IDEAS home Printed from https://ideas.repec.org/f/pbe574.html
   My authors  Follow this author

Francoise Benhamou

Personal Details

First Name:Francoise
Middle Name:
Last Name:Benhamou
Suffix:
RePEc Short-ID:pbe574
http://www.univ-paris13.fr/CEPN/IMG/pdf/cv_francoise_benhamou.pdf

Affiliation

Centre d'Économie de l'Université Paris-Nord (CEPN)
Université Paris-13

Paris, France
http://cepn.univ-paris13.fr/
RePEc:edi:cep13fr (more details at EDIRC)

Research output

as
Jump to: Working papers Articles Chapters

Working papers

  1. Pierre-Jean Benghozi & Françoise Benhamou, 2008. "La longue traîne : levier numérique de la diversité culturelle ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) hal-00406526, HAL.
  2. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.
  3. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.
  4. Françoise Benhamou & Victor Ginsburgh, 2002. "Is there a market for copies," ULB Institutional Repository 2013/1687, ULB -- Universite Libre de Bruxelles.

Articles

  1. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.
  2. françoise Benhamou, 2004. "Ruth Towse: 2001, Creativity, Incentive and Reward. An Economic Analysis of Copyright and Culture in the Information Age," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(2), pages 157-160, May.
  3. FranÇoise Benhamou, 2004. "Comment," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 28(4), pages 263-266, November.
  4. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.
  5. Francoise Benhamou, 1996. "Is increased public spending for the preservation of historic monuments inevitable? The French case," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 115-131, June.

Chapters

  1. Benhamou, Francoise & Ginsburgh, Victor, 2006. "Copies of Artworks: The Case of Paintings and Prints," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 8, pages 253-283, Elsevier.

Citations

Many of the citations below have been collected in an experimental project, CitEc, where a more detailed citation analysis can be found. These are citations from works listed in RePEc that could be analyzed mechanically. So far, only a minority of all works could be analyzed. See under "Corrections" how you can help improve the citation analysis.

Working papers

  1. Pierre-Jean Benghozi & Françoise Benhamou, 2008. "La longue traîne : levier numérique de la diversité culturelle ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) hal-00406526, HAL.

    Cited by:

    1. Robin Charbonnier & Pierre Poinsignon & Thomas Paris, 2021. "Du BoP dans le beat , une analyse des transformations numériques dans la musique," Post-Print hal-03328239, HAL.
    2. Masood, Maria, 2019. "New evidence on income and the geographical distribution of imports: The case of audiovisuals," Journal of Comparative Economics, Elsevier, vol. 47(3), pages 717-734.

  2. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.

    Cited by:

    1. Christian Barrère, 2016. "Regulating Tastes: Prolegomena to a Research Program [La régulation des goûts]," Post-Print hal-02615257, HAL.

  3. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.

    Cited by:

    1. Kim Oosterlinck & Anne-Sophie Radermecker & Yuqing Song, 2023. "The Valuation of Copies for Chinese Artworks," Working Papers CEB 23-008, ULB -- Universite Libre de Bruxelles.
    2. Grigoroudis, Evangelos & Noel, Laurent & Galariotis, Emilios & Zopounidis, Constantin, 2021. "An ordinal regression approach for analyzing consumer preferences in the art market," European Journal of Operational Research, Elsevier, vol. 290(2), pages 718-733.
    3. Bertacchini, Enrico & Friel, Martha, 2014. "Determining the Value of Modern and Contemporary Furniture Design: an Exploratory Investigation," Department of Economics and Statistics Cognetti de Martiis. Working Papers 201437, University of Turin.

  4. Françoise Benhamou & Victor Ginsburgh, 2002. "Is there a market for copies," ULB Institutional Repository 2013/1687, ULB -- Universite Libre de Bruxelles.

    Cited by:

    1. Elisabetta Lazzaro, 2006. "Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(1), pages 15-40, March.
    2. Victor Ginsburgh & Françoise Benhamou, 2006. "Copies of artworks: the case of paintings and prints," ULB Institutional Repository 2013/7288, ULB -- Universite Libre de Bruxelles.
    3. Toan Ho Manh & Thu Trang Vuong & Manh Tung Ho & Hong Kong Nguyen-To & Quan-Hoang Vuong, 2018. "The painting can be fake, but not the feeling’: an overview of the Vietnamese market through the lens of fake, forgery and copy paintings," Working Papers CEB 18-022, ULB -- Universite Libre de Bruxelles.
    4. Michael Rushton, 2008. "Victor A. Ginsburgh and David Throsby (eds): Handbook of the Economics of Art and Culture, Vol. 1," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(1), pages 79-81, March.

Articles

  1. Françoise Benhamou & Stéphanie Peltier, 2007. "How should cultural diversity be measured? An application using the French publishing industry," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 31(2), pages 85-107, June.

    Cited by:

    1. Aloys Leo Prinz, 2022. "The concentration of power in the market for contemporary art: an empirical analysis of ArtReview’s “Power 100”," SN Business & Economics, Springer, vol. 2(1), pages 1-32, January.
    2. Grazia Cecere & Fabrice Le Guel & Fabrice Rochelandet, 2017. "Crowdfunding and social influence: an empirical investigation," Applied Economics, Taylor & Francis Journals, vol. 49(57), pages 5802-5813, December.
    3. Ursprung, Heinrich W., 2021. "Financial returns to collecting rare political economy books," European Journal of Political Economy, Elsevier, vol. 70(C).
    4. Françoise Benhamou & Nathalie Moureau, 2007. "L'économiste et la question du goût. Intégration ou dénégation d'un concept ?," Université Paris1 Panthéon-Sorbonne (Post-Print and Working Papers) halshs-00195113, HAL.
    5. Aday Hernandez & Juan Luis Jimenez, 2011. "Do supermarkets reduce the number of traditional bookshops? An empirical application to the textbook market in Spain," ACEI Working Paper Series AWP-02-2011, Association for Cultural Economics International, revised Jul 2011.
    6. Sjaak Braster & Jaap Dronkers, 2013. "The positive effects of ethnic diversity in class on the educational performance of pupils in a multi-ethnic European metropole," RF Berlin - CReAM Discussion Paper Series 1318, Rockwool Foundation Berlin (RF Berlin) - Centre for Research and Analysis of Migration (CReAM).

  2. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.

    Cited by:

    1. Frederick Van der Ploeg, 2005. "The Making of Cultural Policy: A European Perspective," CESifo Working Paper Series 1524, CESifo.
    2. Wojdyło-Preisner Monika & Zawadzki Kamil, 2015. "Specificity Of Long-Term Unemployment Risk Among Creative Economy Workers / Specyfika Ryzyka Długookresowego Bezrobocia Wśród Pracowników Ekonomii Kreatywnej," Comparative Economic Research, Sciendo, vol. 18(3), pages 37-58, August.
    3. Haak, Carroll, 2005. "Künstler zwischen selbständiger und abhängiger Erwerbsarbeit," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2005-107, WZB Berlin Social Science Center.
    4. Björn Frank, 2003. "Location Decisions in a Changing Labour Market Environment," Discussion Papers of DIW Berlin 380, DIW Berlin, German Institute for Economic Research.

  3. Francoise Benhamou, 1996. "Is increased public spending for the preservation of historic monuments inevitable? The French case," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 115-131, June.

    Cited by:

    1. Bruno S. Frey & Paolo Pamini, 2010. "World Heritage: Where Are We? An Empirical Analysis," CESifo Working Paper Series 2919, CESifo.
    2. Victoria Ateca Amestoy, 2013. "Demand for cultural heritage," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 4, pages i-i, Edward Elgar Publishing.
    3. Bruno S. Frey & Paolo Pamini, 2009. "Making World Heritage Truly Global: The Culture Certificate Scheme," CREMA Working Paper Series 2009-13, Center for Research in Economics, Management and the Arts (CREMA).
    4. YAMADA Keigo, 2024. "Literature Review of Cultural Heritage Economics - Focus on theoretical research of built heritage - (Japanese)," Discussion Papers (Japanese) 24014, Research Institute of Economy, Trade and Industry (RIETI).
    5. Bruce A. Seaman, 2013. "The role of the private sector in cultural heritage," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 5, pages i-i, Edward Elgar Publishing.
    6. Bruno S. Frey & Paolo Pamini & Lasse Steiner, 2011. "What determines the World Heritage List? An econometric analysis," ECON - Working Papers 001, Department of Economics - University of Zurich.
    7. Douglas S. Noonan, 2013. "Market effects of historic preservation," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 17, pages i-i, Edward Elgar Publishing.
    8. Bruno S. Frey & Lasse Steiner, 2010. "World Heritage List: Does it Make Sense?," CESifo Working Paper Series 3078, CESifo.
    9. Jiazhen Zhang & Jeremy Cenci & Vincent Becue & Sesil Koutra & Chenyang Liao, 2022. "Stewardship of Industrial Heritage Protection in Typical Western European and Chinese Regions: Values and Dilemmas," Land, MDPI, vol. 11(6), pages 1-16, May.
    10. Steiner, Lasse & Frey, Bruno S., 2012. "Correcting the Imbalances of the World Heritage List," EBLA Working Papers 201206, University of Turin.
    11. Françoise Benhamou, 2011. "Heritage," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 32, Edward Elgar Publishing.
    12. Françoise Benhamou, 2013. "Public intervention for cultural heritage: normative issues and tools," Chapters, in: Ilde Rizzo & Anna Mignosa (ed.), Handbook on the Economics of Cultural Heritage, chapter 1, pages i-i, Edward Elgar Publishing.
    13. Yan Zhang, 2012. "Towards an Institutional Approach of Self-governance on Cultural Heritage," Chapters, in: Enrico Bertacchini & Giangiacomo Bravo & Massimo Marrelli & Walter Santagata (ed.), Cultural Commons, chapter 8, Edward Elgar Publishing.
    14. Karin Sable & Robert Kling, 2001. "The Double Public Good: A Conceptual Framework for ``Shared Experience'' Values Associated with Heritage Conservation," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(2), pages 77-89, May.
    15. Aabo, Svanhild, 2005. "Valuing the benefits of public libraries," Information Economics and Policy, Elsevier, vol. 17(2), pages 175-198, March.

Chapters

  1. Benhamou, Francoise & Ginsburgh, Victor, 2006. "Copies of Artworks: The Case of Paintings and Prints," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 8, pages 253-283, Elsevier.
    See citations under working paper version above.Sorry, no citations of chapters recorded.

More information

Research fields, statistics, top rankings, if available.

Statistics

Access and download statistics for all items

Co-authorship network on CollEc

Corrections

All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. For general information on how to correct material on RePEc, see these instructions.

To update listings or check citations waiting for approval, Francoise Benhamou should log into the RePEc Author Service.

To make corrections to the bibliographic information of a particular item, find the technical contact on the abstract page of that item. There, details are also given on how to add or correct references and citations.

To link different versions of the same work, where versions have a different title, use this form. Note that if the versions have a very similar title and are in the author's profile, the links will usually be created automatically.

Please note that most corrections can take a couple of weeks to filter through the various RePEc services.

IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.