IDEAS home Printed from https://ideas.repec.org/r/ucp/jpolec/v94y1986i1p56-75.html
   My bibliography  Save this item

The "Starving Artist"-Myth or Reality? Earnings of Artists in the United States

Citations

Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
as


Cited by:

  1. Gabe, Todd M. & Colby, Kristen & Bell, Kathleen P., 2007. "The Effects of Workforce Creativity on Earnings in U.S. Counties," Agricultural and Resource Economics Review, Northeastern Agricultural and Resource Economics Association, vol. 36(01), pages 1-13, April.
  2. Victor Ginsburgh, 2013. "Mark Blaug and the economics of the arts," Chapters, in: Marcel Boumans & Matthias Klaes (ed.), Mark Blaug: Rebel with Many Causes, chapter 15, pages 208-224, Edward Elgar Publishing.
  3. Victor Ginsburgh, 2001. "Economics of arts and culture," ULB Institutional Repository 2013/1869, ULB -- Universite Libre de Bruxelles.
  4. Todd M. Gabe, 2011. "The Value of Creativity," Chapters, in: David Emanuel Andersson & Åke E. Andersson & Charlotta Mellander (ed.), Handbook of Creative Cities, chapter 7, Edward Elgar Publishing.
  5. Alexander Cuntz, 2018. "Creators’ Income Situation in the Digital Age," LIS Working papers 755, LIS Cross-National Data Center in Luxembourg.
  6. Françoise Benhamou, 2011. "Artists’ Labour Markets," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 7, Edward Elgar Publishing.
  7. Carlos Casacuberta & N鳴or Gandelman, 2012. "Multiple job holding: the artist's labour supply approach," Applied Economics, Taylor & Francis Journals, vol. 44(3), pages 323-337, January.
  8. Henry Hansmann, "undated". "Royalties for Artists Versus Royalties for Authors and Composers," Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy Working Paper Series yale_lepp-1023, Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy.
  9. John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 209-226, December.
  10. David Throsby, 1996. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 225-240, September.
  11. Andrej Srakar, 2017. "Prevalence of Diseases and Health Care Utilization ofthe Self-Employed Artists and TheirEmpirical Determinants: Evidence From a Slovenian Survey," ACEI Working Paper Series AWP-08-2017, Association for Cultural Economics International, revised Sep 2017.
  12. Ruth Towse, 1996. "Comments on David Throsby’s paper," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 245-247, September.
  13. Edwin West, 1989. "Nonprofit organizations: Revised theory and new evidence," Public Choice, Springer, vol. 63(2), pages 165-174, November.
  14. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 259-281, November.
  15. Sarah Montgomery & Michael Robinson, 2003. "What Becomes of Undergraduate Dance Majors?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 27(1), pages 57-71, February.
  16. Paula Karhunen, 1996. "The interaction between artists’ professional training and employment in the field of Finnish theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 165-175, June.
  17. Luc Champarnaud, 2014. "Prices for superstars can flatten out," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(4), pages 369-384, November.
  18. Tremblay, Carol Horton & Grosskopf, Shawna & Yang, Ke, 2010. "Brainstorm: Occupational choice, bipolar illness and creativity," Economics & Human Biology, Elsevier, vol. 8(2), pages 233-241, July.
  19. Haak, Carroll, 2006. "Von Künstlern lernen: Mehrfachbeschäftigung, Bildung und Einkommen auf den Arbeitsmärkten von Künstlern," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2006-123, WZB Berlin Social Science Center.
  20. Amir Borges Ferreira Neto & Ricardo Da Silva Fregugli, 2014. "How Much Does Talent Matter? Evidences From The Brazilian Formal Cultural Industry," Anais do XLI Encontro Nacional de Economia [Proceedings of the 41st Brazilian Economics Meeting] 233, ANPEC - Associação Nacional dos Centros de Pós-Graduação em Economia [Brazilian Association of Graduate Programs in Economics].
  21. Frey, Bruno S. & Meier, Stephan, 2006. "The Economics of Museums," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 29, pages 1017-1047, Elsevier.
  22. Merijn Rengers & Erik Plug, 2001. "Private or Public?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 1-20, February.
  23. Haak, Carroll & Schmid, Günther, 1999. "Arbeitsmärkte für Künstler und Publizisten: Modelle einer zukünftigen Arbeitswelt?," Papers, Research Network Project "Work and Ecology" P 99-506, WZB Berlin Social Science Center.
  24. Trine Bille & Knut Løyland & Anders Holm, 2017. "Work for Passion or Money? Variations in Artists’ Labor Supply," Kyklos, Wiley Blackwell, vol. 70(3), pages 347-380, August.
  25. Trine Bille & Søren Jensen, 2018. "Artistic education matters: survival in the arts occupations," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(1), pages 23-43, February.
  26. Hans Abbing, 2011. "Poverty and Support for Artists," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 48, Edward Elgar Publishing.
IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.