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Cultural macroevolution of musical instruments in South America

Author

Listed:
  • Gabriel Aguirre-Fernández

    (University of Zurich)

  • Chiara Barbieri

    (University of Zurich
    Max Planck Institute for the Science of Human History
    University of Zurich)

  • Anna Graff

    (University of Zurich
    University of Zurich)

  • José Pérez de Arce

    (Universidad de Chile)

  • Hyram Moreno

    (Museo de Ciencias Naturales)

  • Marcelo R. Sánchez-Villagra

    (University of Zurich)

Abstract

Musical instruments provide material evidence to study the diversity and technical innovation of music in space and time. We employed a cultural evolutionary perspective to analyse organological data and their relation to language groups and population history in South America, a unique and complex geographic area for human evolution. The ethnological and archaeological native musical instrument record, documented in three newly assembled continental databases, reveals exceptionally high diversity of wind instruments. We explored similarities in the collection of instruments for each population, considering geographic patterns and focusing on groupings associated with language families. A network analysis of panpipe organological features illustrates four regional/cultural clusters: two in the Tropical Forest and two in the Andes. Twenty-five percent of the instruments in the standard organological classification are present in the archaeological, but not in the ethnographic record, suggesting extinction events. Most recent extinctions can be traced back to European contact, causing a reduction in indigenous cultural diversity.

Suggested Citation

  • Gabriel Aguirre-Fernández & Chiara Barbieri & Anna Graff & José Pérez de Arce & Hyram Moreno & Marcelo R. Sánchez-Villagra, 2021. "Cultural macroevolution of musical instruments in South America," Palgrave Communications, Palgrave Macmillan, vol. 8(1), pages 1-12, December.
    • Handle: RePEc:pal:palcom:v:8:y:2021:i:1:d:10.1057_s41599-021-00881-z
    DOI: 10.1057/s41599-021-00881-z
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    References listed on IDEAS

    as
    1. Patrick E. Savage, 2019. "Cultural evolution of music," Palgrave Communications, Palgrave Macmillan, vol. 5(1), pages 1-12, December.
    2. Mason Youngblood & David Lahti, 2018. "A bibliometric analysis of the interdisciplinary field of cultural evolution," Palgrave Communications, Palgrave Macmillan, vol. 4(1), pages 1-9, December.
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    5. Mason Youngblood & David Lahti, 2018. "Correction: A bibliometric analysis of the interdisciplinary field of cultural evolution," Palgrave Communications, Palgrave Macmillan, vol. 4(1), pages 1-2, December.
    6. Alexander G. Ioannidis & Javier Blanco-Portillo & Karla Sandoval & Erika Hagelberg & Juan Francisco Miquel-Poblete & J. Víctor Moreno-Mayar & Juan Esteban Rodríguez-Rodríguez & Consuelo D. Quinto-Cort, 2020. "Native American gene flow into Polynesia predating Easter Island settlement," Nature, Nature, vol. 583(7817), pages 572-577, July.
    7. Daniel H Chitwood, 2014. "Imitation, Genetic Lineages, and Time Influenced the Morphological Evolution of the Violin," PLOS ONE, Public Library of Science, vol. 9(10), pages 1-13, October.
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    Cited by:

    1. Duncan Learmouth & Robert. H. Layton & Jamshid. J. Tehrani, 2024. "The evolution of cultural diversity in Pama-Nyungan Australia," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-16, December.

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