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Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age

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  • Moser, Petra
  • Giorcelli, Michela

Abstract

This paper exploits exogenous variation in the adoption of copyrights – as a result of the timing of Napoléon’s military victories in Italy – to examine the effects of copyrights on creativity. To measure changes in creative output we compare changes in the creation of new operas across states with and without copyrights. Difference-in-differences analyses show that basic copyrights increased both the number and the quality of operas, measured by their popularity and durability. Notably, there is no evidence of comparable benefits for extensions in copyright lengths. Complementary analyses for other types of musical compositions confirm the main results.

Suggested Citation

  • Moser, Petra & Giorcelli, Michela, 2020. "Copyright and Creativity. Evidence from Italian Opera During the Napoleonic Age," CEPR Discussion Papers 14498, C.E.P.R. Discussion Papers.
  • Handle: RePEc:cpr:ceprdp:14498
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    Cited by:

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    2. Salvatore Di Novo & Giorgio Fazio & Jonathan Sapsed & Josh Siepel, 2022. "Starving the golden goose? Access to finance for innovators in the creative industries," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 46(2), pages 345-386, June.
    3. Demirdogen, Alper & Guldal, Huseyin Tayyar & Sanli, Hasan, 2023. "Monoculture, crop rotation policy, and fire," Ecological Economics, Elsevier, vol. 203(C).
    4. Olena Ivus & Walter G. Park, 2022. "All rights reserved: Copyright protection and multinational knowledge transfers," Economic Inquiry, Western Economic Association International, vol. 60(3), pages 1064-1091, July.
    5. Dionne, Georges & Fenou, Akouété & Mnasri, Mohamed, 2023. "Consolidation of the US property and casualty insurance industry: Is climate risk a causal factor for mergers and acquisitions?," Working Papers 23-1, HEC Montreal, Canada Research Chair in Risk Management.
    6. Laura Alfaro & Cathy Ge Bao & Maggie X. Chen & Junjie Hong & Claudia Steinwender, 2022. "Omnia Juncta in Uno: Foreign Powers and Trademark Protection in Shanghai’s Concession Era," NBER Working Papers 29721, National Bureau of Economic Research, Inc.
    7. S. Alex Yang & Angela Huyue Zhang, 2024. "Generative AI and Copyright: A Dynamic Perspective," Papers 2402.17801, arXiv.org.
    8. Arianna Martinelli & Alessandro Nuvolari & Elisa Palagi & Emanuele Russo, 2022. "Digitalization, copyright and innovation in the creative industries: an agent-based model," LEM Papers Series 2022/03, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
    9. Alper Demirdogen, 2023. "Before Privatization There was Its Impact: Sugar Factories in Turkey," Review of Industrial Organization, Springer;The Industrial Organization Society, vol. 62(2), pages 199-218, March.
    10. Jinglei Huang & Danxia Xie & Zhihao Xu, 2024. "Sequential innovation and contribution distribution: measurement from game live-streaming industry," Palgrave Communications, Palgrave Macmillan, vol. 11(1), pages 1-10, December.
    11. Etro, Federico, 2024. "Art and Markets in the Greco-Roman World," The Journal of Economic History, Cambridge University Press, vol. 84(2), pages 432-478, June.
    12. Kuroiwa, Kenichi, 2022. "Do stronger intellectual property rights increase patents? Natural experiments in Japan," 2022 Annual Meeting, July 31-August 2, Anaheim, California 322564, Agricultural and Applied Economics Association.
    13. Xiaolin Li & Chenxi Liao & Ying Xie, 2021. "Digital Piracy, Creative Productivity, and Customer Care Effort: Evidence from the Digital Publishing Industry," Marketing Science, INFORMS, vol. 40(4), pages 685-707, July.
    14. Christian Peukert & Margaritha Windisch, 2023. "The Economics of Copyright in the Digital Age," CESifo Working Paper Series 10687, CESifo.
    15. Christophe Bellégo & Romain De Nijs, 2020. "The Unintended Consequences of Antipiracy Laws on Markets with Asymmetric Piracy: The Case of the French Movie Industry," Information Systems Research, INFORMS, vol. 31(4), pages 1064-1086, December.
    16. Alexander Cuntz & Carsten Fink & Hansueli Stamm, 2024. "Artificial Intelligence and Intellectual Property : An Economic Perspective," WIPO Economic Research Working Papers 77, World Intellectual Property Organization - Economics and Statistics Division.
    17. Verena Komander & Andreas König, 2024. "Organizations on stage: organizational research and the performing arts," Management Review Quarterly, Springer, vol. 74(1), pages 303-352, February.

    More about this item

    Keywords

    Copyright; Creativity; Intellectual property; Institutions; Napoleon; Opera; Code civil;
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