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Digital music consumption on the Internet: Evidence from clickstream data
Citations
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Cited by:
- Saeed Alaei & Ali Makhdoumi & Azarakhsh Malekian & Saša Pekeč, 2022. "Revenue-Sharing Allocation Strategies for Two-Sided Media Platforms: Pro-Rata vs. User-Centric," Management Science, INFORMS, vol. 68(12), pages 8699-8721, December.
- Xu Chen & Chunhong Liu & Yao Jiang & Changchun Gao, 2021. "What Causes the Virtual Agglomeration of Creative Industries?," Sustainability, MDPI, vol. 13(16), pages 1-18, August.
- Wojciech Hardy & Michal Krawczyk & Joanna Tyrowicz, 2015.
"Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods,"
Working Papers
2015-23, Faculty of Economic Sciences, University of Warsaw.
- Michal Krawczyk & Joanna Tyrowicz & Wojciech Hardy, 2020. "Friends or foes? A meta-analysis of the link between "online piracy" and sales of cultural goods," GRAPE Working Papers 45, GRAPE Group for Research in Applied Economics.
- Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang, 2024.
"Displacement and complementarity in the recorded music industry: evidence from France,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 48(1), pages 43-94, March.
- Ivaldi, Marc & Nicolle, Ambre & Verboven, Frank & Zhang, Jiekai, 2021. "Displacement and Complementary in the recorded music industry: evidence from France," TSE Working Papers 21-1199, Toulouse School of Economics (TSE), revised 07 Jan 2023.
- Marc Ivaldi & Ambre Nicolle & Frank Verboven & Jiekai Zhang, 2023. "Displacement and Complementary in the recorded music industry: evidence from France," Post-Print hal-04020859, HAL.
- Ivaldi, Marc & Nicolle, Ambre & Verboven, Frank & Zhang, Jiekai, 2021. "Displacement and complementarity in the recorded music industry: evidence from France," CEPR Discussion Papers 16006, C.E.P.R. Discussion Papers.
- Belleflamme,Paul & Peitz,Martin, 2015.
"Industrial Organization,"
Cambridge Books,
Cambridge University Press, number 9781107687899, September.
- Belleflamme,Paul & Peitz,Martin, 2015. "Industrial Organization," Cambridge Books, Cambridge University Press, number 9781107069978, January.
- T. Randolph Beard & George S. Ford & Gilad Sorek & Lawrence J. Spiwak, 2018. "Piracy, Imitation, and Optimal Copyright Policy," Southern Economic Journal, John Wiley & Sons, vol. 84(3), pages 815-830, January.
- Ramadan Aly-Tovar & Maya Bacache-Beauvallet & Marc Bourreau & Francois Moreau, 2020.
"Why would artists favor free streaming?,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 44(2), pages 255-280, June.
- Ramadan Aly-Tovar & Maya Bacache-Beauvallet & Marc Bourreau & François Moreau, 2020. "Why would artists favor free streaming?," Post-Print hal-02164712, HAL.
- Myounggu Lee & Hye-jin Kim, 2024. "Exploring determinants of digital music success in South Korea," Electronic Commerce Research, Springer, vol. 24(3), pages 1659-1680, September.
- Stan J. Liebowitz, 2017. "Responding to Oberholzer-Gee and Strumpf's Attempted Defense of Their Piracy Paper," Econ Journal Watch, Econ Journal Watch, vol. 14(2), pages 174–195-1, May.
- Marc Bourreau & Marianne Lumeau & Francois Moreau & Jordana Viotto da Cruz, 2019. "Recent or Free? An Experimental Study of the Motivations for Pirating Movies," CESifo Working Paper Series 8036, CESifo.
- Chau Minh Nguyen & Marcelo Vinhal Nepomuceno & Yany Grégoire & Renaud Legoux, 2024. "Striking the Right Notes: Long- and Short-Term Financial Impacts of Musicians’ Charity Advocacy Versus Other Signaling Types," Journal of Business Ethics, Springer, vol. 193(1), pages 217-233, August.
- Carroni, Elias & Paolini, Dimitri, 2020.
"Business models for streaming platforms: Content acquisition, advertising and users,"
Information Economics and Policy, Elsevier, vol. 52(C).
- E. Carroni & D. Paolini, 2020. "Business models for streaming platforms: content acquisition, advertising and users," Working Paper CRENoS 202001, Centre for North South Economic Research, University of Cagliari and Sassari, Sardinia.
- Guerreiro, Lucas & Silva, Filipi N. & Amancio, Diego R., 2024. "Recovering network topology and dynamics from sequences: A machine learning approach," Physica A: Statistical Mechanics and its Applications, Elsevier, vol. 638(C).
- Bergh, Andreas & Funcke, Alexander & Wernberg, Joakim, 2021. "The Sharing Economy: Definition, Measurement and its Relationship to Capitalism," Working Paper Series 1380, Research Institute of Industrial Economics.
- Stefan Bechtold & Catherine Tucker, 2014. "Trademarks, Triggers, and Online Search," Journal of Empirical Legal Studies, John Wiley & Sons, vol. 11(4), pages 718-750, December.
- Mourelatos, Evangelos & Mourelatos, Haris, 2022. "Online video sharing and revenues during the Pandemic. Evidence from musical stream data," GLO Discussion Paper Series 1050 [pre.], Global Labor Organization (GLO).
- Christensen, Finn, 2022.
"Streaming Stimulates the Live Concert Industry: Evidence from YouTube,"
International Journal of Industrial Organization, Elsevier, vol. 85(C).
- Finn Christensen, 2021. "Streaming Stimulates the Live Concert Industry: Evidence from YouTube," Working Papers 2021-01, Towson University, Department of Economics, revised Jan 2021.
- Harald Edquist & Peter Goodridge & Jonathan Haskel, 2022.
"The economic impact of streaming beyond GDP,"
Applied Economics Letters, Taylor & Francis Journals, vol. 29(5), pages 403-408, March.
- Edquist, Harald & Goodridge, Peter & Haskel, Jonathan, 2020. "The economic impact of streaming beyond GDP," ITS Conference, Online Event 2020 224851, International Telecommunications Society (ITS).
- Steven James Watson & Daniel John Zizzo & Piers Fleming, 2015. "Determinants of Unlawful File Sharing: A Scoping Review," PLOS ONE, Public Library of Science, vol. 10(6), pages 1-23, June.
- E. Carroni & D. Paolini, 2019. "The business model of a streaming platform," Working Paper CRENoS 201902, Centre for North South Economic Research, University of Cagliari and Sassari, Sardinia.
- Frosio, Giancarlo F., 2016. "Digital piracy debunked: a short note on digital threats and intermediary liability," Internet Policy Review: Journal on Internet Regulation, Alexander von Humboldt Institute for Internet and Society (HIIG), Berlin, vol. 5(1), pages 1-22.
- Christian Peukert & Margaritha Windisch, 2023. "The Economics of Copyright in the Digital Age," CESifo Working Paper Series 10687, CESifo.
- Tyrowicz, Joanna & Krawczyk, Michal & Hardy, Wojciech, 2020. "Friends or foes? A meta-analysis of the relationship between “online piracy” and the sales of cultural goods," Information Economics and Policy, Elsevier, vol. 53(C).
- Mourelatos, Evangelos & Mourelatos, Haris, 2022. "Online video sharing and revenues during the Pandemic. Evidence from musical stream data," GLO Discussion Paper Series 1050, Global Labor Organization (GLO).
- Oberholzer-Gee, Felix & Strumpf, Koleman, 2016. "The effect of file sharing on record sales, revisited," Information Economics and Policy, Elsevier, vol. 37(C), pages 61-66.
- Xiaohui Sun & Zhijian Cai & Chongyu Wang & Jing Wang, 2024. "The Impact of Digital Inclusive Finance on Residents’ Cultural Consumption in China: An Urban-Rural Difference Perspective," Sustainability, MDPI, vol. 16(24), pages 1-18, December.
- Shinichi Yamaguchi & Hirohide Sakaguchi & Kotaro Iyanaga & Hidetaka Oshima & Tatsuo Tanaka, 2023. "The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan," SN Business & Economics, Springer, vol. 3(3), pages 1-22, March.
- Daniel Marszalec & Maria Martin-Rodriguez, 2020. "Piracy as promotion? The Importance of Diffusion in the Music Industry," CIRJE F-Series CIRJE-F-1139, CIRJE, Faculty of Economics, University of Tokyo.