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Economics and the architecture of popular music

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  • Crain, W. Mark
  • Tollison, Robert D.

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  • Crain, W. Mark & Tollison, Robert D., 1997. "Economics and the architecture of popular music," Journal of Economic Behavior & Organization, Elsevier, vol. 32(2), pages 185-205, February.
    • Handle: RePEc:eee:jeborg:v:32:y:1997:i:2:p:185-205
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    References listed on IDEAS

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    1. Coase, R H, 1979. "Payola in Radio and Television Broadcasting," Journal of Law and Economics, University of Chicago Press, vol. 22(2), pages 269-328, October.
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    Cited by:

    1. Marco Palomeque & Juan de-Lucio, 2024. "The Soundtrack of a Crisis: More Positive Music Preferences During Economic and Social Adversity," Journal of Happiness Studies, Springer, vol. 25(5), pages 1-24, June.
    2. W. Crain & Robert Tollison, 2002. "Consumer Choice and the Popular Music Industry: A Test of the Superstar Theory," Empirica, Springer;Austrian Institute for Economic Research;Austrian Economic Association, vol. 29(1), pages 1-9, March.
    3. Andrew Weinbach & Phillip Kamau Njoroge & Robert Salvino & Arch Woodside, 2024. "Strategic behavior, artistic integrity, and tradeoffs in popular music," Contemporary Economic Policy, Western Economic Association International, vol. 42(3), pages 483-497, July.
    4. Andrea Ordanini, 2006. "Selection models in the music industry: How a prior independent experience may affect chart success," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(3), pages 183-200, December.
    5. Maymin, Philip, 2012. "Music and the market: Song and stock volatility," The North American Journal of Economics and Finance, Elsevier, vol. 23(1), pages 70-85.
    6. Elmer Sterken, 2014. "Collective Memory and Nostalgia in The Dutch Radio2 Top2000 Chart 1999-2013," CESifo Working Paper Series 4632, CESifo.

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