Digital complements or substitutes? A quasi-field experiment from the Royal National Theatre
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DOI: 10.1007/s10824-013-9201-2
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References listed on IDEAS
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- Marvao, Catarina & Borowiecki, Karol, 2015. "Dance Participation and Attendance in Denmark," SITE Working Paper Series 33, Stockholm School of Economics, Stockholm Institute of Transition Economics.
- Karol Jan Borowiecki & Catarina, 2016. "May I have this dance? Dance participation and attendance in Denmark," Trinity Economics Papers tep1816, Trinity College Dublin, Department of Economics.
- Christian Peukert, 2019. "The next wave of digital technological change and the cultural industries," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 189-210, June.
- Jian Kim & Eunhye Kim & Aeryung Hong, 2021. "OTT Streaming Distribution Strategies for Dance Performances in the Post-COVID-19 Age: A Modified Importance-Performance Analysis," IJERPH, MDPI, vol. 19(1), pages 1-11, December.
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"Digitization of heritage collections as indicator of innovation,"
Economics of Innovation and New Technology, Taylor & Francis Journals, vol. 26(3), pages 227-246, April.
- Borowiecki, Karol J. & Navarrete, Trilce, 2015. "Digitization of heritage collections as indicator of innovation," Discussion Papers on Economics 14/2015, University of Southern Denmark, Department of Economics.
- Karol J. Borowiecki & Trilce Navarrete, 2015. "Digitization of Heritage Collections as Indicator of Innovation," ACEI Working Paper Series AWP-08-2015, Association for Cultural Economics International, revised Sep 2015.
- Karol Jan Borowiecki & Trilce Navarrete, 2016. "Digitization of heritage collections as indicator of innovation," Trinity Economics Papers tep1616, Trinity College Dublin, Department of Economics.
- Victoria Ateca-Amestoy & Concetta Castiglione, 2023. "Live and digital engagement with the visual arts," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 47(4), pages 643-692, December.
- Geng Chen & Pei Tang, 2021. "Similar but special: an econometric analysis of live performing arts attendance in mainland China," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 45(3), pages 459-490, September.
- Patrizia Lattarulo & Marco Mariani & Laura Razzolini, 2017.
"Nudging museums attendance: a field experiment with high school teens,"
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- Patrizia Lattarulo & Marco Mariani & Laura Razzolini, 2016. "Nudging Museums Attendance: A field experiment with high school teens," Framed Field Experiments 00576, The Field Experiments Website.
- Alexander Cuntz & Paul J. Heald & Matthias Sahli, 2023. "Digitization and Availability of Artworks in Online Museum Collections," WIPO Economic Research Working Papers 75, World Intellectual Property Organization - Economics and Statistics Division.
- Pablo De la Vega & Sara Suarez-Fernández & David Boto-García & Juan Prieto-Rodríguez, 2020. "Playing a play: online and live performing arts consumers profiles and the role of supply constraints," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(3), pages 425-450, September.
- Emilio Giardina & Isidoro Mazza & Giacomo Pignataro & Ilde Rizzo, 2016. "Voluntary Provision of Public Goods and Technology," International Advances in Economic Research, Springer;International Atlantic Economic Society, vol. 22(3), pages 321-332, August.
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More about this item
Keywords
Digital technology; Theatre; Field experiment; Cannibalisation; Z11; O33; C93;All these keywords.
JEL classification:
- Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
- O33 - Economic Development, Innovation, Technological Change, and Growth - - Innovation; Research and Development; Technological Change; Intellectual Property Rights - - - Technological Change: Choices and Consequences; Diffusion Processes
- C93 - Mathematical and Quantitative Methods - - Design of Experiments - - - Field Experiments
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