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Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown

Author

Listed:
  • Lauren K. Fink

    (Max Planck Institute for Empirical Aesthetics
    Max Planck NYU Center for Language, Music and Emotion (CLaME))

  • Lindsay A. Warrenburg

    (Sonde Health, Inc)

  • Claire Howlin

    (Queen Mary University of London)

  • William M. Randall

    (University of Jyväskylä)

  • Niels Chr. Hansen

    (Aarhus University
    Aarhus University & Royal Academy of Music Aarhus/Aalborg)

  • Melanie Wald-Fuhrmann

    (Max Planck Institute for Empirical Aesthetics
    Max Planck NYU Center for Language, Music and Emotion (CLaME))

Abstract

Beyond immediate health risks, the COVID-19 pandemic poses a variety of stressors, which may require expensive or unavailable strategies during a pandemic (e.g., therapy, socialising). Here, we asked whether musical engagement is an effective strategy for socio-emotional coping. During the first lockdown period (April–May 2020), we surveyed changes in music listening and making behaviours of over 5000 people, with representative samples from three continents. More than half of respondents reported engaging with music to cope. People experiencing increased negative emotions used music for solitary emotional regulation, whereas people experiencing increased positive emotions used music as a proxy for social interaction. Light gradient-boosted regressor models were used to identify the most important predictors of an individual’s use of music to cope, the foremost of which was, intriguingly, their interest in “coronamusic.” Overall, our results emphasise the importance of real-time musical responses to societal crises, as well as individually tailored adaptations in musical behaviours to meet socio-emotional needs.

Suggested Citation

  • Lauren K. Fink & Lindsay A. Warrenburg & Claire Howlin & William M. Randall & Niels Chr. Hansen & Melanie Wald-Fuhrmann, 2021. "Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown," Palgrave Communications, Palgrave Macmillan, vol. 8(1), pages 1-11, December.
  • Handle: RePEc:pal:palcom:v:8:y:2021:i:1:d:10.1057_s41599-021-00858-y
    DOI: 10.1057/s41599-021-00858-y
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    References listed on IDEAS

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    1. Jenny M Groarke & Michael J Hogan, 2019. "Listening to self-chosen music regulates induced negative affect for both younger and older adults," PLOS ONE, Public Library of Science, vol. 14(6), pages 1-19, June.
    2. Thomas Hale & Noam Angrist & Rafael Goldszmidt & Beatriz Kira & Anna Petherick & Toby Phillips & Samuel Webster & Emily Cameron-Blake & Laura Hallas & Saptarshi Majumdar & Helen Tatlow, 2021. "A global panel database of pandemic policies (Oxford COVID-19 Government Response Tracker)," Nature Human Behaviour, Nature, vol. 5(4), pages 529-538, April.
    3. Minsu Park & Jennifer Thom & Sarah Mennicken & Henriette Cramer & Michael Macy, 2019. "Global music streaming data reveal diurnal and seasonal patterns of affective preference," Nature Human Behaviour, Nature, vol. 3(3), pages 230-236, March.
    4. Cornelia Betsch, 2020. "How behavioural science data helps mitigate the COVID-19 crisis," Nature Human Behaviour, Nature, vol. 4(5), pages 438-438, May.
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    Cited by:

    1. Timothy Yu-Cheong Yeung, 2023. "Revival of positive nostalgic music during the first Covid-19 lockdown in the UK: evidence from Spotify streaming data," Palgrave Communications, Palgrave Macmillan, vol. 10(1), pages 1-12, December.
    2. Natalie Alexa Roese & Julia Merrill, 2021. "Consequences of the COVID-19 Lockdown in Germany: Effects of Changes in Daily Life on Musical Engagement and Functions of Music," IJERPH, MDPI, vol. 18(19), pages 1-18, October.

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