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Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music

Author

Listed:
  • Daniel Harasim

    (École Polytechnique Fédérale de Lausanne)

  • Fabian C. Moss

    (École Polytechnique Fédérale de Lausanne)

  • Matthias Ramirez

    (École Polytechnique Fédérale de Lausanne)

  • Martin Rohrmeier

    (École Polytechnique Fédérale de Lausanne)

Abstract

Tonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of approximately 13,000 musical pieces in MIDI format, we present two models to infer both the number and characteristics of modes of different historical periods from first principles: a geometric model of modes as clusters of musical pieces in a non-Euclidean space, and a cognitively plausible Bayesian model of modes as Dirichlet distributions. We use the geometric model to determine the optimal number of modes for five historical epochs via unsupervised learning and apply the probabilistic model to infer the characteristics of the modes. Our results show that the inference of four modes is most plausible in the Renaissance, that two modes–corresponding to major and minor–are most appropriate in the Baroque and Classical eras, whereas no clear separation into distinct modes is found for the 19th century.

Suggested Citation

  • Daniel Harasim & Fabian C. Moss & Matthias Ramirez & Martin Rohrmeier, 2021. "Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music," Palgrave Communications, Palgrave Macmillan, vol. 8(1), pages 1-11, December.
    • Handle: RePEc:pal:palcom:v:8:y:2021:i:1:d:10.1057_s41599-020-00678-6
    DOI: 10.1057/s41599-020-00678-6
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    References listed on IDEAS

    as
    1. Patrick E. Savage, 2019. "Cultural evolution of music," Palgrave Communications, Palgrave Macmillan, vol. 5(1), pages 1-12, December.
    2. Fabian C Moss & Markus Neuwirth & Daniel Harasim & Martin Rohrmeier, 2019. "Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets," PLOS ONE, Public Library of Science, vol. 14(6), pages 1-16, June.
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    Cited by:

    1. Fabian C. Moss & Robert Lieck & Martin Rohrmeier, 2024. "Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-11, December.

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