IDEAS home Printed from https://ideas.repec.org/a/nea/journl/y2020i47p214-223.html
   My bibliography  Save this article

About the availability of the theatre: Prices, incomes, inequality

Author

Listed:
  • Rubinstein, A.

    (Institute of Economics of the Russian Academy of Sciences, Moscow, Russia
    State Institute for Art Studies, Moscow, Russia)

Abstract

The basis of this empirical study was the results of the "First All-Russian Sociological Survey of Theater Spectators", which was attended by about 11 thousand respondents who answered the questionnaire regarding more than 80% of state and municipal theaters located in 178 cities of Russia, classified into eight groups sorted by their population. In the context of the same groups of cities, the data of the "Selective Observation of Population's Incomes and Participation in Social Programs, 2016" of the Federal State Statistics Service (Rosstat) were used. Answering the corresponding question in the questionnaire, almost a quarter of the participants in the sociological survey indicated that, at their current income, the prices for tickets to the theater were unavailable or were of limited availability for them. It was shown that of the two main factors, determining solvent demand, theater tickets prices after the "May 2012 Decrees" had grown faster than the general level of consumer prices (inflation) and consumer income, having caused the revealed level of theater inaccessibility. The use of data on the distribution of the average wage of the selective observation of incomes, in the context of the indicated groups of cities, made it possible to answer the question of whether income inequality was related to the availability of theatrical goods. It was shown that a higher level of audience income was not a factor, determining the greater availability of theater as wealth, as well as the fact that with low incomes, the public accessibility to theatres was less. It was concluded that the hypothesis about the connection between income inequality and the availability of theatrical goods was invalid.

Suggested Citation

  • Rubinstein, A., 2020. "About the availability of the theatre: Prices, incomes, inequality," Journal of the New Economic Association, New Economic Association, vol. 47(3), pages 214-223.
  • Handle: RePEc:nea:journl:y:2020:i:47:p:214-223
    DOI: 10.31737/2221-2264-2020-47-3-13
    as

    Download full text from publisher

    File URL: http://www.econorus.org/repec/journl/2020-47-214-223r.pdf
    Download Restriction: no

    File URL: https://libkey.io/10.31737/2221-2264-2020-47-3-13?utm_source=ideas
    LibKey link: if access is restricted and if your library uses this service, LibKey will redirect you to where you can use your library subscription to access this item
    ---><---

    References listed on IDEAS

    as
    1. Varshavsky, A., 2020. "Analysis of income inequality impact on the musical art," Journal of the New Economic Association, New Economic Association, vol. 46(2), pages 118-137.
    2. Victor Ginsburgh & David Throsby, 2006. "Handbook of the economics of art and culture," ULB Institutional Repository 2013/1673, ULB -- Universite Libre de Bruxelles.
    3. Seaman, Bruce A, 2006. "Empirical Studies of Demand for the Performing Arts," Handbook of the Economics of Art and Culture, in: V.A. Ginsburgh & D. Throsby (ed.), Handbook of the Economics of Art and Culture, edition 1, volume 1, chapter 14, pages 415-472, Elsevier.
    Full references (including those not matched with items on IDEAS)

    Most related items

    These are the items that most often cite the same works as this one and are cited by the same works as this one.
    1. Cabane, Charlotte & Hille, Adrian & Lechner, Michael, 2015. "Mozart or Pelé? The effects of teenagers’ participation in music and sports," Economics Working Paper Series 1509, University of St. Gallen, School of Economics and Political Science.
    2. Avtonomov, Yu., 2012. "Elasticity of Demand for Performing Art at Price and Income: Basic Results of Empiric Research," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 135-138.
    3. Karol Jan Borowiecki & Concetta Castiglione, 2014. "Cultural Participation and Tourism Flows: An Empirical Investigation of Italian Provinces," Tourism Economics, , vol. 20(2), pages 241-262, April.
    4. Karol Jan Borowiecki & Trilce Navarrete, 2018. "Fiscal and economic aspects of book consumption in the European Union," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(2), pages 309-339, May.
    5. Marta Zieba, 2009. "Full-income and price elasticities of demand for German public theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 33(2), pages 85-108, May.
    6. Rubinstein, A., 2012. "Trends and Regularities of Consumption in the Performing Arts," Journal of the New Economic Association, New Economic Association, vol. 14(2), pages 158-164.
    7. Aleksandra Wiśniewska & Wiktor Budziński & Mikołaj Czajkowski, 2018. "Publicly funded cultural institutions – a comparative economic valuation study," Working Papers 2018-22, Faculty of Economic Sciences, University of Warsaw.
    8. Michael Getzner, 2020. "Spatially Disaggregated Cultural Consumption: Empirical Evidence of Cultural Sustainability from Austria," Sustainability, MDPI, vol. 12(23), pages 1-19, December.
    9. E. Bertacchini & A. Venturini & R. Zotti, 2022. "Drivers of cultural participation of immigrants: evidence from an Italian survey," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(1), pages 57-100, March.
    10. Concetta Castiglione & Roberto Zanola, 2019. "The Demand and Supply for Popular Culture: Evidence from Italian Circuses," Italian Economic Journal: A Continuation of Rivista Italiana degli Economisti and Giornale degli Economisti, Springer;Società Italiana degli Economisti (Italian Economic Association), vol. 5(3), pages 349-367, October.
    11. Keita Kinjo & Shinya Sugawara, 2014. "An Empirical Analysis for a Case-based Decision to Watch Japanese TV dramas," CIRJE F-Series CIRJE-F-940, CIRJE, Faculty of Economics, University of Tokyo.
    12. Luis César Herrero & José ángel Sanz & María Devesa, 2011. "Measuring the Economic Value and Social Viability of a Cultural Festival as a Tourism Prototype," Tourism Economics, , vol. 17(3), pages 639-653, June.
    13. NANDI, Tushar K. & ROCHELANDET, Fabrice, 2008. "The Incentives for Contributing Digital Contents Over P2P Networks: An Empirical Investigation," MPRA Paper 51301, University Library of Munich, Germany.
    14. Luis F. Aguado & Elisabetta Lazzaro & Luis A. Palma Martos & Ana M. Osorio Mejia, 2018. "Newspaper Reading as a Form of Cultural Participation: The Case of Colombia," Review of Economics & Finance, Better Advances Press, Canada, vol. 11, pages 40-54, February.
    15. Eva Vicente & Pablo de Frutos, 2011. "Application of the travel cost method to estimate the economic value of cultural goods: Blockbuster art exhibitions," Hacienda Pública Española / Review of Public Economics, IEF, vol. 196(1), pages 37-63, january.
    16. Eleftherios Giovanis, 2021. "Participation in socio-cultural activities and subjective well-being of natives and migrants: evidence from Germany and the UK," International Review of Economics, Springer;Happiness Economics and Interpersonal Relations (HEIRS), vol. 68(4), pages 423-463, December.
    17. Fabrice Le Guel & Mohamed El Hedi Arouri & Fabrice Rochelandet, 2010. "L’entrelacement des pratiques culturelles et de l’usage des TIC : une analyse économique," Économie et Prévision, Programme National Persée, vol. 194(3), pages 33-55.
    18. Lechner, Michael & Hille, Adrian & Cabane, Charlotte, 2015. "Mozart or Pelé? The effects of teenagers? participation in music and sports," CEPR Discussion Papers 10556, C.E.P.R. Discussion Papers.
    19. Concetta Castiglione, 2011. "The Demand for Theatre. A Microeconomic Approach to the Italian Case," Trinity Economics Papers tep0911, Trinity College Dublin, Department of Economics.
    20. Lunn, Pete & Kelly, Elish, 2009. "Accounting for Taste: An Examination of Socioeconomic Gradients in Attendance at Arts Events," Papers WP283, Economic and Social Research Institute (ESRI).

    More about this item

    Keywords

    theater; sociological research; attendance; prices; per capita income of spectators; the availability of theatrical goods;
    All these keywords.

    JEL classification:

    • D31 - Microeconomics - - Distribution - - - Personal Income and Wealth Distribution
    • D63 - Microeconomics - - Welfare Economics - - - Equity, Justice, Inequality, and Other Normative Criteria and Measurement
    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature
    • Z13 - Other Special Topics - - Cultural Economics - - - Economic Sociology; Economic Anthropology; Language; Social and Economic Stratification
    • Z18 - Other Special Topics - - Cultural Economics - - - Public Policy

    Statistics

    Access and download statistics

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:nea:journl:y:2020:i:47:p:214-223. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    If CitEc recognized a bibliographic reference but did not link an item in RePEc to it, you can help with this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Alexey Tcharykov (email available below). General contact details of provider: https://edirc.repec.org/data/nearuea.html .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.