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Useless bodies? Exploring the ethical potential of art

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  • Daniela Pianezzi

Abstract

This paper examines the ethical value of artistic artifacts in challenging the unequal valuation of working bodies with a focus on the contemporary art exhibition ‘Useless bodies?’ by Danish artists Michael Elmgreen and Ingar Dragset. Drawing on Judith Butler's work and posthuman theory, particularly Braidotti's contributions, the paper argues that this exhibition exemplifies how art can foster an ethics of interdependency, one that both critiques dynamics of misrecognition and imagines alternative futures. Furthermore, the paper proposes that this affirmative and critical ethics provides theoretical and methodological foundations for work and organization studies, prompting new questions about the significance of embodiment, esthetics, and artifacts for conducting (ethical) research.

Suggested Citation

  • Daniela Pianezzi, 2024. "Useless bodies? Exploring the ethical potential of art," Gender, Work and Organization, Wiley Blackwell, vol. 31(4), pages 1366-1384, July.
    • Handle: RePEc:bla:gender:v:31:y:2024:i:4:p:1366-1384
    DOI: 10.1111/gwao.13094
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    References listed on IDEAS

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    1. van Amsterdam, Noortje & van Eck, Dide, 2019. "“I have to go the extra mile”. How fat female employees manage their stigmatized identity at work," Scandinavian Journal of Management, Elsevier, vol. 35(1), pages 46-55.
    2. Steven S. Taylor & Hans Hansen, 2005. "Finding Form: Looking at the Field of Organizational Aesthetics," Journal of Management Studies, Wiley Blackwell, vol. 42(6), pages 1211-1231, September.
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