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Economic Analysis of the Droit de Suite - The Artist's Resale Royalty

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Abstract

The paper reviews Droit de Suite legislation which will provide that living artists and the estates of recently dead artists will receive a percentage royalty on resales of their work.

Suggested Citation

  • Dr Jon D. Stanford, 2002. "Economic Analysis of the Droit de Suite - The Artist's Resale Royalty," Discussion Papers Series 301, School of Economics, University of Queensland, Australia.
    • Handle: RePEc:qld:uq2004:301
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    File URL: https://economics.uq.edu.au//files/44272/301.pdf
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    References listed on IDEAS

    as
    1. Karp, Larry S. & Perloff, Jeffery M., 1993. "Legal requirements that artists receive resale royalties," International Review of Law and Economics, Elsevier, vol. 13(2), pages 163-177, June.
    2. Michael F. Bryan, 1985. "Beauty and the bulls: the investment characteristics of paintings," Economic Review, Federal Reserve Bank of Cleveland, issue Q I, pages 2-10.
    3. MacDonald, Glenn M, 1988. "The Economics of Rising Stars," American Economic Review, American Economic Association, vol. 78(1), pages 155-166, March.
    4. Rosen, Sherwin, 1981. "The Economics of Superstars," American Economic Review, American Economic Association, vol. 71(5), pages 845-858, December.
    5. Templeman, Sydney, 1998. "Intellectual Property," Journal of International Economic Law, Oxford University Press, vol. 1(4), pages 603-606, December.
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    Cited by:

    1. Quiggin, Robynne & Quiggin, John, 2007. "Intellectual Property and Indigenous Culture," Risk and Sustainable Management Group Working Papers 151515, University of Queensland, School of Economics.
    2. Richard Watt (ed.), 2014. "Handbook on the Economics of Copyright," Books, Edward Elgar Publishing, number 14240.
    3. Richard Watt, 2014. "Copyright in visual art markets: some economic theory concerning resale royalties and other options," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 18, pages 328-342, Edward Elgar Publishing.

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