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Le tampon comptable dans l'art, ou l'empreinte d'une critique de la gestion

Author

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  • Sébastien Rocher

    (CEREFIGE - Centre Européen de Recherche en Economie Financière et Gestion des Entreprises - UL - Université de Lorraine)

Abstract

A partir de l'analyse de la bande dessinée Tarzan Seigneur des signes, réalisée par l'artiste plasticien LL de Mars et parue en 2017, cet article propose une étude des significations de la présence de tampons comptables dans ce récit reprenant l'histoire originelle de Tarzan, soit sa naissance littérale et mythique, écrite en 1912 par Edgar Rice Burrough et devenue mondialement connue. A partir d'une analyse des relations entre fiction, narration et discours au sein de cette œuvre, cette étude montre comment le maillage de la fiction (Tarzan) et de la réalité (le tampon comptable) permettent à l'artiste de jouer autour d'une pluralité de sens pour mieux révéler les limites de la société actuelle, dans laquelle la gestion serait devenue une fin et non plus uniquement un moyen au service des individus.

Suggested Citation

  • Sébastien Rocher, 2018. "Le tampon comptable dans l'art, ou l'empreinte d'une critique de la gestion," Post-Print hal-03032927, HAL.
    • Handle: RePEc:hal:journl:hal-03032927
    Note: View the original document on HAL open archive server: https://hal.univ-lorraine.fr/hal-03032927
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    File URL: https://hal.univ-lorraine.fr/hal-03032927/document
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    References listed on IDEAS

    as
    1. Sébastien Rocher, 2017. "Le comptable par la bande," Post-Print hal-02537706, HAL.
    2. Sébastien Rocher, 2016. "L’auditeur nouveau est arrivé !," Post-Print hal-02537708, HAL.
    3. Eve Chiapello & Luc Boltanski, 1999. "Le nouvel esprit du capitalisme," Post-Print hal-00680085, HAL.
    Full references (including those not matched with items on IDEAS)

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