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Effects of the Musical Sound Environment on Communicating Emotion

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  • Qi Meng

    (Key Laboratory of Cold Region Urban and Rural Human Settlement Environment Science and Technology, Ministry of Industry and Information Technology, School of Architecture, Harbin Institute of Technology, 66 West Dazhi Street, Nan Gang District, Harbin 150001, China)

  • Jiani Jiang

    (Key Laboratory of Cold Region Urban and Rural Human Settlement Environment Science and Technology, Ministry of Industry and Information Technology, School of Architecture, Harbin Institute of Technology, 66 West Dazhi Street, Nan Gang District, Harbin 150001, China)

  • Fangfang Liu

    (Key Laboratory of Cold Region Urban and Rural Human Settlement Environment Science and Technology, Ministry of Industry and Information Technology, School of Architecture, Harbin Institute of Technology, 66 West Dazhi Street, Nan Gang District, Harbin 150001, China)

  • Xiaoduo Xu

    (UCL The Bartlett School of Architecture, University College London (UCL), London WC1H 0QB, UK)

Abstract

The acoustic environment is one of the factors influencing emotion, however, existing research has mainly focused on the effects of noise on emotion, and on music therapy, while the acoustic and psychological effects of music on interactive behaviour have been neglected. Therefore, this study aimed to investigate the effects of music on communicating emotion including evaluation of music, and d-values of pleasure, arousal, and dominance (PAD), in terms of sound pressure level (SPL), musical emotion, and tempo. Based on acoustic environment measurement and a questionnaire survey with 52 participants in a normal classroom in Harbin city, China, the following results were found. First, SPL was significantly correlated with musical evaluation of communication: average scores of musical evaluation decreased sharply from 1.31 to −2.13 when SPL rose from 50 dBA to 60 dBA, while they floated from 0.88 to 1.31 between 40 dBA and 50 dBA. Arousal increased with increases in musical SPL in the negative evaluation group. Second, musical emotions had significant effects on musical evaluation of communication, among which the effect of joyful-sounding music was the highest; and in general, joyful- and stirring-sounding music could enhance pleasure and arousal efficiently. Third, musical tempo had significant effect on musical evaluation and communicating emotion, faster music could enhance arousal and pleasure efficiently. Finally, in terms of social characteristics, familiarity, gender combination, and number of participants affected communicating emotion. For instance, in the positive evaluation group, dominance was much higher in the single-gender groups. This study shows that some music factors, such as SPL, musical emotion, and tempo, can be used to enhance communicating emotion.

Suggested Citation

  • Qi Meng & Jiani Jiang & Fangfang Liu & Xiaoduo Xu, 2020. "Effects of the Musical Sound Environment on Communicating Emotion," IJERPH, MDPI, vol. 17(7), pages 1-19, April.
    • Handle: RePEc:gam:jijerp:v:17:y:2020:i:7:p:2499-:d:341942
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    Cited by:

    1. Fangfang Liu & Jian Kang & Yue Wu & Da Yang & Qi Meng, 2022. "What do we visually focus on in a World Heritage Site? A case study in the Historic Centre of Prague," Palgrave Communications, Palgrave Macmillan, vol. 9(1), pages 1-16, December.
    2. Jianfeng Wu & Lingyan Zhang & Hongchun Yang & Chunfu Lu & Lu Jiang & Yuyun Chen, 2022. "The Effect of Music Tempo on Fatigue Perception at Different Exercise Intensities," IJERPH, MDPI, vol. 19(7), pages 1-18, March.

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