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The featuring phenomenon in music: how combining artists of different genres increases a song’s popularity

Author

Listed:
  • Andrea Ordanini

    (Bocconi University)

  • Joseph C. Nunes

    (University of Southern California)

  • Anastasia Nanni

    (Bocconi University)

Abstract

The appearance of songs including featured artists on Billboard’s Hot 100 music charts has increased exponentially in the past two decades. This particular type of creative collaboration involves one artist integrating another artist’s contribution, either instrumentally or vocally, into their work and publicizing it with a “featuring” credit. According to broad literature in sociology on categorical boundaries, artists who deviate from existing genres are expected to be penalized for violating collective expectations and norms. We find songs featuring other artists actually have a greater likelihood of making it into the top 10 than songs not featuring other artists. Additionally, consistent with theorizing about congruency in the co-branding literature, we observe that the greater the difference (cultural distance) between the genres of the artists involved, the more likely the song is to reach the top of the charts. We argue that by combining the expertise of specialists in each genre, as well as comingling audiences while still maintaining each collaborator’s original positioning, artists who feature artists from other genres are able to produce more successful songs.

Suggested Citation

  • Andrea Ordanini & Joseph C. Nunes & Anastasia Nanni, 2018. "The featuring phenomenon in music: how combining artists of different genres increases a song’s popularity," Marketing Letters, Springer, vol. 29(4), pages 485-499, December.
  • Handle: RePEc:kap:mktlet:v:29:y:2018:i:4:d:10.1007_s11002-018-9476-3
    DOI: 10.1007/s11002-018-9476-3
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    References listed on IDEAS

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    Cited by:

    1. Yuqing Song, 2024. "Valuing Collaboration in Art: Insights from Zhang Daqian's Network," Working Papers CEB 24-012, ULB -- Universite Libre de Bruxelles.
    2. Kobi Abayomi, 2024. "How & Why To Use Audience Segmentation to Maximize (Listener) Demand Across Digital Music Portfolio," Papers 2406.09226, arXiv.org.
    3. Jordi McKenzie & Paul Crosby & Liam J. A. Lenten, 2021. "It takes two, baby! Feature artist collaborations and streaming demand for music," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(3), pages 385-408, September.

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