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Handbook of Cultural and Creative Industries in China
Editor
Listed:
- Michael Keane
Abstract
China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China’s move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China’s cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals.
Individual chapters are listed in the "Chapters" tab
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Book Chapters
The following chapters of this book are listed in IDEAS- Michael Keane, 2016. "Introduction," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 1, pages 1-12, Edward Elgar Publishing.
- Zitong Qiu, 2016. "Doing Chinese cultural industries: a reflection on the Blue Book syndrome and remedy paradigm," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 2, pages 15-26, Edward Elgar Publishing.
- Michael Keane, 2016. "The ten thousand things, the Chinese Dream and the creative cultural industries," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 3, pages 27-42, Edward Elgar Publishing.
- Jing Wang, 2016. "The makers are coming! China’s long tail revolution," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 4, pages 43-63, Edward Elgar Publishing.
- Bjarke Liboriussen, 2016. "Balinghou and qilinghou: generational difference and creativity in China," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 5, pages 64-79, Edward Elgar Publishing.
- Michael Alexander Ulfstjerne, 2016. "The artyficial paradise: municipal face-work in a Chinese boomtown," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 6, pages 80-96, Edward Elgar Publishing.
- Michael Keane, 2016. "Editor’s introduction," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 7, pages 99-104, Edward Elgar Publishing.
- Xiaoming Zhang, 2016. "The cultural industries in China: a historical overview," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 8, pages 105-115, Edward Elgar Publishing.
- Wuwei Li, 2016. "The challenges of China’s culture ‘going to the world’," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 9, pages 116-128, Edward Elgar Publishing.
- Huailiang Li, 2016. "Chinese culture ‘going out’: an overview of government policies and an analysis of challenges and opportunities for international collaboration," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 10, pages 129-142, Edward Elgar Publishing.
- Na Yi, 2016. "Ethnic cultural industries and the ‘one place, one product’ strategy," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 11, pages 143-152, Edward Elgar Publishing.
- Yan Li & Ying Huang, 2016. "Globalization and ethnic grounded cultural creativity in Yunnan," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 12, pages 153-166, Edward Elgar Publishing.
- Marina Guo, 2016. "Cultural organizations in China: creating digital platforms for success," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 13, pages 167-180, Edward Elgar Publishing.
- Michael Keane, 2016. "Editor’s introduction," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 14, pages 183-188, Edward Elgar Publishing.
- Florian Schneider, 2016. "The cultural governance of mass media in contemporary China," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 15, pages 189-206, Edward Elgar Publishing.
- Peichi Chung & Lianyuan Yi, 2016. "The regionalization of co-production in the film industries of Hong Kong SAR and Mainland China," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 16, pages 207-225, Edward Elgar Publishing.
- Brian Yecies, 2016. "Chinese transnational cinema and the collaborative tilt toward South Korea," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 17, pages 226-244, Edward Elgar Publishing.
- Yingchi Chu, 2016. "Chinese documentary: towards commercialization," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 18, pages 245-258, Edward Elgar Publishing.
- Wei Lei & Lauren Gorfinkel & Wanning Sun, 2016. "The urban-rural divide in China’s cultural industries: the case of Chinese radio," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 19, pages 259-275, Edward Elgar Publishing.
- Anthony Y.-H. Fung & Vicky Ho, 2016. "Animation industry in China: managed creativity or state discourse?," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 20, pages 276-292, Edward Elgar Publishing.
- Qian Wang & Jeroen de Kloet, 2016. "From ‘Nothing to My Name’ to ‘I Am a Singer’: market, capital, and politics in the Chinese music industry," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 21, pages 293-310, Edward Elgar Publishing.
- Eric C. Hendriks, 2016. "China’s self-help industry: American(ized) life advice in China," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 22, pages 311-328, Edward Elgar Publishing.
- Michael Keane, 2016. "Editor’s introduction," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 23, pages 331-338, Edward Elgar Publishing.
- Lucy Montgomery & Eric Priest, 2016. "Copyright in China’s digital cultural industries," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 24, pages 339-359, Edward Elgar Publishing.
- Ruoyun Bai, 2016. "Commercial and digital transformation of Chinese television," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 25, pages 360-376, Edward Elgar Publishing.
- Xiang Ren, 2016. "Between sustaining and disruptive innovation: China’s digital publishing industry in the age of mobile Internet," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 26, pages 377-395, Edward Elgar Publishing.
- Elaine Jing Zhao, 2016. "Getting connected in China: taming the mobile screen," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 27, pages 396-411, Edward Elgar Publishing.
- Ming Cheung, 2016. "The e-commerce revolution: ensuring trust and consumer rights in China," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 28, pages 412-430, Edward Elgar Publishing.
- Huan Wu, 2016. "Elderly people and the Internet: a demographic reconsideration," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 29, pages 431-444, Edward Elgar Publishing.
- Michael Keane, 2016. "Editor’s introduction," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 30, pages 447-451, Edward Elgar Publishing.
- Christiane M. Herr, 2016. "Between contemporary and traditional: the ongoing search for a Chinese architectural identity," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 31, pages 452-467, Edward Elgar Publishing.
- Tim Lindgren, 2016. "Chinese fashion designers: rebuilding from the centre of the world," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 32, pages 468-483, Edward Elgar Publishing.
- Ran Ma & Cindy Hing-Yuk Wong, 2016. "Spectacles, showcases, marketplaces (and even public spheres): Chinese film festivals as cultural industries," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 33, pages 484-505, Edward Elgar Publishing.
- Juncheng Dai & Michael Keane, 2016. "Who is the knowledge gatekeeper in the creative cluster? A case study of Guangdong Industrial Design City," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 34, pages 506-518, Edward Elgar Publishing.
- Jane Zheng, 2016. "A comparative perspective on the industrialization of art in the Republican period in Shanghai and today’s creative industry clusters," Chapters, in: Michael Keane (ed.), Handbook of Cultural and Creative Industries in China, chapter 35, pages 519-532, Edward Elgar Publishing.
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Keywords
Business and Management; Social Policy and Sociology;Statistics
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