IDEAS home Printed from https://ideas.repec.org/p/zbw/wzblpe/spi2005107.html
   My bibliography  Save this paper

Künstler zwischen selbständiger und abhängiger Erwerbsarbeit

Author

Listed:
  • Haak, Carroll

Abstract

Die Arbeitsmärkte von Künstlern sind seit Jahrzehnten durch ein kontinuierliches Wachstum an erwerbstätigen Künstlern gekennzeichnet. Ein differenzierter Blick auf diese Arbeitsmärkte verdeutlicht allerdings die Dimensionen, in denen sich dieses Wachstum bewegt. Im Kultursektor werden abhängige Beschäftigungsverhältnisse abgebaut, unbefristete Stellen werden zugunsten befristeter Beschäftigungsverhältnisse zurückgenommen. Insgesamt geht die abhängige Beschäftigung zugunsten der Selbständigkeit zurück. Die selbständigen Künstler strömen in Deutschland in die Künstlersozialkasse, weshalb diese unter starken finanziellen Druck geraten ist. In diesem Paper wird die Entwicklung der Erwerbstätigkeit von Musikern, darstellenden Künstlern und bildenden Künstlern auf der Basis einer Analyse von Individualdaten (Mikrozensus 2000) seit den achtziger Jahren nachgezeichnet. Dabei werden spezifische Charakteristika der Erwerbsformen, insbesondere der abhängigen Beschäftigungsverhältnisse sowie der Selbständigkeit analysiert und diskutiert. An die deskriptive Datenanalyse schließen sich zwei logistische Regressionen an, anhand derer folgende Fragen beantwortet werden: Welche Faktoren determinieren die Erwerbsformen bei Künstlern? Welche sozialstrukturellen Merkmale beeinflussen das Befristungsrisiko bei den Beschäftigungsverhältnissen von Künstlern?

Suggested Citation

  • Haak, Carroll, 2005. "Künstler zwischen selbständiger und abhängiger Erwerbsarbeit," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2005-107, WZB Berlin Social Science Center.
    • Handle: RePEc:zbw:wzblpe:spi2005107
    as

    Download full text from publisher

    File URL: https://www.econstor.eu/bitstream/10419/44001/1/501167943.pdf
    Download Restriction: no
    ---><---

    References listed on IDEAS

    as
    1. Julio R. Robledo, 2002. "Die Kostenfaktoren der öffentlichen Theater in Deutschland: eine Untersuchung mit dem Schwerpunkt Berlin," DIW Wochenbericht, DIW Berlin, German Institute for Economic Research, vol. 69(21), pages 339-345.
    2. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.
    3. David Throsby, 1996. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 225-240, September.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Oliver Falck & Michael Fritsch & Stephan Heblich, 2009. "Bohemians, Human Capital, and Regional Economic Growth," CESifo Working Paper Series 2715, CESifo.
    2. Oliver Falck & Michael Fritsch & Stephan Heblich & Anne Otto, 2018. "Music in the air: estimating the social return to cultural amenities," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(3), pages 365-391, August.
    3. Bille, Trine & Fjællegaard, Cecilie Bryld & Frey, Bruno S. & Steiner, Lasse, 2013. "Happiness in the arts—International evidence on artists’ job satisfaction," Economics Letters, Elsevier, vol. 121(1), pages 15-18.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. van der Ploeg, Frederick, 2006. "The Making of Cultural Policy: A European Perspective," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 34, pages 1183-1221, Elsevier.
    2. Marco Mundelius, 2009. "Kultur- und Kreativberufler und deren Erwerbsrealitäten: Berlin im regionalen Vergleich ; Endbericht ; Forschungsprojekt im Auftrag der Berliner Senatsverwaltung für Wirtschaft, Technologie und Frauen," DIW Berlin: Politikberatung kompakt, DIW Berlin, German Institute for Economic Research, volume 48, number pbk48, July.
    3. Kay H. Hofmann, 2021. "Television Serials as Career Stepping Stones: An Empirical Analysis of Employment Paths of Professional Actors," Schmalenbach Journal of Business Research, Springer, vol. 73(3), pages 501-525, December.
    4. Музычук, 2012. "Должно Ли Государство Финансировать Культуру? (Научный Доклад) [Should the state finance culture?]," Working papers a:pmu374:1, Institute of Economics.
    5. Björn Frank, 2008. "Location decisions in a changing labour market environment," Review of Regional Research: Jahrbuch für Regionalwissenschaft, Springer;Gesellschaft für Regionalforschung (GfR), vol. 28(1), pages 31-42, February.
    6. Merijn Rengers & Erik Plug, 2001. "Private or Public?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 1-20, February.
    7. Wojdyło-Preisner Monika & Zawadzki Kamil, 2015. "Specificity Of Long-Term Unemployment Risk Among Creative Economy Workers / Specyfika Ryzyka Długookresowego Bezrobocia Wśród Pracowników Ekonomii Kreatywnej," Comparative Economic Research, Sciendo, vol. 18(3), pages 37-58, August.
    8. Amy Whitaker, 2021. "Economies of scope in artists’ incubator projects," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 613-631, December.
    9. Trine Bille & Knut Løyland & Anders Holm, 2017. "Work for Passion or Money? Variations in Artists’ Labor Supply," Kyklos, Wiley Blackwell, vol. 70(3), pages 347-380, August.
    10. Achten-Gozdowski, Jennifer, 2018. "Geschichte und Politökonomie deutscher Theatersubventionen [History and Political Economy of Public Subsidies for German Theatres and Operas]," MPRA Paper 85087, University Library of Munich, Germany.
    11. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.

    More about this item

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:zbw:wzblpe:spi2005107. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: ZBW - Leibniz Information Centre for Economics (email available below). General contact details of provider: https://edirc.repec.org/data/wzbbbde.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.