Trine Bille

Personal Details

First Name:	Trine
Middle Name:
Last Name:	Bille
Suffix:
RePEc Short-ID:	pbi319

Affiliation

Institut for Organisation
Copenhagen Business School

København, Denmark
https://www.cbs.dk/forskning/institutter-centre/institut-organisation
RePEc:edi:iocbsdk (more details at EDIRC)

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Working papers

Sorry, no citations of working papers recorded.

Articles

1. Andrea Baldin & Trine Bille, 2021. "Who is an artist? Heterogeneity and professionalism among visual artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 527-556, December.

   Cited by:

   1. Ellen Loots & Diana Betzler & Trine Bille & Karol Jan Borowiecki & Boram Lee, 2022. "New forms of finance and funding in the cultural and creative industries. Introduction to the special issue," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 205-230, June.
   2. Tal Feder & Joanna Woronkowicz, 2023. "Reluctantly independent: motivations for self-employed artistic work," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 589-607, December.
   3. Richard J. Paulsen, 2022. "Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(4), pages 635-658, December.
   4. Vecco, Marilena & Prieto-Rodriguez, Juan & Teerink, Simone, 2024. "Climbing the ladder? The gender gap in art prices across artists’ cohorts in the Dutch art market," European Economic Review, Elsevier, vol. 163(C).
   5. Matthias Seitz & Ulrich Frick & Miles Tallon & Karina Gotthardt & Katrin Rakoczy, 2024. "Career decisions in artistic professions during the COVID-19 pandemic in Germany—an experimental study," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-13, December.
   6. Kate MacNeill & Jenny Lye & Grace McQuilten & Marnie Badham & Chloë Powell, 2022. "The Incomes of Visual Artists: Which Artists, What Income?," Australian Economic Review, The University of Melbourne, Melbourne Institute of Applied Economic and Social Research, vol. 55(4), pages 558-567, December.

2. Trine Bille & Hanna Nyborg Storm, 2021. "Local development policy: do new culture houses have an impact on migration? The case of Norway," European Planning Studies, Taylor & Francis Journals, vol. 29(8), pages 1556-1577, August.

   Cited by:

   1. Hanna Nyborg Storm, 2022. "From Bilbao to Bodø: how cultural flagships are transforming local cultural life," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(4), pages 723-746, December.

3. Ana Alacovska & Trine Bille, 2021. "A Heterodox Re-Reading of Creative Work: The Diverse Economies of Danish Visual Artists," Work, Employment & Society, British Sociological Association, vol. 35(6), pages 1053-1072, December.

   Cited by:

   1. Andrea Baldin & Trine Bille, 2021. "Who is an artist? Heterogeneity and professionalism among visual artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 527-556, December.

4. Christina Lidegaard & Massimiliano Nuccio & Trine Bille, 2018. "Fostering and planning urban regeneration: the governance of cultural districts in Copenhagen," European Planning Studies, Taylor & Francis Journals, vol. 26(1), pages 1-19, January.

   Cited by:

   1. Terence Fell & Johanna Mattsson, 2021. "The Role of Public-Private Partnerships in Housing as a Potential Contributor to Sustainable Cities and Communities: A Systematic Review," Sustainability, MDPI, vol. 13(14), pages 1-25, July.
   2. Jue Wang & Yi Yang & Huan Huang & Fan Wang, 2022. "Stakeholder Management in Government-Led Urban Regeneration: A Case Study of the Eastern Suburbs in Chengdu, China," Sustainability, MDPI, vol. 14(7), pages 1-17, April.
   3. Fangyun Xie & Guiwen Liu & Taozhi Zhuang, 2021. "A Comprehensive Review of Urban Regeneration Governance for Developing Appropriate Governance Arrangements," Land, MDPI, vol. 10(5), pages 1-28, May.
   4. Zixuan Zhang & Junchen Pan & Yun Qian, 2023. "Collaborative Governance for Participatory Regeneration Practices in Old Residential Communities within the Chinese Context: Cases from Beijing," Land, MDPI, vol. 12(7), pages 1-23, July.

5. Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto, 2018. "Revenue and attendance simultaneous optimization in performing arts organizations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(4), pages 677-700, November.

   Cited by:

   1. Eric Kolhede & J. Tomas Gomez-Arias & Anna Maximova, 2023. "Price elasticity in the performing arts: a segmentation approach," Journal of Marketing Analytics, Palgrave Macmillan, vol. 11(3), pages 523-550, September.
   2. Ozhegova, Alina & Ozhegov, Evgeniy M., 2020. "Segmentation of theatre audiences: A latent class approach for combined data," Journal of choice modelling, Elsevier, vol. 37(C).
   3. Andrea Baldin & Trine Bille & Raghava Rao Mukkamala & Ravi Vatrapu, 2024. "The impact of social media activities on theater demand," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(2), pages 199-220, June.

6. Andrea Baldin & Trine Bille, 2018. "Modelling preference heterogeneity for theatre tickets: a discrete choice modelling approach on Royal Danish Theatre booking data," Applied Economics, Taylor & Francis Journals, vol. 50(5), pages 545-558, January.

   Cited by:

   1. Danny Blom & Rudi Pendavingh & Frits Spieksma, 2022. "Filling a Theater During the COVID-19 Pandemic," Interfaces, INFORMS, vol. 52(6), pages 473-484, November.
   2. Dylan Thompson, 2024. "Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(3), pages 463-491, September.
   3. Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski, 2018. "Publicly funded cultural institutions – a comparative economic valuation study," Working Papers 2018-22, Faculty of Economic Sciences, University of Warsaw.
      • Aleksandra Wisniewska & Mikolaj Czajkowski & Wiktor Budzinski, 2019. "Publicly funded cultural institutions. A comparative economic valuation study," ACEI Working Paper Series AWP-04-2019, Association for Cultural Economics International, revised Apr 2019.
   4. McKenzie, Jordi & Crosby, Paul & Cox, Joe & Collins, Alan, 2019. "Experimental evidence on demand for “on-demand” entertainment," Journal of Economic Behavior & Organization, Elsevier, vol. 161(C), pages 98-113.
   5. Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto, 2018. "Revenue and attendance simultaneous optimization in performing arts organizations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(4), pages 677-700, November.
   6. Aleksandra Wiśniewska & Ewa Zawojska & Andrea Baldin & Joanna Rachubik, 2023. "Reliability of international benefit transfer in cultural economics: Non-market valuation of theater in Denmark and Poland," Working Papers 2023-19, Faculty of Economic Sciences, University of Warsaw.
   7. Andrea Baldin & Trine Bille & Andrea Ellero & Daniela Favaretto, 2016. "Multiobjective optimization model for pricing and seat allocation problem in non profit performing arts organization," Working Papers 20, Venice School of Management - Department of Management, Università Ca' Foscari Venezia.

7. Trine Bille & Søren Jensen, 2018. "Artistic education matters: survival in the arts occupations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(1), pages 23-43, February.

   Cited by:

   1. Weber, Cameron & Zhen, Ying & Arias, JJ, 2022. "Practice, Entrepreneurship and Subjectivity in Artist Identification with Applications to the Covid-Era," MPRA Paper 115712, University Library of Munich, Germany.
      • Weber, Cameron & Zhen, Ying & Arias, JJ, 2022. "Practice, Entrepreneurship and Subjectivity in Artist Identification with Applications to the Covid-Era," MPRA Paper 116216, University Library of Munich, Germany.
   2. Andrea Baldin & Trine Bille, 2021. "Who is an artist? Heterogeneity and professionalism among visual artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 527-556, December.
   3. Maria Marchenko & Hendrik Sonnabend, 2022. "Artists' labour market and gender: Evidence from German visual artists," Kyklos, Wiley Blackwell, vol. 75(3), pages 456-471, August.
      • Marchenko, Maria & Sonnabend, Hendrik, 2020. "Artists’ Labour Market and Gender: Evidence from German visual artists," Department of Economics Working Paper Series 307, WU Vienna University of Economics and Business.
      • Maria Marchenko & Hendrik Sonnabend, 2020. "Artists’ Labour Market and Gender: Evidence from German visual artists," Department of Economics Working Papers wuwp307, Vienna University of Economics and Business, Department of Economics.
   4. Richard J. Paulsen, 2024. "Student loan debt and the career choices of college graduates with majors in the arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 95-115, March.
   5. Richard J. Paulsen & Neil Alper & Gregory Wassall, 2021. "Arts majors as entrepreneurs and innovators," Small Business Economics, Springer, vol. 57(2), pages 639-652, August.
   6. Alexander Cuntz, 2018. "Creators' Income Situation in the Digital Age," WIPO Economic Research Working Papers 49, World Intellectual Property Organization - Economics and Statistics Division.
      • Alexander Cuntz, 2018. "Creators’ Income Situation in the Digital Age," LIS Working papers 755, LIS Cross-National Data Center in Luxembourg.
   7. Richard J. Paulsen, 2022. "Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(4), pages 635-658, December.
   8. Matthias Seitz & Ulrich Frick & Miles Tallon & Karina Gotthardt & Katrin Rakoczy, 2024. "Career decisions in artistic professions during the COVID-19 pandemic in Germany—an experimental study," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-13, December.
   9. Jonas Silva Henrique & Ana Flávia Machado & Mariangela Furlan Antigo, 2023. "Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, Brazil," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 693-718, December.
   10. Telma Barrantes-Fernández & Esteban Cruz-Hidalgo & José Francisco Rangel-Preciado & Francisco Manuel Parejo-Moruno, 2023. "Decommodify the 2030 Agenda: Why and How to Finance What Is Not Profitable?," Sustainability, MDPI, vol. 15(5), pages 1-16, February.
   11. Oakley, Kate & Laurison, Daniel & O'Brien, Dave & Friedman, Sam, 2017. "Cultural capital: arts graduates, spatial inequality, and London's impact on cultural labour market," LSE Research Online Documents on Economics 84366, London School of Economics and Political Science, LSE Library.

8. Trine Bille & Knut Løyland & Anders Holm, 2017. "Work for Passion or Money? Variations in Artists’ Labor Supply," Kyklos, Wiley Blackwell, vol. 70(3), pages 347-380, August.

   Cited by:

   1. Andrea Baldin & Trine Bille, 2021. "Who is an artist? Heterogeneity and professionalism among visual artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(4), pages 527-556, December.
   2. Maria Marchenko & Hendrik Sonnabend, 2022. "Artists' labour market and gender: Evidence from German visual artists," Kyklos, Wiley Blackwell, vol. 75(3), pages 456-471, August.
      • Marchenko, Maria & Sonnabend, Hendrik, 2020. "Artists’ Labour Market and Gender: Evidence from German visual artists," Department of Economics Working Paper Series 307, WU Vienna University of Economics and Business.
      • Maria Marchenko & Hendrik Sonnabend, 2020. "Artists’ Labour Market and Gender: Evidence from German visual artists," Department of Economics Working Papers wuwp307, Vienna University of Economics and Business, Department of Economics.
   3. Hyun-Seung Park & Hyeon-Cheol Kim, 2020. "Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea," IJERPH, MDPI, vol. 17(20), pages 1-8, October.
   4. Monika Kackovic & Joop Hartog & Hans van Ophem & Nachoem Wijnberg, 2022. "The promise of potential: A study on the effectiveness of jury selection to a prestigious visual arts program," Kyklos, Wiley Blackwell, vol. 75(3), pages 410-435, August.
   5. Joanna Woronkowicz & Aparna Soni & Seth Freedman & Kosali Simon, 2020. "How have recent health insurance expansions affected coverage among artist occupations in the USA?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(1), pages 117-154, March.
   6. Richard J. Paulsen & Rajendra Dulal, 2024. "Health insurance access and the career choices of college graduates with majors in the arts: evidence from the affordable care act’s dependent coverage expansion," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(3), pages 367-385, September.

9. Bille, Trine & Fjællegaard, Cecilie Bryld & Frey, Bruno S. & Steiner, Lasse, 2013. "Happiness in the arts—International evidence on artists’ job satisfaction," Economics Letters, Elsevier, vol. 121(1), pages 15-18.

   Cited by:

   1. Alexander Cuntz, 2018. "Creators' Income Situation in the Digital Age," WIPO Economic Research Working Papers 49, World Intellectual Property Organization - Economics and Statistics Division.
      • Alexander Cuntz, 2018. "Creators’ Income Situation in the Digital Age," LIS Working papers 755, LIS Cross-National Data Center in Luxembourg.
   2. Hyun-Seung Park & Hyeon-Cheol Kim, 2020. "Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea," IJERPH, MDPI, vol. 17(20), pages 1-8, October.
   3. Trine Bille & Knut Løyland & Anders Holm, 2017. "Work for Passion or Money? Variations in Artists’ Labor Supply," Kyklos, Wiley Blackwell, vol. 70(3), pages 347-380, August.
   4. Joanna Woronkowicz & Aparna Soni & Seth Freedman & Kosali Simon, 2020. "How have recent health insurance expansions affected coverage among artist occupations in the USA?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(1), pages 117-154, March.
   5. Trine Bille & Søren Jensen, 2018. "Artistic education matters: survival in the arts occupations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(1), pages 23-43, February.

Chapters

1. Bille, Trine & Schulze, Gunther G., 2006. "Culture in Urban and Regional Development," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 30, pages 1051-1099, Elsevier.

   Cited by:

   1. Muñiz, Cristina & Rodríguez, Plácido & Suárez, María J., 2014. "Sports and cultural habits by gender: An application using count data models," Economic Modelling, Elsevier, vol. 36(C), pages 288-297.
   2. Andy Vekeman & Michel Meulders & Alain Praet & Jan Colpaert & Tom Van Puyenbroeck, 2015. "Contingent Valuation of a Classic Cycling Race," Journal of Sports Economics, , vol. 16(3), pages 268-294, April.
   3. Cellini, Roberto & Cuccia, Tiziana, 2009. "Museum and monument attendance and tourism flow: A time series analysis approach," MPRA Paper 18908, University Library of Munich, Germany.
      • Roberto Cellini & Tiziana Cuccia, 2013. "Museum and monument attendance and tourism flow: a time series analysis approach," Applied Economics, Taylor & Francis Journals, vol. 45(24), pages 3473-3482, August.
   4. Rosenfeld, Martin T. W. & Hornych, Christoph, 2008. "Is There a Way for Old Industrial Districts to Become Attractive for Cultural Industry? The Case of Media Businesses in Halle (Saale), Germany," IWH Discussion Papers 15/2008, Halle Institute for Economic Research (IWH).
   5. Cellini, Roberto, 2011. "Is UNESCO recognition effective in fostering tourism? A comment on Yang, Lin and Han," Tourism Management, Elsevier, vol. 32(2), pages 452-454.
   6. Luciano Monti & Roberto Cerroni, 2019. "How the Widespread Presence of Historical Private Real Estate Can Contribute to Local Development," Review of European Studies, Canadian Center of Science and Education, vol. 11(1), pages 183-183, December.
   7. Buket Özdemir Işık & Sara Demir, 2017. "Integrated Multi-Criteria Decision-Making Methods for the Sustainability of Historical–Cultural Structures on the Trabzon Coastline," Sustainability, MDPI, vol. 9(11), pages 1-19, November.
   8. Gómez-Antonio, Miguel & del Moral Arce, Ignacio & Hortas-Rico, Miriam, 2022. "Are VAT reforms an effective tool for promoting culture? A quasi-experiment in Spain," Journal of Policy Modeling, Elsevier, vol. 44(5), pages 1016-1040.
   9. Mirko Moro & Karen Mayor & Seán Lyons & Richard S J Tol, 2013. "Does the Housing Market Reflect Cultural Heritage? A Case Study of Greater Dublin," Environment and Planning A, , vol. 45(12), pages 2884-2903, December.
      • Moro, Mirko & Mayor, Karen & Lyons, Seán & Tol, Richard S. J., 2011. "Does the housing market reflect cultural heritage? A case study of Greater Dublin," Papers WP386, Economic and Social Research Institute (ESRI).
      • Lyons, Sean & Mayor, Karen & Moro, Mirko & Tol, Richard S J, 2011. "Does the housing market reflect cultural heritage? A case study of Greater Dublin," Stirling Economics Discussion Papers 2011-07, University of Stirling, Division of Economics.
   10. Blanka Škrabić Perić & Blanka Šimundić & Vinko Muštra & Marijana Vugdelija, 2021. "The Role of UNESCO Cultural Heritage and Cultural Sector in Tourism Development: The Case of EU Countries," Sustainability, MDPI, vol. 13(10), pages 1-14, May.
   11. Su, Yu-Wen & Lin, Hui-Lin, 2014. "Analysis of international tourist arrivals worldwide: The role of world heritage sites," Tourism Management, Elsevier, vol. 40(C), pages 46-58.
   12. Miguel Gómez-Antonio & Ignacio del Moral Arce & Miriam Hortas-Rico, 2022. "Are vat reforms an effective tool for promoting the consumption of culture? Evidence from a quasiexperiment in Spain," Working Papers. Collection A: Public economics, governance and decentralization 2203, Universidade de Vigo, GEN - Governance and Economics research Network.
   13. Kopańska Agnieszka, 2018. "The determinants of local public spending on culture," Central European Economic Journal, Sciendo, vol. 5(52), pages 67-80, January.
   14. Gustavo Fernandes Souza & Ana Flávia Machado & Edson Paulo Domingues, 2019. "Economic impacts of the vale-cultura (culture voucher): a computable general equilibrium model," Textos para Discussão Cedeplar-UFMG 595, Cedeplar, Universidade Federal de Minas Gerais.
   15. Trine Bille & Søren Jensen, 2018. "Artistic education matters: survival in the arts occupations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(1), pages 23-43, February.
   16. Sibelle Diniz & Ana Machado, 2011. "Analysis of the consumption of artistic-cultural goods and services in Brazil," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(1), pages 1-18, February.
   17. Luis César Herrero-Prieto & Mafalda Gómez-Vega, 2017. "Cultural resources as a factor in cultural tourism attraction," Tourism Economics, , vol. 23(2), pages 260-280, March.

2. Trine Bille, 2002. "A Contingent Valuation Study of the Royal Theatre in Copenhagen," Chapters, in: Ståle Navrud & Richard C. Ready (ed.), Valuing Cultural Heritage, chapter 13, Edward Elgar Publishing.

   Cited by:

   1. Pérez-Hernández, Eva & Peña-Alonso, Carolina & Hernández-Calvento, Luis, 2020. "Assessing lost cultural heritage. A case study of the eastern coast of Las Palmas de Gran Canaria city (Spain)," Land Use Policy, Elsevier, vol. 96(C).
   2. Maskey, Vishakha & Brown, Cheryl & Collins, Alan R. & Nassar, Hala F., 2007. "What Is Historic Integrity Worth to the General Public? Evidence from a Proposed Relocation of a West Virginia Agricultural Mill," Agricultural and Resource Economics Review, Northeastern Agricultural and Resource Economics Association, vol. 36(1), pages 1-14, April.
   3. Vishakha Maskey & Cheryl Brown & Ge Lin, 2009. "Assessing Factors Associated With Listing a Historic Resource in the National Register of Historic Places," Economic Development Quarterly, , vol. 23(4), pages 342-350, November.

Books

1. Trine Bille & Anna Mignosa & Ruth Towse (ed.), 2020. "Teaching Cultural Economics," Books, Edward Elgar Publishing, number 18414.

   Cited by:

   1. Christer Gustafsson & Elisabetta Lazzaro, 2021. "The Innovative Response of Cultural and Creative Industries to Major European Societal Challenges: Toward a Knowledge and Competence Base," Sustainability, MDPI, vol. 13(23), pages 1-20, November.
   2. Telma Barrantes-Fernández & Esteban Cruz-Hidalgo & José Francisco Rangel-Preciado & Francisco Manuel Parejo-Moruno, 2023. "Decommodify the 2030 Agenda: Why and How to Finance What Is Not Profitable?," Sustainability, MDPI, vol. 15(5), pages 1-16, February.
   3. Peter Konhäusner & Marius Thielmann & Veronica Câmpian & Dan-Cristian Dabija, 2021. "Crowdfunding for Independent Print Media: E-Commerce, Marketing, and Business Development," Sustainability, MDPI, vol. 13(19), pages 1-17, October.
   4. Bruno S. Frey & Andre Briviba, 2023. "Two types of cultural economics," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 70(1), pages 1-9, March.
   5. Xinghua Wang, 2022. "Promoting Traditional Chinese Winter Sport Participation: Cultural Capital and Demands of Bingxi," Technium Social Sciences Journal, Technium Science, vol. 27(1), pages 517-526, January.

More information

Research fields, statistics, top rankings, if available.

Statistics

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Co-authorship network on CollEc

NEP Fields

NEP is an announcement service for new working papers, with a weekly report in each of many fields. This author has had 1 paper announced in NEP. These are the fields, ordered by number of announcements, along with their dates. If the author is listed in the directory of specialists for this field, a link is also provided.

1. NEP-CUL: Cultural Economics (1) 2017-01-01
2. NEP-DCM: Discrete Choice Models (1) 2017-01-01

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