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Collective Trademarks and Cultural Districts: the Case of San Gregorio Armeno - Naples

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This book analyses the economic development of cities from the ‘cultural economy’ and ‘creative industry’ perspectives, examining and differentiating them as two related but distinct segments of contemporary city economies. The authors argue that although they are normally conflated, the first is largely subsidized while the second is highly entrepreneurial hence they actually make very different kinds of contribution to a city’s character, attractiveness and competitiveness.
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  • Cuccia Tiziana & Marrelli Massimo & Santagata Walter, 2007. "Collective Trademarks and Cultural Districts: the Case of San Gregorio Armeno - Naples," EBLA Working Papers 200701, University of Turin.
    • Handle: RePEc:uto:eblawp:200701
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    File URL: http://www.eblacenter.unito.it/WP/2007/1_WP_Ebla.pdf
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    1. repec:ags:afjare:141665 is not listed on IDEAS
    2. Landes, William M & Posner, Richard A, 1987. "Trademark Law: An Economic Perspective," Journal of Law and Economics, University of Chicago Press, vol. 30(2), pages 265-309, October.
    3. Richard T. Carson, 2011. "Contingent Valuation," Books, Edward Elgar Publishing, number 2489, March.
    4. Roberto Cellini & Tiziana Cuccia & Walter Santagata, 2005. "Policy Decisions on Collective Property Rights in Cultural Districts: A Positive Model," Rivista di Politica Economica, SIPI Spa, vol. 95(5), pages 247-266, September.
    5. Cuccia Tiziana & Santagata Walter, 2007. "Aspetti istituzionali ed economici della domanda: un'analisi di valutazione contingente sulla disponibilità a pagare per il marchio collettivo di San Gregorio Armeno," EBLA Working Papers 200705, University of Turin.
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    Cited by:

    1. Friel Martha & Santagata Walter, 2007. "Make Material Cultural Heritage Work," EBLA Working Papers 200710, University of Turin.
    2. Walter Santagata, 2011. "Cultural Districts," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 21, Edward Elgar Publishing.

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