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Consuming dark sites via street art: Murals at Chernobyl

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  • Farkić, Jelena
  • Kennell, James

Abstract

This paper aims to extend dark tourism scholarship concerned with existential aspects of the human nature and the power of ‘dark places’ to provoke our thinking about the meaning and purpose of human existence. Our main focus is on the artistic expressions in the form of murals that have emerged in the years following the nuclear disaster in Chernobyl, questioning the significance and meanings they have for the Chernobyl Exclusion Zone, in the context of tourists' perceptions and, more generally, in the context of our being in the world. To that end, we deconstruct the tourist experience of dark sites through knitting together dark tourism, existentialism and street art.

Suggested Citation

  • Farkić, Jelena & Kennell, James, 2021. "Consuming dark sites via street art: Murals at Chernobyl," Annals of Tourism Research, Elsevier, vol. 90(C).
    • Handle: RePEc:eee:anture:v:90:y:2021:i:c:s0160738321001341
    DOI: 10.1016/j.annals.2021.103256
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    References listed on IDEAS

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    Cited by:

    1. Martini, Annaclaudia & Sharma, Nitasha, 2022. "Framing the sublime as affect in post-disaster tourism," Annals of Tourism Research, Elsevier, vol. 97(C).

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