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A Portrait of the Artist as a Very Young or Very Old Innovator: Creativity at the Extremes of the Life Cycle

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  • David W. Galenson

Abstract

Orson Wells made Citizen Kane, his greatest movie, when he was 25 years old; Frank Lloyd Wright designed Fallingwater, his most famous house, when he was 70. Contrasts as great as this raise the question of whether there is a general explanation of when in their lives great innovators are most creative. For each of seven artistic disciplines, this paper examines a major innovation made by a very young artist, and another made by an old one, with the goal of understanding the role of the artist's age and experience in the accomplishment. The analysis shows why youth was necessary for the innovations of such conceptual artists as F. Scott Fitzgerald, Arthur Rimbaud, Maya Lin, and Orson Welles, all of whom produced their masterpieces before the age of 30, and why extensive experience was necessary for the innovations of such experimental artists as Piet Mondrian, Elizabeth Bishop, Henrik Ibsen, and Frank Lloyd Wright, all of whom made major contributions after the age of 60. This paper demonstrates the generality of the distinction between conceptual and experimental innovators in artistic disciplines, and the value of the analysis in explaining the very different relationships between age and creativity for the two types of artist.

Suggested Citation

  • David W. Galenson, 2004. "A Portrait of the Artist as a Very Young or Very Old Innovator: Creativity at the Extremes of the Life Cycle," NBER Working Papers 10515, National Bureau of Economic Research, Inc.
    • Handle: RePEc:nbr:nberwo:10515
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    References listed on IDEAS

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    1. David W. Galenson, 2005. "Toward Abstraction: Ranking European Painters of the Early Twentieth Century," NBER Working Papers 11501, National Bureau of Economic Research, Inc.
    2. David W. Galenson, 2005. "The Methods and Careers of Leading American Painters in the late Nineteenth Century," NBER Working Papers 11545, National Bureau of Economic Research, Inc.
    3. David Galenson, 2000. "The Careers of Modern Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(2), pages 87-112, May.
    4. David W. Galenson, 2004. "A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists," NBER Working Papers 10213, National Bureau of Economic Research, Inc.
    5. David W. Galenson, 2003. "The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century," NBER Working Papers 9935, National Bureau of Economic Research, Inc.
    6. David W. Galenson, 2003. "Literary Life Cycles: The Careers of Modern American Poets," NBER Working Papers 9856, National Bureau of Economic Research, Inc.
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    Cited by:

    1. Dolan, Paul & Metcalfe, Robert, 2012. "The relationship between innovation and subjective wellbeing," Research Policy, Elsevier, vol. 41(8), pages 1489-1498.
    2. Benjamin F. Jones, 2010. "Age and Great Invention," The Review of Economics and Statistics, MIT Press, vol. 92(1), pages 1-14, February.
    3. Honig, Benson & Samuelsson, Mikael, 2021. "Business planning by intrapreneurs and entrepreneurs under environmental uncertainty and institutional pressure," Technovation, Elsevier, vol. 99(C).
    4. Cortney S. Rodet, 2021. "The wellspring of creativity? Using divergent‐thinking tasks to understand creative characteristics," Managerial and Decision Economics, John Wiley & Sons, Ltd., vol. 42(6), pages 1435-1453, September.
    5. David W. Galenson, 2005. "Toward Abstraction: Ranking European Painters of the Early Twentieth Century," NBER Working Papers 11501, National Bureau of Economic Research, Inc.
    6. David W. Galenson, 2004. "One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists," NBER Working Papers 10885, National Bureau of Economic Research, Inc.
    7. Iryna Sikora, 2019. "Creative Production and Exchange of Ideas," Journal of Economics and Behavioral Studies, AMH International, vol. 11(5), pages 20-44.
    8. Iryna Sikora, 2019. "Creative Production and Exchange of Ideas," Journal of Economics and Behavioral Studies, AMH International, vol. 11(5), pages 20-44.
    9. Charness, Gary & Grieco, Daniela, 2013. "Individual Creativity, Ex-ante Goals and Financial Incentives," University of California at Santa Barbara, Economics Working Paper Series qt4mr6p1d5, Department of Economics, UC Santa Barbara.

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    JEL classification:

    • J4 - Labor and Demographic Economics - - Particular Labor Markets

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