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Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City

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  • HARVEY MOLOTCH
  • MARK TRESKON

Abstract

We examine New York's SoHo and Chelsea districts for evidence of how art and place interact over time. More specifically, we trace the decline of New York's SoHo as a gallery district and the concomitant rise of nearby Chelsea, concluding that such a transition cannot simply be explained, as it usually is, by rises in property rents that ‘force out’ the art. Of equal significance, and following a different trajectory, is the change in art prices — particularly for the kind of art with which these places have been in reciprocal relation. A final factor in determining neighborhood fates is how difficult or easy it is to reassemble social scenes from one place to another. We show how artifact specifics, including their shape, form and aesthetic appeal, conjoin with property markets and scene sociality to affect urban morphology. Résumé Dans le cadre des recherches consacrées aux liens entre économie créative et processus urbains, cet article s'intéresse à la manière dont art et lieu interagissent sur le long terme dans les quartiers new‐yorkais de Soho et Chelsea. Plus précisément, il retrace le déclin de Soho en tant que haut‐lieu des galeries et l'ascension simultanée du quartier voisin de Chelsea devenu un marché d'art. On ne peut se contenter de l'explication habituelle de cette transition, selon laquelle l'augmentation des loyers a ‘expulsé’ l'art. Sur un même plan, quoique sur un axe différent, se trouve l'évolution du prix des œuvres – en particulier dans le type d'art auquel ces lieux ont été associés réciproquement –, évolution qui se reflète sur l'occupation des terrains. Ce qui influe également sur le destin de ces quartiers est la plus ou moins grande difficultéà reconstituer les scènes sociales d'un lieu à l'autre. L'article montre comment les spécificités des objets d'art, qu'il s'agisse de leur valeur financière ou de leur forme, se combinent aux marchés immobiliers et à la nature sociale des scènes pour modifier la morphologie urbaine.

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  • Harvey Molotch & Mark Treskon, 2009. "Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 33(2), pages 517-541, June.
  • Handle: RePEc:bla:ijurrs:v:33:y:2009:i:2:p:517-541
    DOI: 10.1111/j.1468-2427.2009.00866.x
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    2. Schuetz, Jenny, 2014. "Do art galleries stimulate redevelopment?," Journal of Urban Economics, Elsevier, vol. 83(C), pages 59-72.
    3. Jenny Schuettz, 2013. "Do Art Galleries Stimulate Redevelopment?," Working Paper 9121, USC Lusk Center for Real Estate.
    4. Pappalepore, Ilaria & Duignan, Michael B., 2016. "The London 2012 cultural programme: A consideration of Olympic impacts and legacies for small creative organisations in east London," Tourism Management, Elsevier, vol. 54(C), pages 344-355.
    5. Steven Lang & Julia Rothenberg, 2017. "Neoliberal urbanism, public space, and the greening of the growth machine: New York City’s High Line park," Environment and Planning A, , vol. 49(8), pages 1743-1761, August.
    6. Elena-Lavinia Ciuculescu & Florin-Alexandru Luca, 2024. "How Can Cities Build Their Brand through Arts and Culture? An Analysis of ECoC Bidbooks from 2020 to 2026," Sustainability, MDPI, vol. 16(8), pages 1-20, April.
    7. Meghan Ashlin Rich & William Tsitsos, 2016. "Avoiding the ‘SoHo Effect’ in Baltimore: Neighborhood Revitalization and Arts and Entertainment Districts," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(4), pages 736-756, July.
    8. Heeyeun Yoon & Elizabeth Currid-Halkett, 2015. "Industrial gentrification in West Chelsea, New York: Who survived and who did not? Empirical evidence from discrete-time survival analysis," Urban Studies, Urban Studies Journal Limited, vol. 52(1), pages 20-49, January.
    9. Vanessa Mathews, 2014. "Incoherence and Tension in Culture-Led Redevelopment," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(3), pages 1019-1036, May.
    10. Jenny Schuetz & Richard K. Green, 2014. "Is The Art Market More Bourgeois Than Bohemian?," Journal of Regional Science, Wiley Blackwell, vol. 54(2), pages 273-303, March.
    11. Jansson Johan, 2014. "Temporary events and spaces in the Swedish primary art market," ZFW – Advances in Economic Geography, De Gruyter, vol. 58(1), pages 202-215, October.
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    14. Joaquim Rius Ulldemolins, 2014. "Culture and authenticity in urban regeneration processes: Place branding in central Barcelona," Urban Studies, Urban Studies Journal Limited, vol. 51(14), pages 3026-3045, November.

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