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Copyright And Artists: A View From Cultural Economics

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  • Ruth Towse

Abstract

Most of the standard economic literature on copyright ignores a number of aspects that have considerable significance for cultural production and for artists, the primary creators of copyright works, the supply of which copyright is supposed to stimulate. Specifically, there is little mention in that literature of moral rights, no distinction is made between copyright for authors and neighbouring rights for performers, the distributional effects of copyright are barely referred to, and the question of how much artists earn from copyright is ignored. In this article, I survey work that relates copyright and cultural economics showing that cultural economics offers another view to the ‘standard’ economics of copyright. Moreover, the case for government intervention in the arts and heritage made by cultural economists has resonance for the economic rationale of copyright.

Suggested Citation

  • Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, September.
    • Handle: RePEc:bla:jecsur:v:20:y:2006:i:4:p:567-585
    DOI: 10.1111/j.1467-6419.2006.00256.x
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    References listed on IDEAS

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    1. Michael Rushton, 2001. "The Law and Economics of Artists' Inalienable Rights," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 243-257, November.
    2. John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 209-226, December.
    3. Babette Aalberts & Annemarie Beunen, 2002. "Exploiting museum images," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 14, Edward Elgar Publishing.
    4. Hollander, Abraham, 1984. "Market structure and performance in intellectual property : The case of copyright collectives," International Journal of Industrial Organization, Elsevier, vol. 2(3), pages 199-216, September.
    5. Shinji Matsumoto, 2002. "Performers in the digital era: empirical evidence from Japan," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 12, Edward Elgar Publishing.
    6. Bruno S. Frey, 1997. "Not Just for the Money," Books, Edward Elgar Publishing, number 1183.
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    8. Abbing, Hans, 2002. "Why Are Artists Poor?," University of Chicago Press Economics Books, University of Chicago Press, number 9789053565650.
    9. Ruth Towse, 2001. "Partly for the Money: Rewards and Incentives to Artists," Kyklos, Wiley Blackwell, vol. 54(2‐3), pages 473-490, May.
    10. Peter Tschmuck, 2002. "Creativity without a copyright: music production in Vienna in the late eighteenth century," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 13, Edward Elgar Publishing.
    11. Richard Watt, 2000. "Copyright and Economic Theory," Books, Edward Elgar Publishing, number 2023.
    12. Michael Rushton, 1998. "The Moral Rights of Artists: Droit Moral ou Droit Pécuniaire?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(1), pages 15-32, March.
    13. Ruth Towse, 2005. "Alan Peacock and Cultural Economics," Economic Journal, Royal Economic Society, vol. 115(504), pages 262-276, June.
    14. Wendy J. Gordon & Richard Watt (ed.), 2003. "The Economics of Copyright," Books, Edward Elgar Publishing, number 2998.
    15. Michael A. Einhorn, 2002. "Music licensing in the digital age," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 10, Edward Elgar Publishing.
    16. Arthur Snow & Richard Watt, 2005. "Risk sharing and the distribution of copyright collective income," Chapters, in: Lisa N. Takeyama & Wendy J. Gordon & Ruth Towse (ed.), Developments in the Economics of Copyright, chapter 2, Edward Elgar Publishing.
    17. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 259-281, November.
    18. Henry Hansmann, "undated". "Royalties for Artists Versus Royalties for Authors and Composers," Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy Working Paper Series yale_lepp-1023, Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy.
    19. William Landes, 2002. "Copyright, borrowed images and appropriation art: am economic approach," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 2, Edward Elgar Publishing.
    20. Michael Rushton, 2011. "Artists’ Rights," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 8, Edward Elgar Publishing.
    21. Thomas Gallagher, 2002. "Copyright compulsory licensing and incentives," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 6, Edward Elgar Publishing.
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    Cited by:

    1. Dora Marinova & Margaret Raven, 2006. "Indigenous Knowledge And Intellectual Property: A Sustainability Agenda," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 587-605, September.
    2. Luis Antonio Palma M. & Luis Fernando Aguado Q., 2010. "Economía de la cultura. Una nueva área de especialización de la economía," Revista de Economía Institucional, Universidad Externado de Colombia - Facultad de Economía, vol. 12(22), pages 129-165, January-J.
    3. Ruth Towse, 2008. "Why has cultural economics ignored copyright?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 32(4), pages 243-259, December.
    4. Markus Pasche, 2014. "Welfare Effects of Endogenous Copyright Enforcement - the Case of Digital Goods," Jena Economics Research Papers 2014-008, Friedrich-Schiller-University Jena.
    5. Handke, Christian & Girard, Yann & Mattes, Anselm, 2015. "Fördert das Urheberrecht Innovation? Eine empirische Untersuchung," Studien zum deutschen Innovationssystem 16-2015, Expertenkommission Forschung und Innovation (EFI) - Commission of Experts for Research and Innovation, Berlin.
    6. Ruth Towse, 2010. "Creativity, Copyright and the Creative Industries Paradigm," Kyklos, Wiley Blackwell, vol. 63(3), pages 461-478, August.
    7. Bart Verspagen, 2006. "University Research, Intellectual Property Rights And European Innovation Systems," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 607-632, September.
    8. Alexander Cuntz & Carsten Fink & Hansueli Stamm, 2024. "Artificial Intelligence and Intellectual Property : An Economic Perspective," WIPO Economic Research Working Papers 77, World Intellectual Property Organization - Economics and Statistics Division.
    9. Michael McAleer & Les Oxley, 2006. "Intellectual Property And Economic Incentives," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 483-491, September.
    10. Mustonen, Mikko, 2019. "Direct publishing and the bargaining between the author and the publisher," Information Economics and Policy, Elsevier, vol. 48(C), pages 40-47.
    11. Christian Peukert & Margaritha Windisch, 2023. "The Economics of Copyright in the Digital Age," CESifo Working Paper Series 10687, CESifo.
    12. Cuntz, Alexander & Czernich, Nina & Dauchert, Helge & Meurer, Petra & Philipps, Annika, 2015. "Gesellschaftliche Dimensionen von Innovation: Zentrale Fragen und Datenlage," Studien zum deutschen Innovationssystem 18-2015, Expertenkommission Forschung und Innovation (EFI) - Commission of Experts for Research and Innovation, Berlin.
    13. Productivity Commission, 2009. "Restrictions on the Parallel Importation of Books," Research Reports, Productivity Commission, Government of Australia, number 34, July.
    14. Giovanni B. Ramello, 2006. "What'S In A Sign ? Trademark Law And Economic Theory," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 547-565, September.
    15. Antonello E. Scorcu & Laura Vici, 2013. "Economic and cultural factors and illegal copying in the university textbook market," ACEI Working Paper Series AWP-01-2013, Association for Cultural Economics International, revised Feb 2013.
    16. Kenneth Carlaw & Les Oxley & Paul Walker & David Thorns & Michael Nuth, 2006. "Beyond The Hype: Intellectual Property And The Knowledge Society/Knowledge Economy," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 633-690, September.

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