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Liminality and festivals—Insights from the East

Author

Listed:
  • Wu, Shaofeng
  • Li, Yanning
  • Wood, Emma H.
  • Senaux, Benoît
  • Dai, Guangquan

Abstract

This research extends our knowledge of liminality through investigating how the liminal experiences of festival-goers are constructed in a Chinese music festival context. The research employs a multi-site data collection approach undertaking field observations and 68 in-depth semi-structured interviews at seven music festivals across three years. The study contributes to the theoretical development of a liminality framework by providing empirical evidence of the nature of liminality. It extends our understanding of event tourist experiences by highlighting the development and role of three types of communitas and identifying six stages within a rite of passage. The resulting multifaceted coexistence of liminal behaviours and identity with everyday routine life provides a new approach to the critical understanding of the role of liminality.

Suggested Citation

  • Wu, Shaofeng & Li, Yanning & Wood, Emma H. & Senaux, Benoît & Dai, Guangquan, 2020. "Liminality and festivals—Insights from the East," Annals of Tourism Research, Elsevier, vol. 80(C).
    • Handle: RePEc:eee:anture:v:80:y:2020:i:c:s0160738319301677
    DOI: 10.1016/j.annals.2019.102810
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    References listed on IDEAS

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    1. Jon Welty Peachey & John Borland & Jami Lobpries & Adam Cohen, 2015. "Managing impact: Leveraging sacred spaces and community celebration to maximize social capital at a sport-for-development event," Sport Management Review, Taylor & Francis Journals, vol. 18(1), pages 86-98, January.
    2. Li, Yanning & Wood, E.H. & Thomas, R., 2017. "Innovation implementation: Harmony and conflict in Chinese modern music festivals," Tourism Management, Elsevier, vol. 63(C), pages 87-99.
    3. Welty Peachey, Jon & Borland, John & Lobpries, Jami & Cohen, Adam, 2015. "Managing impact: Leveraging sacred spaces and community celebration to maximize social capital at a sport-for-development event," Sport Management Review, Elsevier, vol. 18(1), pages 86-98.
    4. Szmigin, Isabelle & Bengry-Howell, Andrew & Morey, Yvette & Griffin, Christine & Riley, Sarah, 2017. "Socio-spatial authenticity at co-created music festivals," Annals of Tourism Research, Elsevier, vol. 63(C), pages 1-11.
    5. Getz, Donald & Page, Stephen J., 2016. "Progress and prospects for event tourism research," Tourism Management, Elsevier, vol. 52(C), pages 593-631.
    6. Fairley, Sheranne & O’Brien, Danny, 2018. "Accumulating subcultural capital through sport event participation: The AFL International Cup," Sport Management Review, Elsevier, vol. 21(3), pages 321-332.
    7. Weichselbaumer, Doris, 2012. "Sex, romance and the carnivalesque between female tourists and Caribbean men," Tourism Management, Elsevier, vol. 33(5), pages 1220-1229.
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    Cited by:

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    2. Christopher J. Hayes, 2023. "Placemaking in the Periphery: Leveraging Liminoid Spaces for Host Promotions and Experience Creation at the Japan 2019 Rugby World Cup," Tourism and Hospitality, MDPI, vol. 4(2), pages 1-19, March.
    3. Su, Lujun & Tang, Binli & Nawijn, Jeroen, 2021. "How tourism activity shapes travel experience sharing: Tourist well-being and social context," Annals of Tourism Research, Elsevier, vol. 91(C).
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    5. Brooks, Caitlin & Soulard, Joelle, 2022. "Contested authentication: The impact of event cancellation on transformative experiences, existential authenticity at burning man," Annals of Tourism Research, Elsevier, vol. 95(C).
    6. Milazzo, Liselle, 2023. "From Home to Hogsmeade: A phenomenological study of liminoidity in media tourism," Annals of Tourism Research, Elsevier, vol. 103(C).

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