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Fashion and Organization Studies: Exploring conceptual paradoxes and empirical opportunities

Author

Listed:
  • Maja Korica

    (WBS - Warwick Business School - University of Warwick [Coventry])

  • Yoann Bazin

    (Métis Lab EM Normandie - EM Normandie - École de Management de Normandie)

Abstract

Although frequently perceived as inconsequential and frivolous, fashion is a central interdisciplinary concept and a substantial global industry. This necessitates taking it seriously, both as a set of theoretical tensions, and as a concrete empirical phenomenon of rich potential interest to organization studies. Our essay outlines and further develops fashion's conceptual and empirical expressions, and suggests subsequent avenues for valuable research. In particular, we commence with a discussion of three key definitions, namely fashion as individual manner, fashion as organizing of dress and fashion as a system. This enables us to problematize its industry and economy, from their historical roots and evolutions, to their varied organizational frictions, forms and practices today. We then conclude by examining the ongoing, substantial changes within the fashion industry as we have known it since the nineteenth century, and considering its potential implications and openings for organization studies scholars.

Suggested Citation

  • Maja Korica & Yoann Bazin, 2019. "Fashion and Organization Studies: Exploring conceptual paradoxes and empirical opportunities," Post-Print hal-02108885, HAL.
  • Handle: RePEc:hal:journl:hal-02108885
    DOI: 10.1177/0170840619831059
    Note: View the original document on HAL open archive server: https://normandie-univ.hal.science/hal-02108885
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    References listed on IDEAS

    as
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    3. Oliviane Brodin & Daouda Coulibaly & Richard Ladwein, 2016. "Subcultural ostensive luxury as a creative and mimetic process: the case of the Sapeurs Parisiens [Le luxe ostensif sous-culturel comme processus mimétique créatif: le cas des Sapeurs Parisiens]," Post-Print hal-02055846, HAL.
    4. Gail Whiteman & Brian Walker & Paolo Perego, 2013. "Planetary Boundaries: Ecological Foundations for Corporate Sustainability," Journal of Management Studies, Wiley Blackwell, vol. 50(2), pages 307-336, March.
    5. Jean S. Clarke & Robin Holt, 2016. "Vivienne Westwood and the Ethics of Consuming Fashion," Post-Print hal-02312353, HAL.
    6. Sarah Kaplan & Wanda J. Orlikowski, 2013. "Temporal Work in Strategy Making," Organization Science, INFORMS, vol. 24(4), pages 965-995, August.
    7. Peter Lund-Thomsen & Adam Lindgreen, 2014. "Corporate Social Responsibility in Global Value Chains: Where Are We Now and Where Are We Going?," Journal of Business Ethics, Springer, vol. 123(1), pages 11-22, August.
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    Cited by:

    1. Margot Leclair, 2022. "The atmospherics of creativity: affective and spatial materiality in a designer’s studio," Post-Print hal-03552332, HAL.

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    Keywords

    Fashion; aesthetics; aesthetic economy; dress;
    All these keywords.

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