Making Money by Giving It for Free: Radiohead's Pre-release Strategy for In Rainbows
Author
Abstract
Suggested Citation
Download full text from publisher
Other versions of this item:
- Bourreau, Marc & Doğan, Pınar & Hong, Sounman, 2015. "Making money by giving it for free: Radiohead’s pre-release strategy for In Rainbows," Information Economics and Policy, Elsevier, vol. 32(C), pages 77-93.
- M. Bourreau & P. Dogan & Hong, S, "undated". "Making money by giving it for free: Radiohead's pre-release strategy for In Rainbows," Working Paper 85936, Harvard University OpenScholar.
- Marc Bourreau & Pinar Doğan & Sounman Hong, 2015. "Making money by giving it for free: Radiohead’s pre-release strategy for In Rainbows," Post-Print hal-02085284, HAL.
References listed on IDEAS
- Luís Cabral & Gabriel Natividad, 2016. "Box-Office Demand: The Importance of Being #1," Journal of Industrial Economics, Wiley Blackwell, vol. 64(2), pages 277-294, June.
- Waldfogel, Joel, 2009.
"Lost on the web: Does web distribution stimulate or depress television viewing?,"
Information Economics and Policy, Elsevier, vol. 21(2), pages 158-168, June.
- Joel Waldfogel, 2007. ""Lost" on the Web: Does Web Distribution Stimulate or Depress Television Viewing?," NBER Working Papers 13497, National Bureau of Economic Research, Inc.
- Fernandez, Jose & Nahata, Babu, 2009. "Pay What You Like," MPRA Paper 16265, University Library of Munich, Germany.
- Simon P. Anderson & André de Palma, 2013.
"Shouting to Be Heard in Advertising,"
Management Science, INFORMS, vol. 59(7), pages 1545-1556, July.
- Simon P. Anderson & André de Palma, 2012. "Shouting to be Heard in Advertising," Working Papers hal-00742240, HAL.
- Brett Danaher & Samita Dhanasobhon & Michael D. Smith & Rahul Telang, 2010. "Converting Pirates Without Cannibalizing Purchasers: The Impact of Digital Distribution on Physical Sales and Internet Piracy," Marketing Science, INFORMS, vol. 29(6), pages 1138-1151, 11-12.
- Regner, Tobias & Barria, Javier A., 2009.
"Do consumers pay voluntarily? The case of online music,"
Journal of Economic Behavior & Organization, Elsevier, vol. 71(2), pages 395-406, August.
- Tobias Regner & Javier A. Barria, 2007. "Do Consumers Pay Voluntarily? The Case of Online Music," Jena Economics Research Papers 2007-011, Friedrich-Schiller-University Jena.
- Tobias Regner & Javier A. Barria, 2009. "Do Consumers Pay Voluntarily? The Case of Online Music," Post-Print hal-00686341, HAL.
- Sana El Harbi & Gilles Grolleau & Insaf Bekir, 2014.
"Substituting piracy with a pay-what-you-want option: does it make sense?,"
European Journal of Law and Economics, Springer, vol. 37(2), pages 277-297, April.
- Sana El Harbi & Gilles Grolleau & Insaf Bekir, 2014. "Substituting piracy with a pay-what-you-want option: does it make sense?," Post-Print hal-01994854, HAL.
- Joel Waldfogel, 2012.
"Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster,"
Journal of Law and Economics, University of Chicago Press, vol. 55(4), pages 715-740.
- Joel Waldfogel, 2011. "Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster," NBER Working Papers 17503, National Bureau of Economic Research, Inc.
- repec:wly:soecon:v:81:2:y:2014:p:387-408 is not listed on IDEAS
- Matthew Gentzkow, 2007. "Valuing New Goods in a Model with Complementarity: Online Newspapers," American Economic Review, American Economic Association, vol. 97(3), pages 713-744, June.
- Ben Shiller & Joel Waldfogel, 2011. "Music for a Song: An Empirical Look at Uniform Pricing and Its Alternatives," Journal of Industrial Economics, Wiley Blackwell, vol. 59(4), pages 630-660, December.
- Ram D. Gopal & G. Lawrence Sanders, 2006. "Do Artists Benefit from Online Music Sharing?," The Journal of Business, University of Chicago Press, vol. 79(3), pages 1503-1534, May.
- Robert G. Hammond, 2014. "Profit Leak? Pre‐Release File Sharing and the Music Industry," Southern Economic Journal, John Wiley & Sons, vol. 81(2), pages 387-408, October.
- Isaac, R. Mark & P. Lightle, John & A. Norton, Douglas, 2015. "The pay-what-you-want business model: Warm glow revenues and endogenous price discrimination," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 57(C), pages 215-223.
- Peitz, Martin & Waelbroeck, Patrick, 2006. "Why the music industry may gain from free downloading -- The role of sampling," International Journal of Industrial Organization, Elsevier, vol. 24(5), pages 907-913, September.
- Hal R. Varian, 2005. "Copying and Copyright," Journal of Economic Perspectives, American Economic Association, vol. 19(2), pages 121-138, Spring.
- Waldfogel, Joel, 2010. "Music file sharing and sales displacement in the iTunes era," Information Economics and Policy, Elsevier, vol. 22(4), pages 306-314, December.
- Peitz, Martin & Waldfogel, Joel, 2012. "The Oxford Handbook of the Digital Economy," OUP Catalogue, Oxford University Press, number 9780195397840.
- Ken Hendricks & Alan Sorensen, 2009. "Information and the Skewness of Music Sales," Journal of Political Economy, University of Chicago Press, vol. 117(2), pages 324-369, April.
Citations
Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
Cited by:
- Mustonen, Mikko, 2019. "Direct publishing and the bargaining between the author and the publisher," Information Economics and Policy, Elsevier, vol. 48(C), pages 40-47.
- Bazen, Stephen & Bouvard, Laurence & Zimmermann, Jean-Benoît, 2015.
"Musicians and the Creative Commons: A survey of artists on Jamendo,"
Information Economics and Policy, Elsevier, vol. 32(C), pages 65-76.
- Stephen Bazen & Laurence Bouvard & Jean-Benoît Zimmermann, 2015. "Musicians and the Creative Commons: A survey of artists on Jamendo," Post-Print hal-01457307, HAL.
- Gerpott, Torsten J. & Schneider, Christina, 2016. "Buying behaviors when similar products are available under pay-what-you-want and posted price conditions: Field-experimental evidence," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 65(C), pages 135-145.
- Gerpott Torsten J., 2016. "A review of the empirical literature on Pay-What-You-Want price setting," Management & Marketing, Sciendo, vol. 11(4), pages 566-596, December.
- Di Domenico, Giandomenico & Premazzi, Katia & Cugini, Antonella, 2022. "“I will pay you more, as long as you are transparent!”: An investigation of the pick-your-price participative pricing mechanism," Journal of Business Research, Elsevier, vol. 147(C), pages 403-419.
Most related items
These are the items that most often cite the same works as this one and are cited by the same works as this one.- Scott Hiller, R., 2016. "Sales displacement and streaming music: Evidence from YouTube," Information Economics and Policy, Elsevier, vol. 34(C), pages 16-26.
- C. Bellégo & R. De Nijs, 2015. "The redistributive effect of online piracy on the box office performance of American movies in foreign markets," Documents de Travail de l'Insee - INSEE Working Papers g2015-17, Institut National de la Statistique et des Etudes Economiques.
- Aguiar, Luis & Martens, Bertin, 2016. "Digital music consumption on the Internet: Evidence from clickstream data," Information Economics and Policy, Elsevier, vol. 34(C), pages 27-43.
- Tyrowicz, Joanna & Krawczyk, Michal & Hardy, Wojciech, 2020. "Friends or foes? A meta-analysis of the relationship between “online piracy” and the sales of cultural goods," Information Economics and Policy, Elsevier, vol. 53(C).
- Wojciech Hardy & Michal Krawczyk & Joanna Tyrowicz, 2015.
"Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods,"
Working Papers
2015-23, Faculty of Economic Sciences, University of Warsaw.
- Michal Krawczyk & Joanna Tyrowicz & Wojciech Hardy, 2020. "Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods," GRAPE Working Papers 45, GRAPE Group for Research in Applied Economics.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2014.
"Piracy and Copyright Enforcement Mechanisms,"
Innovation Policy and the Economy, University of Chicago Press, vol. 14(1), pages 25-61.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Chapters, in: Innovation Policy and the Economy, Volume 14, pages 25-61, National Bureau of Economic Research, Inc.
- Brett Danaher & Michael D. Smith & Rahul Telang, 2013. "Piracy and Copyright Enforcement Mechanisms," NBER Working Papers 19150, National Bureau of Economic Research, Inc.
- Essling, Christian & Koenen, Johannes & Peukert, Christian, 2017.
"Competition for attention in the digital age: The case of single releases in the recorded music industry,"
Information Economics and Policy, Elsevier, vol. 40(C), pages 26-40.
- Essling, Christian & Könen, Johannes & Peukert, Christian, 2017. "Competition for attention in the digital age: The case of single releases in the recorded music industry," Munich Reprints in Economics 49913, University of Munich, Department of Economics.
- Lee, Jonathan F., 2018.
"Purchase, pirate, publicize: Private-network music sharing and market album sales,"
Information Economics and Policy, Elsevier, vol. 42(C), pages 35-55.
- Jonathan Lee, 2018. "Purchase, Pirate, Publicize: Private-network Music Sharing And Market Album Sales," Working Paper 1354, Economics Department, Queen's University.
- Sylvain Dejean & Thierry Pénard & Raphaël Suire, 2010.
"La gratuité est-elle une fatalité sur les marchés numériques ? Une étude sur le consentement à payer pour des offres de contenus audiovisuels sur internet,"
Economie & Prévision, La Documentation Française, vol. 0(3), pages 15-32.
- Raphaël Suire & Thierry Pénard & Sylvain Dejean, 2010. "La gratuité est-elle une fatalité sur les marchés numériques ? Une étude sur le consentement à payer pour des offres de contenus audiovisuels sur internet," Économie et Prévision, Programme National Persée, vol. 194(3), pages 15-32.
- Sylvain Dejean & Thierry Pénard & Raphaël Suire, 2010. "La gratuité est-elle une fatalité sur les marchés numériques ? Une étude sur le consentement à payer pour des offres de contenus audiovisuels sur internet," Post-Print hal-00965945, HAL.
- Julia Cagé & Nicolas Hervé & Marie-Luce Viaud, 2020.
"The Production of Information in an Online World,"
The Review of Economic Studies, Review of Economic Studies Ltd, vol. 87(5), pages 2126-2164.
- Julia Cagé & Nicolas Hervé & Marie-Luce Viaud, 2015. "The Production of Information in an Online World," Working Papers 15-05, NET Institute.
- Julia Cage & Nicolas Hervé & Marie-Luce Viaud, 2019. "The Production of Information in an Online World," Post-Print hal-03567007, HAL.
- Julia Cage & Nicolas Hervé & Marie-Luce Viaud, 2019. "The Production of Information in an Online World," SciencePo Working papers Main hal-03567007, HAL.
- Gerpott Torsten J., 2016. "A review of the empirical literature on Pay-What-You-Want price setting," Management & Marketing, Sciendo, vol. 11(4), pages 566-596, December.
- Oberholzer-Gee, Felix & Strumpf, Koleman, 2016. "The effect of file sharing on record sales, revisited," Information Economics and Policy, Elsevier, vol. 37(C), pages 61-66.
- Markus Pasche, 2014. "Welfare Effects of Endogenous Copyright Enforcement - the Case of Digital Goods," Jena Economics Research Papers 2014-008, Friedrich-Schiller-University Jena.
- Handke, Christian, 2012. "Digital copying and the supply of sound recordings," Information Economics and Policy, Elsevier, vol. 24(1), pages 15-29.
- Laurina Zhang, 2018. "Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry," Management Science, INFORMS, vol. 64(1), pages 24-42, January.
- Christian Handke, 2013. "Empirical evidence on copyright," Chapters, in: Ruth Towse & Christian Handke (ed.), Handbook on the Digital Creative Economy, chapter 22, pages 249-261, Edward Elgar Publishing.
- William M. Volckmann, 2023. "The effects of market size, wealth, and network effects on digital piracy and profit," European Journal of Law and Economics, Springer, vol. 55(1), pages 61-85, February.
- Hardy, Wojciech, 2021. "Displacement from piracy in the American comic book market," Information Economics and Policy, Elsevier, vol. 57(C).
- Julia Cagé & Nicolas Hervé & Marie-Luce Viaud, 2020.
"The Production of Information in an Online World,"
Review of Economic Studies, Oxford University Press, vol. 87(5), pages 2126-2164.
- Julia Cagé & Nicolas Hervé & Marie-Luce Viaud, 2015. "The Production of Information in an Online World," Working Papers 15-05, NET Institute.
- Julia Cage & Nicolas Hervé & Marie-Luce Viaud, 2019. "The Production of Information in an Online World," SciencePo Working papers hal-03567007, HAL.
- Julia Cage & Nicolas Hervé & Marie-Luce Viaud, 2019. "The Production of Information in an Online World," Sciences Po publications info:hdl:2441/52cps7rdns8, Sciences Po.
- Julia Cage & Nicolas Hervé & Marie-Luce Viaud, 2019. "The Production of Information in an Online World," Post-Print hal-03567007, HAL.
- Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang, 2024.
"Displacement and complementarity in the recorded music industry: evidence from France,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 43-94, March.
- Ivaldi, Marc & Nicolle, Ambre & Verboven, Frank & Zhang, Jiekai, 2021. "Displacement and Complementary in the recorded music industry: evidence from France," TSE Working Papers 21-1199, Toulouse School of Economics (TSE), revised 07 Jan 2023.
- Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang, 2023. "Displacement and Complementary in the recorded music industry: evidence from France," Post-Print hal-04020859, HAL.
- Ivaldi, Marc & Nicolle, Ambre & Verboven, Frank & Zhang, Jiekai, 2021. "Displacement and complementarity in the recorded music industry: evidence from France," CEPR Discussion Papers 16006, C.E.P.R. Discussion Papers.
More about this item
JEL classification:
- L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media
NEP fields
This paper has been announced in the following NEP Reports:- NEP-CUL-2015-09-05 (Cultural Economics)
- NEP-MKT-2015-09-05 (Marketing)
Statistics
Access and download statisticsCorrections
All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:ecl:harjfk:rwp14-032. See general information about how to correct material in RePEc.
If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.
If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .
If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: the person in charge (email available below). General contact details of provider: https://edirc.repec.org/data/ksharus.html .
Please note that corrections may take a couple of weeks to filter through the various RePEc services.