Perverse outcomes of intense competition in the popular arts and its implications for product quality
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DOI: 10.1007/s10824-008-9071-1
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References listed on IDEAS
- Stigler, George J., 2011.
"Economics of Information,"
Ekonomicheskaya Politika / Economic Policy, Russian Presidential Academy of National Economy and Public Administration, vol. 5, pages 35-49.
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- De Vany, Arthur S. & Walls, W. David, 2004. "Motion picture profit, the stable Paretian hypothesis, and the curse of the superstar," Journal of Economic Dynamics and Control, Elsevier, vol. 28(6), pages 1035-1057, March.
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Cited by:
- Frank, Joshua M. & Carlisle-Frank, Pamela, 2009. "The role of relationships in labor markets for the popular arts and its impact on product quality," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 38(2), pages 384-390, March.
- Frank, Joshua & Sohn, Saeyoon, 2011. "A behavioral economic analysis of excess entry in arts labor markets," Journal of Behavioral and Experimental Economics (formerly The Journal of Socio-Economics), Elsevier, vol. 40(3), pages 265-273, May.
- Samuel Cameron, 2011. "Criticism," Chapters, in: Ruth Towse (ed.), A Handbook of Cultural Economics, Second Edition, chapter 19, Edward Elgar Publishing.
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Keywords
Artist; Popular arts; Quality; Superstar; Screening; Talent;All these keywords.
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