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Legal Requirements that Artists Receive Resale Royalties

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  • Karp, Larry
  • Perloff, Jeffrey M

Abstract

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Suggested Citation

  • Karp, Larry & Perloff, Jeffrey M, 1992. "Legal Requirements that Artists Receive Resale Royalties," Department of Agricultural & Resource Economics, UC Berkeley, Working Paper Series qt33f9k5bw, Department of Agricultural & Resource Economics, UC Berkeley.
    • Handle: RePEc:cdl:agrebk:qt33f9k5bw
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    Citations

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    Cited by:

    1. Henry Hansmann, "undated". "Royalties for Artists Versus Royalties for Authors and Composers," Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy Working Paper Series yale_lepp-1023, Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy.
    2. Michael Rushton, 2001. "The Law and Economics of Artists' Inalienable Rights," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 243-257, November.
    3. John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 209-226, December.
    4. Richard Watt, 2014. "Copyright in visual art markets: some economic theory concerning resale royalties and other options," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 18, pages 328-342, Edward Elgar Publishing.
    5. J. D. Stanford, 2003. "Economic Analysis Of The Droit De Suite– The Artist's Resale Royalty," Australian Economic Papers, Wiley Blackwell, vol. 42(4), pages 386-398, December.
    6. Richard Watt (ed.), 2014. "Handbook on the Economics of Copyright," Books, Edward Elgar Publishing, number 14240.
    7. Christian Jansen, 2003. "Economic Effects of the New German Copyright Contract Law," Law and Economics 0302003, University Library of Munich, Germany.
    8. Chanont Banternghansa & Kathryn Graddy, 2011. "The impact of the Droit de Suite in the UK: an empirical analysis," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 35(2), pages 81-100, May.
    9. Karas, Michael & Kirstein, Roland, 2018. "Efficient contracting under the U.S. copyright termination law," International Review of Law and Economics, Elsevier, vol. 54(C), pages 39-48.
    10. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 259-281, November.
    11. Edmund H. Mantell, 1995. "If Art is Resold, Should the Artist Profit?," The American Economist, Sage Publications, vol. 39(1), pages 23-31, March.

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