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The Economy of Music Programs and Organizations. A Micro Analysis and Typology

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  • Marcello Mariani
  • Luca Zan

Abstract

The paper presents a model for understanding the inner economy of live music programs and organisations at a micro level, according to a management and accounting perspective. The complexity and variety of situations and solutions in organizing live music is described with reference to a number of real events. As a way of handling such a complexity and variety in organising, a typology is proposed based on three distinct features that can be found, to a different extent, inside music entities: the preparation of the Premiere; the running of performances after the Premiere; and the management of a portfolio of music programmes. The typology is a tool to understand possible implications on the economy of music programs arising from different solutions to the issue of organising and related cost behaviour.

Suggested Citation

  • Marcello Mariani & Luca Zan, 2011. "The Economy of Music Programs and Organizations. A Micro Analysis and Typology," European Accounting Review, Taylor & Francis Journals, vol. 20(1), pages 113-148.
    • Handle: RePEc:taf:euract:v:20:y:2011:i:1:p:113-148
    DOI: 10.1080/09638181003729356
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    References listed on IDEAS

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    1. Åke E. Andersson & David E. Andersson, 2006. "The Economics of Experiences, the Arts and Entertainment," Books, Edward Elgar Publishing, number 3865.
    2. Osama J. A. R. Abu Shair, 1997. "Privatization and Development," Palgrave Macmillan Books, Palgrave Macmillan, number 978-1-349-25374-6, March.
    3. Bruno S. Frey, "undated". "The Rise and Fall of Festivals: Reflections on the Salzburg Festival," IEW - Working Papers 048, Institute for Empirical Research in Economics - University of Zurich.
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    Cited by:

    1. Maria Lusiani & Gianluca D'Inca' Levis, 2016. "Keeping tensions up: A reflexive analysis of the (strategy)-making-of Dolomiti Contemporanee," Working Papers 3, Venice School of Management - Department of Management, Università Ca' Foscari Venezia.
    2. Mariani, Marcello M. & Giorgio, Luisa, 2017. "The “Pink Night” festival revisited: Meta-events and the role of destination partnerships in staging event tourism," Annals of Tourism Research, Elsevier, vol. 62(C), pages 89-109.
    3. Ferri, Paolo & Zan, Luca, 2014. "Ten years after: The rise and fall of managerial autonomy in Pompeii," CRITICAL PERSPECTIVES ON ACCOUNTING, Elsevier, vol. 25(4), pages 368-387.

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