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Les festivals musicaux : des organisations temporaires pulsatoires ? Le cas du festival du Bout du Monde

Author

Listed:
  • Vincent Salaun

    (CRET-LOG - Centre de Recherche sur le Transport et la Logistique - AMU - Aix Marseille Université)

  • François Fulconis

    (AU - Avignon Université, CRET-LOG - Centre de Recherche sur le Transport et la Logistique - AMU - Aix Marseille Université)

  • Nathalie Fabbe-Costes

    (CRET-LOG - Centre de Recherche sur le Transport et la Logistique - AMU - Aix Marseille Université)

Abstract

Les festivals de musiques jouent un rôle important dans l'animation des territoires et leur apportent des retombées économiques non négligeables. Dès lors, la pérennisation de ces événements constitue un enjeu tant pour les organisateurs que pour les sites qui les accueillent. Dans cette optique, il est important de mieux comprendre ces organisations très particulières. Les festivals musicaux sont des structures paradoxales. Ils sont à la fois temporaires et durables. Inclus dans un projet de recherche qui porte sur la pérennisation des activités de production de services événementiels, cette communication propose de qualifier les festivals musicaux d'Organisations Temporaires Pulsatoires (OTP). Le fonctionnement de ces "organisations-événements" est étudié au travers d'une revue de littérature focalisée sur les structures en réseau et sur les organisations temporaires. Après avoir présenté une typologie d'organisations temporaires, un raisonnement par analogie permet d'établir un parallèle entre les structures déployées entre autres dans le cadre des jeux olympiques et celles des festivals musicaux. Un cycle organisationnel en quatre étapes est mis en lumière et s'articule autour de l'oscillation entre deux états de la structure permettant d'identifier deux phases transitoires. L'étude du cas du festival du Bout du Monde de Crozon (29) met en évidence une convergence entre les éléments théoriques et ceux issus du terrain. Elle permet d'apporter des éléments de réponses sur le caractère pulsatoire de l'organisation ainsi que sur les mécanismes qui régissent ces pulsations. Les données empiriques soulignent aussi le rôle central qu'occupe la logistique dans la phase transitoire entre un état dormant et un état activé de l'OTP qui apparait comme l'un des principaux facteurs de réussite d'un festival. Si la recherche permet de mieux comprendre le fonctionnement des festivals musicaux et met en lumières les mécanismes qui semblent améliorer leur efficacité et garantir leur pérennité, les résultats obtenus mériteront d'être approfondis par d'autres études de cas complémentaires.

Suggested Citation

  • Vincent Salaun & François Fulconis & Nathalie Fabbe-Costes, 2015. "Les festivals musicaux : des organisations temporaires pulsatoires ? Le cas du festival du Bout du Monde," Post-Print hal-01309972, HAL.
    • Handle: RePEc:hal:journl:hal-01309972
    Note: View the original document on HAL open archive server: https://amu.hal.science/hal-01309972
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    References listed on IDEAS

    as
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    Full references (including those not matched with items on IDEAS)

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    Keywords

    Festivals musicaux; Mécanismes pulsatoires; Organisations Temporaires Pulsatoires (OTP); Projets récurrents; Structures en réseau;
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