IDEAS home Printed from https://ideas.repec.org/a/sae/loceco/v30y2015i2p173-190.html
   My bibliography  Save this article

Place imprinting and the arts: A case study of the Amber Collective

Author

Listed:
  • Robert Hollands
  • John Vail

Abstract

Drawing on an empirical case study from the North East of England, the Amber Film and Photography Collective, we develop the idea of ‘place imprinting’ to advance our understanding of the complex relationship between art and locality. In doing so, we emphasise the need to draw together three elements of place: geographical location, material form, and place as meanings and values, to develop the idea of ‘place imprinting’ which is meant to encompass both the geographic and social effects of place (‘place-doing’), and how it is made and re-made (‘place-making’). The way in which these processes apply particularly to the arts is also explored by looking at the literature on artistic clustering, how place works to shape artistic identities and networks, and how artists have transformed the urban fabric. In the empirical section of the paper, we utilise ideas central to place imprinting to frame the case study of the Amber Collective, with an emphasis firstly on factors explaining their relocation to the North East, and secondly on the way in which place impacted on their early organisation, artistic practices and social networks.

Suggested Citation

  • Robert Hollands & John Vail, 2015. "Place imprinting and the arts: A case study of the Amber Collective," Local Economy, London South Bank University, vol. 30(2), pages 173-190, March.
    • Handle: RePEc:sae:loceco:v:30:y:2015:i:2:p:173-190
    DOI: 10.1177/0269094215573170
    as

    Download full text from publisher

    File URL: https://journals.sagepub.com/doi/10.1177/0269094215573170
    Download Restriction: no
    File URL: https://libkey.io/10.1177/0269094215573170?utm_source=ideas
    LibKey link: if access is restricted and if your library uses this service, LibKey will redirect you to where you can use your library subscription to access this item
    ---><---

    References listed on IDEAS

    as
    1. Graeme Evans, 2003. "Hard‐branding the cultural city – from Prado to Prada," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 27(2), pages 417-440, June.
    2. Stuart Cameron & Jon Coaffee, 2005. "Art, Gentrification and Regeneration -- From Artist as Pioneer to Public Arts," European Journal of Housing Policy, Taylor and Francis Journals, vol. 5(1), pages 39-58, April.
    3. Stuart Cameron & Jon Coaffee, 2005. "Art, Gentrification and Regeneration - From Artist as Pioneer to Public Arts," International Journal of Housing Policy, Taylor & Francis Journals, vol. 5(1), pages 39-58.
    4. John Vail & Robert G. Hollands, 2012. "Cultural Work And Transformative Arts," Journal of Cultural Economy, Taylor & Francis Journals, vol. 5(3), pages 337-353, March.
    Full references (including those not matched with items on IDEAS)

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Richelle Winkler & Lorri Oikarinen & Heather Simpson & Melissa Michaelson & Mayra Sanchez Gonzalez, 2016. "Boom, Bust and Beyond: Arts and Sustainability in Calumet, Michigan," Sustainability, MDPI, vol. 8(3), pages 1-25, March.

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Vanessa Mathews, 2014. "Incoherence and Tension in Culture-Led Redevelopment," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(3), pages 1019-1036, May.
    2. Harvey Molotch & Mark Treskon, 2009. "Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 33(2), pages 517-541, June.
    3. Gregor Wolbring & Fatima Jamal Al-Deen, 2021. "Social Role Narrative of Disabled Artists and Both Their Work in General and in Relation to Science and Technology," Societies, MDPI, vol. 11(3), pages 1-23, August.
    4. Bereitschaft, Bradley, 2020. "Gentrification and the evolution of commuting behavior within America's urban cores, 2000–2015," Journal of Transport Geography, Elsevier, vol. 82(C).
    5. Pier Luigi Sacco & Guido Ferilli & Giorgio Tavano Blessi & Massimiliano Nuccio, 2013. "Culture as an Engine of Local Development Processes: System-Wide Cultural Districts II: Prototype Cases," Growth and Change, Wiley Blackwell, vol. 44(4), pages 571-588, December.
    6. Stefano Bloch, 2016. "Why do Graffiti Writers Write on Murals? The Birth, Life, and Slow Death of Freeway Murals in Los Angeles," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(2), pages 451-471, March.
    7. Heather E. McLean, 2014. "Cracks in the Creative City: The Contradictions of Community Arts Practice," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 38(6), pages 2156-2173, November.
    8. Roberta Comunian & Alessandra Faggian, 2011. "Higher Education and the Creative City," Chapters, in: David Emanuel Andersson & Åke E. Andersson & Charlotta Mellander (ed.), Handbook of Creative Cities, chapter 10, Edward Elgar Publishing.
    9. Thomas Sigler & David Wachsmuth, 2020. "New directions in transnational gentrification: Tourism-led, state-led and lifestyle-led urban transformations," Urban Studies, Urban Studies Journal Limited, vol. 57(15), pages 3190-3201, November.
    10. Carl Grodach & Nicole Foster & James Murdoch, 2018. "Gentrification, displacement and the arts: Untangling the relationship between arts industries and place change," Urban Studies, Urban Studies Journal Limited, vol. 55(4), pages 807-825, March.
    11. Arnoud Lagendijk & Rianne Melik & Freek Haan & Huib Ernste & Huub Ploegmakers & Serap Kayasu, 2014. "Comparative Approaches to Gentrification: A Research Framework," Tijdschrift voor Economische en Sociale Geografie, Royal Dutch Geographical Society KNAG, vol. 105(3), pages 358-365, July.
    12. Fabiana Forte & Pierfrancesco De Paola, 2019. "How Can Street Art Have Economic Value?," Sustainability, MDPI, vol. 11(3), pages 1-11, January.
    13. Xabier Gainza, 2017. "Culture-led neighbourhood transformations beyond the revitalisation/gentrification dichotomy," Urban Studies, Urban Studies Journal Limited, vol. 54(4), pages 953-970, March.
    14. Schuetz, Jenny, 2014. "Do art galleries stimulate redevelopment?," Journal of Urban Economics, Elsevier, vol. 83(C), pages 59-72.
    15. Darshan Vigneswaran, 2020. "International Migration and Gentrification: Territorial Exclusion at National and Urban Scales," Environment and Planning C, , vol. 38(3), pages 557-576, May.
    16. Donatella Depperu & Giacomo Magnani & Lisa Crosato & Caterina Liberati, 2021. "Growth of Firms in a Fragmented Cultural Industry: Italian Commercial Art Galleries’ Competitive Strategies," Sustainability, MDPI, vol. 13(9), pages 1-19, April.
    17. Elizabeth A. Mack & Emily Talen & Julia Koschinsky, 2017. "Walkable Art: An Empirical Investigation of Arts-Related Businesses and Walkable Neighborhoods," Economic Development Quarterly, , vol. 31(2), pages 149-163, May.
    18. Velma Zahirovic-Herbert & Karen M Gibler, 2022. "The effect of film production studios on housing prices in Atlanta, the Hollywood of the South," Urban Studies, Urban Studies Journal Limited, vol. 59(4), pages 771-788, March.
    19. Shen, Tiyan & Yao, Xinyi & Wen, Fenghua, 2021. "The Urban Regeneration Engine Model: An analytical framework and case study of the renewal of old communities," Land Use Policy, Elsevier, vol. 108(C).
    20. Jan Suchacek, 2019. "The Benefit of Failure: On the Development of Ostrava’s Culture," Sustainability, MDPI, vol. 11(9), pages 1-15, May.

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:sae:loceco:v:30:y:2015:i:2:p:173-190. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: SAGE Publications (email available below). General contact details of provider: http://www.lsbu.ac.uk/index.shtml .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.