodir & Waldman, Michael, 2006. "Optimal copyright length and ex post investment: a Mickey Mouse approach," MPRA Paper 1551, University Library of Munich, Germany.
- Richard Pomfret & Keith Maskus, 2014. "The New Globalisation of Intellectual Property Rights: What's New This Time?," Australian Economic History Review, Economic History Society of Australia and New Zealand, vol. 54(3), pages 262-284, November.
- Terrence August & Tunay I. Tunca, 2008. "Let the Pirates Patch? An Economic Analysis of Software Security Patch Restrictions," Information Systems Research, INFORMS, vol. 19(1), pages 48-70, March.
- Juan Montoro Pons & Manuel Cuadrado García, 2008. "Legal origin and intellectual property rights: an empirical study in the prerecorded music sector," European Journal of Law and Economics, Springer, vol. 26(2), pages 153-173, October.
- Ivan Png, 2006. "Copyright: A Plea for Empirical Research," Levine's Working Paper Archive 321307000000000484, David K. Levine.
- Baojun Jiang & Lin Tian, 2018. "Collaborative Consumption: Strategic and Economic Implications of Product Sharing," Management Science, INFORMS, vol. 64(3), pages 1171-1188, March.
- Erickson, Kristofer & Homberg, Fabian & Kretschmer, Martin, 2024. "The role of openness in creative innovation: Evidence from digital crowdfunding," Technological Forecasting and Social Change, Elsevier, vol. 206(C).
- Pavol Minárik, 2012. "Copyright a právo na překlad: ekonomická analýza [Copyright and the Right to Translation: An Economic Analysis]," Politická ekonomie, Prague University of Economics and Business, vol. 2012(1), pages 101-112.
- David Waterman & Sung Ji & Laura Rochet, 2007. "Enforcement and Control of Piracy, Copying, and Sharing in the Movie Industry," Review of Industrial Organization, Springer;The Industrial Organization Society, vol. 30(4), pages 255-289, June.