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Souvenir authenticity in the additive manufacturing age

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  • Anastasiadou, Constantia
  • Vettese, Samantha

Abstract

The expansion of additive manufacturing or 3D printing as a novel (re)production method disrupts social consumption patterns and challenges existing conceptualisations of tourist souvenirs as material, metonymic and symbolic objects that often lack authenticity. The paper evidences how using additive manufacturing to involve visitors in souvenir design decisions in a heritage site may influence their perceptions of souvenir authenticity and value. The transience between physical states (physical object to scanned digital file to physical object again), and the opportunity for visitors to self-craft or contribute to the (re)production process adds a performative element to souvenir consumption that imbues the 3D printed souvenir with its own authenticity and aura. As 3D printers become more ubiquitous, they will redefine further souvenir materiality.

Suggested Citation

  • Anastasiadou, Constantia & Vettese, Samantha, 2021. "Souvenir authenticity in the additive manufacturing age," Annals of Tourism Research, Elsevier, vol. 89(C).
    • Handle: RePEc:eee:anture:v:89:y:2021:i:c:s0160738321000505
    DOI: 10.1016/j.annals.2021.103188
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    References listed on IDEAS

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    Cited by:

    1. Rickly, Jillian M., 2022. "A review of authenticity research in tourism: Launching the Annals of Tourism Research Curated Collection on authenticity," Annals of Tourism Research, Elsevier, vol. 92(C).

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