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Storm Power, an Icy Tower and Elsa’s Bower: The Winds of Change in Disney’s Frozen

Author

Listed:
  • Lauren Dundes

    (Department of Sociology, McDaniel College, Westminster, MD 21157, USA)

  • Madeline Streiff

    (Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA)

  • Zachary Streiff

    (Member of the State Bar of California, Monterey, CA 93940, USA)

Abstract

In Disney’s box office sensation Frozen (2013), Elsa conjures powers rivaling those of Zeus, which is an echo of the shifting gender dynamics at the time of the film’s release. By independently creating offspring Olaf and Marshmallow through whirlwinds, Elsa’s parthenogenesis (virgin birth) evokes wind-driven pollination, allowing her to circumvent any male role in creation. However, Elsa’s autonomy clashes with the traditional gender hierarchy, which is reinforced by a cultural context replete with latent symbolic meanings. Examples include both carrots and carats as phallic symbols, eggs as representations of the procreative potential that is appropriated by men and devalued in women, gender bias in perceptions of magic and enchantment, and the value of the nubile nymph over the tempestuous termagant. The normalcy of male dominance likely drives the resolution of the plot, in which Elsa learns to wield power in a non-threatening manner. In addition to having implications for gender roles, Frozen also portrays a mélange of gender symbolism through Elsa’s snowmen creations, which function as an expression of the storm of controversy surrounding the subversion of binary conceptions of gender. In the end, Frozen serves as a cautionary tale about the dangers inherent in an unattached female as the ultimate potentate. This content analysis suggests that the film reflects fears surrounding the maelstrom of societal changes including expanding fertility options and the re-conceptualization of gender identity--pressing issues likely to sustain Frozen ’s relevance.

Suggested Citation

  • Lauren Dundes & Madeline Streiff & Zachary Streiff, 2018. "Storm Power, an Icy Tower and Elsa’s Bower: The Winds of Change in Disney’s Frozen," Social Sciences, MDPI, vol. 7(6), pages 1-29, May.
  • Handle: RePEc:gam:jscscx:v:7:y:2018:i:6:p:86-:d:149974
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    References listed on IDEAS

    as
    1. Judah Cohen & Karl Pfeiffer & Jennifer A. Francis, 2018. "Warm Arctic episodes linked with increased frequency of extreme winter weather in the United States," Nature Communications, Nature, vol. 9(1), pages 1-12, December.
    2. Jessica D. Zurcher & Sarah M. Webb & Tom Robinson, 2018. "The Portrayal of Families across Generations in Disney Animated Films," Social Sciences, MDPI, vol. 7(3), pages 1-16, March.
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    Cited by:

    1. Lauren Dundes & Madeline Streiff Buitelaar & Zachary Streiff, 2019. "Bad Witches: Gender and the Downfall of Elizabeth Holmes of Theranos and Disney’s Maleficent," Social Sciences, MDPI, vol. 8(6), pages 1-17, June.
    2. Benjamin Hine & Dawn England & Katie Lopreore & Elizabeth Skora Horgan & Lisa Hartwell, 2018. "The Rise of the Androgynous Princess: Examining Representations of Gender in Prince and Princess Characters of Disney Movies Released 2009–2016," Social Sciences, MDPI, vol. 7(12), pages 1-23, November.
    3. Lauren Dundes, 2020. "Elsa as Horse Whisperer in Disney’s Frozen 2 : Opportunity “Nokk”s to Quash Gender Stereotypes," Social Sciences, MDPI, vol. 9(5), pages 1-11, May.
    4. Cassandra Primo, 2018. "Balancing Gender and Power: How Disney’s Hercules Fails to Go the Distance," Social Sciences, MDPI, vol. 7(11), pages 1-13, November.
    5. Benjamin Hine & Katarina Ivanovic & Dawn England, 2018. "From the Sleeping Princess to the World-Saving Daughter of the Chief: Examining Young Children’s Perceptions of ‘Old’ versus ‘New’ Disney Princess Characters," Social Sciences, MDPI, vol. 7(9), pages 1-15, September.

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