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From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry

In: Handbook of Cultural and Creative Industries in China

Author

Listed:
  • Qian Wang
  • Jeroen de Kloet

Abstract

China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China’s move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China’s cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals.

Suggested Citation

  • Qian Wang & Jeroen de Kloet, 2016. "From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 21, pages 293-310, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:15544_21
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    File URL: https://www.elgaronline.com/view/9781782549857.00032.xml
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    Cited by:

    1. Fei Peng & Lili Kang & Sajid Anwar & Xue Li, 2019. "Star power and box office revenues: evidence from China," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 43(2), pages 247-278, June.

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